Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
In the late 1990s Abbas Kiarostami was driving late at night while on a visit to Tokyo and witnessed a young girl on the side of the street dressed as a bride. In the years following, while visiting Tokyo to promote other films, he realized that he was always looking for that same girl because she had left such an impression but that he would never likely notice her again in real life because she wouldn't be wearing the same dress. This experience became the basis for the film. See more »
If we're married, she has to answer me.
Ideally, yes. That's why I'm saying you lack experience.
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I watched this movie on silver screen twice up to now and I'm sure I can check it out ten more times and still enjoy it. It's definitely a minimal piece of art but it's as deep as life. It looks simple but it doesn't mean you can't elaborate. Kiarostami highlights lifelike stories. Stories which belong to us, ordinary people! Aren't they important? And Kiarostami doesn't conceal this fact that he likes Haiku and Japanese culture but he doesn't have any idea how this feelings came up to him. He started writing poems that resembled Haiku when he was just 20! The serene, nonchalant, and often profoundly philosophical language of haiku allows the poet to swiftly touch on the core of the universal human condition: love, despair, humor, death; as his movies do and now Kiarostami made his last movie (and one of the best ones) where Haiku was blossomed: Japan. All these said, I can't ignore the innovative cinematographic techniques he used in "Like Someone in Love" that adds to the beauty of this movie. Remember the first scene in the bar with Camera fixed on a table, the girl is talking in behind while we see other people activities. We don't know what we should track. The other scenes in the car which camera plays with lights and shadows are just magnificent. I'm really amazed how delicately he sets up these all. Every detail is deliberated. Briefly, if you are bored of the stupid stories we see in the movies nowadays and instead want to know what's behind go and check this out.
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