After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile ... See full summary »
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by
It is now rated PG because we want everyone to see John Travolta's performance... Because we want everyone to hear the #1 group in the country, the Bee Gees... Because we want everyone to catch Saturday Night Fever. See more »
When Tony's dad hit him in the back of the head the third time during dinner, his retort of "Just watch the hair!" and then his complaint about being hit on the hair after he had worked on it for so long was John Travolta's own reaction and not scripted, but since it was so in character for Tony Manero to say, it was left in. See more »
At the dinner table after Frank Junior has left the priesthood, Tony is eating and his fork changes from left to right and back several times before he screams at his mother. See more »
An uneducated Brooklyn teen (John Travolta, in an Oscar-nominated role) lives in a dream world over the weekends as the king of a disco dance floor. Disillusioned, quietly upset with where his life is, Travolta finds solace by dancing in public to Bee Gee's music and finds love with his newest dance partner (Karen Lynn Gorney). The duo practice for an upcoming contest that could mean total success at last for Travolta and the opportunity to get discovered doing what he really loves. Travolta and his friends seem destined to go down a path of destruction though as a soap opera develops for all the key people found within. "Saturday Night Fever" is a total over-achiever as it could have fallen to exploitation tactics of the 1970s, but becomes one of those iconic films that still stands the test of time. Travolta is a revelation in arguably his greatest role. The other players are adequate and the screenplay is deceptively smarter than it appears on the surface. The movie also works as a time capsule to a part of contemporary American history where discos and bell-bottoms were all the rage. Still one of the finer films of the time period. 4.5 out of 5 stars.
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