After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile ... See full summary »
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a paint store. However, things begin to change when he spies Stephanie in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to the big city just over the bridge soon change Tony's life forever. Written by
Bobby's car is a 1964 Chevy Impala hardtop. While director John Badham insisted on the Impala as Bobby's car, he was later told by Brooklynites that they would only drive an old Cadillac - and never an Impala. Each Impala (there were two used) was purchased by the film company for $1200. The Impala hardtop (with no post) is difficult to find today and will cost quite a bit more than the $1200 it did in 1977. See more »
When Tony and Stephanie go to dance to Tavares' version of "More Than a Woman", Tony places the needle on the record, and the arm skips all the way to the end, revealing that the record player is broken and the music dubbed in later. See more »
Frank Manero Jr.:
Tony, the only way you're gonna survive is to do what you think is right, not what they keep trying to jam you into. You let 'em do that and you're gonna end up in nothing but misery!
See more »
An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
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