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Saturday Night Fever (1977)

R  |   |  Drama, Music, Romance  |  16 December 1977 (USA)
6.8
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Ratings: 6.8/10 from 47,709 users   Metascore: 77/100
Reviews: 202 user | 82 critic | 7 from Metacritic.com

A Brooklyn teenager feels his only chance to succeed is as the king of the disco floor. His carefree youth and weekend dancing help him to forget the reality of his bleak life.

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Title: Saturday Night Fever (1977)

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Nominated for 1 Oscar. Another 7 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stephanie
Barry Miller ...
Bobby C.
Joseph Cali ...
Joey
...
Double J.
...
Annette
Bruce Ornstein ...
Gus
Julie Bovasso ...
Flo
Martin Shakar ...
Frank Jr.
...
Dan Fusco (as Sam J. Coppola)
Nina Hansen ...
Grandmother
Lisa Peluso ...
Linda
...
Doreen
Bert Michaels ...
Pete
...
Paint Store Customer (as Robert Costanza)
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Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by alfiehitchie

Plot Summary | Plot Synopsis

Plot Keywords:

dance | disco | teenager | bridge | priest | See All (94) »

Taglines:

It is now rated PG because we want everyone to see John Travolta's performance... Because we want everyone to hear the #1 group in the country, the Bee Gees... Because we want everyone to catch Saturday Night Fever. Catch it. See more »

Genres:

Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

16 December 1977 (USA)  »

Also Known As:

Saturday Night  »

Box Office

Budget:

$3,000,000 (estimated)

Gross:

$94,213,184 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

An unedited version of "How Deep Is Your Love" remains in the vaults. It is featured when Tony walks aimlessly to the subway, and is riding over to Stephanie's apartment. See more »

Goofs

The sign on the roof of the 2001 Odyssey disco misspells the word "Odyssey" as "Oddyssey," although the vertical sign attached to the building wall spells the word correctly. See more »

Quotes

Tony Manero: Hey, you know you assholes almost broke my pussy finger.
Gus: Oh yeah, you wouldn't know which one it was.
See more »

Connections

Featured in 100 Greatest Dance Songs of Rock & Roll (2000) See more »

Soundtracks

More Than a Woman
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by Tavares
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Modern, and Misunderstood, Classic
17 June 2003 | by (Houston, TX) – See all my reviews

While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.


13 of 15 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
The script kept this from being a great movie...... krdixon12
Music changes JimF29
Stephanie - bad character or just bad casting? ThiefOfStars
Isn't bridge tresspassing a crime? cryptical70
The 'gang' storyline... knight523-383-350235
Double J's comment? selectrick
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