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A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Director:
Michael Hoffman
Stars:
Helen Mirren,
James McAvoy,
Christopher Plummer
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
The true story of Paul Rusesabagina, a hotel manager who housed over a thousand Tutsi refugees during their struggle against the Hutu militia in Rwanda.
Director:
Terry George
Stars:
Don Cheadle,
Sophie Okonedo,
Joaquin Phoenix
The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
Director:
Clint Eastwood
Stars:
Ken Watanabe,
Kazunari Ninomiya,
Tsuyoshi Ihara
In the early 1970s, Nicholas Garrigan, a young semi-idealistic Scottish doctor, comes to Uganda to assist in a rural hospital. Once there, he soon meets up with the new President, Idi Amin, who promises a golden age for the African nation. Garrigan hits it off immediately with the rabid Scotland fan, who soon offers him a senior position in the national health department and becomes one of Amin's closest advisers. However as the years pass, Garrigan cannot help but notice Amin's increasingly erratic behavior that grows beyond a legitimate fear of assassination into a murderous insanity that is driving Uganda into bloody ruin. Realizing his dire situation with the lunatic leader unwilling to let him go home, Garrigan must make some crucial decisions that could mean his death if the despot finds out. Written by
Kenneth Chisholm (kchishol@rogers.com)
The movie was based on the book by Giles Foden, who also cameos as a British Journalist at the press conference held by Amin. See more »
Goofs
(at around 1h 50 mins) The Amarula liquor bottles shown in the Duty Free shop in the airport couldn't have been there at that time, because this South-African product wasn't marketed until 1989. See more »
How can an actor terrify you without saying a word, without even hardly moving his face or body? I'm not sure how he does it, but Mr. Whitaker does it over and over again in this movie. And then he turns around the next minute and becomes giant hug-able teddy bear superhero. Forget all the others, this is the best horror film of the year. This movie, and his performance in particular, grab hold of you and never let go. Whitaker should win an Oscar for best actor, I've never seen a better performance in my life. Also notable is the Nicholas Garrigan character who is written and acted very skilfully to draw the (non-African) spectator into the world of Uganda and Amin. The way his character willingly "falls into" Amin's web of charisma somehow goes a long way toward mitigating the racist potential of a story about a very troubled (African black) man. The way the interplay of the two lead character's cultural backgrounds plays out on screen moves the story beyond just their personalities and into the realm of incisive socio-political analysis and critique. This movie is quite incredible, really.
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How can an actor terrify you without saying a word, without even hardly moving his face or body? I'm not sure how he does it, but Mr. Whitaker does it over and over again in this movie. And then he turns around the next minute and becomes giant hug-able teddy bear superhero. Forget all the others, this is the best horror film of the year. This movie, and his performance in particular, grab hold of you and never let go. Whitaker should win an Oscar for best actor, I've never seen a better performance in my life. Also notable is the Nicholas Garrigan character who is written and acted very skilfully to draw the (non-African) spectator into the world of Uganda and Amin. The way his character willingly "falls into" Amin's web of charisma somehow goes a long way toward mitigating the racist potential of a story about a very troubled (African black) man. The way the interplay of the two lead character's cultural backgrounds plays out on screen moves the story beyond just their personalities and into the realm of incisive socio-political analysis and critique. This movie is quite incredible, really.