A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction lead by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big time when Black himself becomes a boss, all the while Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished. Written by
P. Wong <firstname.lastname@example.org>
Despite the fact that this was filmed in Super 35, "Filmed in Panavision" is listed in the end credits. See more »
The news headline Lefty shows Donnie in the car is of the famous photo of the Carmine Galante crime scene. In the next scene they pull up to Sonny's club and there are small piles of snow on the sidewalk. Carmine was killed in July 1979. There would have been no snow. See more »
What's forget about it?
Forget about it is like if you agree with someone, you know, like Raquel Welch is one great piece of ass, forget about it. But then, if you disagree, like A Lincoln is better than a Cadillac? Forget about it! you know? But then, it's also like if something's the greatest thing in the world, like mingia those peppers, forget about it. But it's also like saying Go to hell! too. Like, you know, like "Hey Paulie, you got a one inch pecker?" and Paulie says "Forget about it!"...
See more »
For some reason a Johnny Depp movie is always interesting. Whether it is a biopic about Ed Wood, a dark fairy tale about a man with scissors instead of hands, a movie about the greatest lover the world has ever known or a adventurous story about pirates, Depp's performance alone makes it worth seeing. Here he plays FBI-agent Joe Pistone who goes undercover using the name Donnie Brasco. He becomes a wiseguy with the help of Lefty (Al Pacino), who is sort of a loser wiseguy who desperately needs to be a mentor because most of his mafia family members look down on him. Donnie comes as a gift from heaven and it does not take long before Lefty trusts Donnie completely. The problem for FBI-agent Donnie is that he's starting to like Lefty as well.
The movie is a gangster movie but has its focus on the relationship between Lefty and Donnie and sometimes on other relationships. Donnie, or Joe, is married to Maggie (Anne Heche) who he hardly sees. He can not exactly tell her what he is doing and sometimes stays away for a couple of weeks. She pretends she is a widow to deal with it. We also learn about the relationships in the mafia family, including new boss Sonny (Michael Madsen).
The fact that this movie is more about the people and their relationships than about the events is a good thing. Sure movies like 'Goodfellas' are terrific but to see something a little different from time to time is nice as well. If you make a movie about people and their emotions you need to have some good performers to make the scenes believable. I already mentioned Depp but of course we have Pacino here as well. His Lefty is a memorable character and it is Pacino who makes sure that happens, but the fact that Depp is as good and especially believable as heavyweight Pacino says something. Of course we have Madsen who was probably the only right actor for the macho mobster Sonny.
Director Mike Newell seems to be a strange choice for this sometimes very violent and bloody story since he directed the terrific but sweet 'Four Weddings and a Funeral'. Fortunately it turns out he is the right man for this material, probably because its real subject is not gangsters but, like I said before, the relationships between the characters. 'Donnie Brasco' has enough to offer for people who like the gangster-genre, but even if you are normally not a big fan there is still a chance you might like it.
80 of 93 people found this review helpful.
Was this review helpful to you?