This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction led by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for 'the bosses'. Eventually, the group become big-time when Black himself becomes a boss; all the while, Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart, and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished. Written by
P. Wong <email@example.com>
When Donnie and Nicky read the newspaper headline about the boss getting killed, the picture shows mob boss Carmine Galante, who was killed in back of a Brooklyn, N.Y. restaurant in 1979. See more »
When Lefty makes the coq au vin, he dredges the chicken in flour before browning it (highly unusual and not the classic method, as it often results in blackened flour), then sprinkles a few drops of brandy on the chicken immediately after putting it in the pan (in reality, this is done later, after the chicken has browned on all sides), which results in a flame far too big and too yellow to have been caused by a mere splash of brandy. See more »
What's "Forget about it"?
"Forget about it" is, like, if you agree with someone, you know, like "Raquel Welch is one great piece of ass. Forget about it!" But then, if you disagree, like "A Lincoln is better than a Cadillac? Forget about it!" You know? But then, it's also like if something's the greatest thing in the world, like, "Minghia! Those peppers! Forget about it!" But it's also like saying "Go to hell!" too. Like, you know, like "Hey Paulie, you got a one-inch pecker?" and Paulie says "...
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In a world filled with overheated, and frequently overpraised, gangster movies, it seems to me that Mike Newell's 'Donnie Brasco', the story of a cop who goes undercover to infiltrate the mob, is arguably overlooked. Based on real life events, it contains great performances from Johnny Depp and Al Pacino, a complex but coherent plot, addresses universal themes (divided loyalties, the evolution of human relationships and behaviour) and the ending is genuinely moving. Perhaps it's not fast-paced enough for devotees of the genre; more likely it "fails" this audience for its very success in portraying the mafia as fundamentally pathetic, whereas most gangster pictures at least partly buy into the glamorous myth. But for me, this a superior film to Scorcese's 'Goodfellas', with a faint note of very black comedy that sounds behind the slaughter. Recommended.
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