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Night and Day (1946)

6.3
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Ratings: 6.3/10 from 1,695 users  
Reviews: 44 user | 8 critic

The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public ... See full summary »

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(screen play), (screen play), 2 more credits »
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Title: Night and Day (1946)

Night and Day (1946) on IMDb 6.3/10

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Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
...
...
Monty Woolley ...
Monty
Ginny Simms ...
Carole Hill
...
Gracie Harris
...
Gabrielle
Victor Francen ...
Anatole Giron
...
Leon Dowling
...
Nancy
Tom D'Andrea ...
Bernie
Selena Royle ...
Kate Porter
Donald Woods ...
Ward Blackburn
Henry Stephenson ...
Omar Cole
Paul Cavanagh ...
Bart McClelland
Sig Ruman ...
Wilowski
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Storyline

The fictionalized biography of composer Cole Porter from his days at Yale in the 1910s through the height of his success to the 1940s. The film's attempted biography matches many public myths surrounding Cole at the time, despite its lack of relationship with truth. For instance, truth and movie are different in regards to: his sex life (he was a gay man in a marriage of convenience with a divorcee friend), his relationship with his wife, Monty Wooley was a contemporary (not Professor), and his French military experience was a hoax. Written by <cole@doitall.com>

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Certificate:

Approved | See all certifications »
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Details

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Release Date:

3 August 1946 (USA)  »

Also Known As:

Night and Day  »

Filming Locations:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Because of strict censorship imposed by the era's Studio Production Code, no mention at all is made of Cole Porter's real-life open homosexuality, or the fact that his marriage to Linda Lee Thomas, though caring and convivial, was not a romantic or sexual one. See more »

Goofs

When Cole sings "In An Old-fashioned Garden", the camera moves through the room towards the window. As it is approaching the window, we see a chair in the camera's way being pulled out by a crewman. See more »

Quotes

Cole Porter: Thanks for all the flowers.
Monty Woolley: Yes, one can only send them to a man when he's flat on his back.
See more »

Connections

Featured in Kisses (1991) See more »

Soundtracks

You're the Top
(1934) (uncredited)
Written by Cole Porter
Sung by Ginny Simms and Cary Grant
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User Reviews

 
My Heart Belongs To Cole
18 February 2007 | by (Buffalo, New York) – See all my reviews

Unlike film biographies of George Gershwin, Jerome Kern, and Sigmund Romberg or for that matter Rodgers&Hart, those artists were gone by the time the silver screen told their stories. But Cole Porter was very much still with us when Night and Day was released in 1946 and some of his best work was yet to come.

If Cole Porter had his druthers Cary Grant would never have played the part of himself. Porter fancied himself as more the Fred Astaire type. But given the nature of what happened to Porter in his life, a dancing Cole Porter was out of the question.

There's not too much that's accurate in this film. Cole Porter was born and raised in Indiana in affluent surroundings. Yes he went to Yale and his best and lifelong friend that he acquired from Yale was Monty Woolley. Yes he did marry the older and glamorous Linda Lee Thomas. And yes he composed some of the most beautiful and sophisticated songs ever done.

Of course his marriage to Linda Lee was a sham. In the vernacular of the time Linda served as his beard, his cover as it were because Cole Porter was gay. As was his lifelong friend Monty Woolley.

Were they ever involved with each other. Maybe as youths, but from what I've heard their tastes were different. Porter liked his male partners as sophisticated as he was and as beautiful as his songs were. Monty on the other hand was known for picking up street kids from Maine to California until he died.

One thing that was true although glamorized for the film, Porter did serve in the French army during World War I. No wounds however, no hearing of African rhythms from Senegalese troops were he got the idea for Night and Day.

Night and Day sure jumbles up even the order of his shows. Porter was writing songs from before Yale, but he did not score a commercial musical comedy hit until the show Paris in 1928 where the song Let's Do It was featured. I sure didn't know that In the Still of the Night was originally done as a Christmas Carol way back in his youth for instance.

In fact Where the Still of the Night, along with I've Got You Under My Skin, Rosalie, and Easy to Love were all written for MGM musicals. You can take it to the bank that Louis B. Mayer soaked Jack Warner for plenty to get those songs heard in a Warner Brothers film. Similarly the title song Night and Day, heard in The Gay Divorce on Broadway first, made its screen debut in RKO's The Gay Divorcée. Jack Warner must have paid RKO plenty for that one also.

The other true thing is the fall from a horse that Porter suffered in the late thirties, the constant pain he was in all of his life. It took 28 operations to save his legs back in the thirties. In 1958 long after the story in the film ended, Porter did eventually lose a leg and from then on lived as a recluse in his suite at the Waldorf Towers. Linda Lee Thomas Porter had passed away about a decade before.

Alexis Smith plays Linda Lee here and the cast of Night and Day also includes Jane Wyman, Dorothy Malone, Selena Royle, Tom D'Andrea, Henry Stephenson, Donald Woods. Playing themselves are Mary Martin and Monty Woolley. Singer Ginny Simms of the Kay Kyser band sang many of the Porter tunes for the film.

Night and Day certainly captures Porter's sophistication. Of course the gay lifestyle and a pretty hedonistic one at that which Porter led would not be shown at all back in the days of the Code. Some might complain about that pleasure driven pursuit that Porter had his whole life. If he sought beauty and pleasure in the world, Cole Porter certainly gave enough of it back to the world to justify it.

After Night and Day, Cole Porter had still yet to write such film scores as The Pirate, High Society, and Les Girls and such Broadway shows as Kiss Me Kate, Out of this Wolrd, Can-Can, and Silk Stockings. You could score a film with just the material he had yet to write.

It's not a great biographical film, but Night and Day provides as good an excuse as any to listen and appreciate the art that was Cole Porter.


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