A 15 year old boy (Beni) falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and ... See full summary »
Urs Peter Halter
Frank and Jack Baker are professional musicians who play small clubs. They play schmaltzy music and have never needed a day job. Times are changing and dates are becoming more difficult to ... See full summary »
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a paint store. However, things begin to change when he spies Stephanie in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to the big city just over the bridge soon change Tony's life forever. Written by
Five additional instrumental cues by David Shire were recorded for the film: "Barracuda Hangout", "Tony and Stephanie", "Near the Brooklyn Bridge", "Death on the Bridge", and "All Night Train". However, only one was credited, and all remained unreleased. See more »
When Frank Jr. leaves the family home, as Tony and Frank Jr. approach the car door, the shadow of the boom mic is visible on the tree trunk. See more »
I knew you'd piss on it. Go on, just piss on it alright. A raise says like you're good, you know? You know how many times someone told me I was good in my life? Two! Twice! Two fuckin' times! This raise today, and dancing at the disco!
[Gets up and walks out of the room]
You sure as fuck never did! Asshole!
See more »
Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
25 of 35 people found this review helpful.
Was this review helpful to you?