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Four Weddings and a Funeral (1994) 7.0
Ratings:
7.0/10 from 74,482 users
Metascore: 81/100
Reviews: 177 user | 77 critic | 19 from Metacritic.com Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love. Director:Mike NewellWriter:Richard Curtis |
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Title: Four Weddings and a Funeral (1994)
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Cast
| Cast overview, first billed only: | |||
| Hugh Grant | ... | ||
| James Fleet | ... | ||
| Simon Callow | ... | ||
| John Hannah | ... | ||
| Kristin Scott Thomas | ... | ||
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David Bower | ... |
David - Wedding One
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| Charlotte Coleman | ... |
Scarlett - Wedding One
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| Andie MacDowell | ... |
Carrie - Wedding One
(as Andie Macdowell)
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Timothy Walker | ... |
Angus the Groom - Wedding One
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Sara Crowe | ... |
Laura the Bride - Wedding One
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Ronald Herdman | ... |
Vicar - Wedding One
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| Elspet Gray | ... |
Laura's Mother - Wedding One
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Philip Voss | ... |
Laura's Father - Wedding One
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Rupert Vansittart | ... |
George the Boor at The Boatman - Wedding One
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| Nicola Walker | ... |
Frightful Folk Duo - Wedding One
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Plot Summary
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Plot Synopsis
Storyline
The film follows the fortunes of Charles and his friends as they wonder if they will ever find true love and marry. Charles thinks he's found "Miss Right" in Carrie, an American. This British subtle comedy revolves around Charlie, his friends and the four weddings and one funeral which they attend. Written by Rob Hartill
Taglines:
love is on the air, run for cover See more »Motion Picture Rating (MPAA)
Rated R for language, and for some sexuality | See all certifications »Parents Guide:
View content advisory »
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See full technical specs »
Details
Country:
UKRelease Date:
9 March 1994 (USA) See more »Also Known As:
Cuatro bodas y un funeral See more »Box Office
Budget:
£3,500,000 (estimated)Gross:
£25,532,239 (UK) (9 September 1994)Company Credits
Show detailed
company contact information
on
IMDbPro »
Technical Specs
Runtime:
Color:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1
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Charles: [wakes up and looks at his bedside clock] Oh... *fuck*! Fuck!
See more »
(1951)
Written by Milton Kellem (as Kellem)
Published by Polygram International Publishing Inc.
See more »
Did You Know?
Trivia
As of 1999 it is the highest-grossing British film in cinema history with worldwide box office in excess of $260 million. See more »Goofs
At the second wedding, Charles and Scarlet are depicted as sprinting to the church from their house. They live in Highbury and the church in the EC2 area of London - a distance of almost three miles which - whilst not impossible - is improbable. See more »Quotes
[first lines]Charles: [wakes up and looks at his bedside clock] Oh... *fuck*! Fuck!
See more »
Crazy Credits
Kristin Scott Thomas, who played the hapless Fiona, never noticed by Hugh Grant, does better in the end credits where she is shown in faked photos marrying Prince Charles. See more »Soundtracks
"GONNA GET ALONG WITHOUT YOU NOW"(1951)
Written by Milton Kellem (as Kellem)
Published by Polygram International Publishing Inc.
See more »
The movie was funny, easy to watch. Hugh Grant's character - the same one he plays in every film - is sufficiently charming that it can pull you through any number of storybook plots without all that much trouble.
But Andie McDowell - and I was so seized by this that I registered on this site just to make this comment, marking the first time I've posted anything on one of these - acts so badly I was squirming in my chair with vicarious embarassment every time she stood in front of the camera. At first, I thought her character was simply being sarcastic and thus speaking with an exaggerated indifference. Then I realized that the story called for nothing of the sort, and it was just her. Each sentence was blurted in the same vacant monotone, like she was the voicemail lady sitting in a room reading off disjointed phrases to be pieced together later by a computer. Out of the hundreds of engaging, beautiful, talented actresses who would be champing at the bit to appear with Grant in a sure-fire feelgood movie such as this, how, I ask, how could they have selected her? And after all the film was in the can, available for objective review, what callous laziness prevented the studio from employing the best CGI talent available to excise her visage and droning voice from every frame and replace it with something more lifelike, such as perhaps a Dalek from an old Dr. Who episode?