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Like Someone in Love (2012)

Not Rated  |   |  Drama  |  15 September 2012 (Japan)
6.9
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Ratings: 6.9/10 from 5,827 users   Metascore: 76/100
Reviews: 29 user | 157 critic | 31 from Metacritic.com

In Tokyo, a young sex worker develops an unexpected connection with a widower over a period of two days.

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Cast

Cast overview:
...
Takashi Watanabe
...
Akiko
...
Noriaki
Denden ...
Hiroshi
Reiko Mori ...
Nagisa
Kaneko Kubota ...
Akiko's grandmother
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Storyline

Like Someone in Love I is a Japanese film directed by Abbas kiarostami. It has been selected to be screened in the main competition section at the 2012 Cannes Film Festival. The film is set during the mighty Heisei Dynasty-period in Japanese history. Written by Abbas kiarostami. Written by Ugetsu

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Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

15 September 2012 (Japan)  »

Also Known As:

Ez is szerelem?  »

Filming Locations:

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Box Office

Opening Weekend:

$21,813 (USA) (15 February 2013)

Gross:

$221,390 (USA) (19 April 2013)
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Company Credits

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In the late 1990s Abbas Kiarostami was driving late at night while on a visit to Tokyo and witnessed a young girl on the side of the street dressed as a bride. In the years following, while visiting Tokyo to promote other films, he realized that he was always looking for that same girl because she had left such an impression but that he would never likely notice her again in real life because she wouldn't be wearing the same dress. This experience became the basis for the film. See more »

Quotes

Takashi: [subtitled version] Who said not to love her? I said not to marry her.
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Connections

Featured in At the Movies: Cannes Film Festival 2012 (2012) See more »

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User Reviews

 
A peculiar relationship dissected as subtly as possible
4 May 2013 | by (Ontario, Canada) – See all my reviews

"Like Someone in Love" is Abbas Kiarostami's follow-up to the mind- bending relationship drama "Certified Copy". Dissection of the title alone provides so many interesting clues and directions for the film to take in addition to what was analyzed previously. And while it does in fact address those interesting ideas (indirectly), it is as minimal as any film-going audience could possibly stand. We essentially watch an unexplained relationship unfold in almost real-time (just under 24 hours).

Akiko (Rin Takashi) is a college-aged girl up to something in the big city of Tokyo that is probably not good for her. She's having an argument with her boyfriend on the phone and she's saying no to a job that a middle-aged man is offering her. This middle-aged man is clearly her pimp and "no" means "yes, sir, I will do whatever you tell me to." So into the cab Akiko goes and we begin to worry about her safety. We spent an awful long time worrying about her safety with no idea what lies ahead for her. The cab ride was two hours long and we saw a lot of it. Akiko arrives at the apartment of an older gentleman looking for companionship. We don't really know what exactly Takashi Watanabe (Tadashi Okuno) wanted with Akiko, and then in the morning he drives her back to Tokyo. Another long car ride.

Visually the car rides were impeccably shot. The scenery was reflected in the windshield and we could still see the characters' faces behind. Unfortunately we don't really know what's happening with these characters during these long car rides. Sometimes a car ride is just a car ride.

Eventually we meet Noriaki (Ryo Kase), Akiko's offensive boyfriend. And he starts putting the relationships into perspective. A different perspective. He allows Akiko and Watanabe to act differently than they actually are, which allows us to start seeing them as they actually are. And then it ends. Well, not quite that quickly, but without giving anything away, it ends.

We're given so little on screen to examine that it can be frustrating even to the viewers that appreciate the subtle beauty in film. Two weeks after first seeing it, my mind has started to form a few opinions on what was being said but it's still a bit too little, too late.


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