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Saturday Night Fever (1977)

R  |   |  Drama, Music  |  16 December 1977 (USA)
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Ratings: 6.8/10 from 50,381 users   Metascore: 77/100
Reviews: 208 user | 90 critic | 7 from Metacritic.com

A Brooklyn teenager feels his only chance to succeed is as the king of the disco floor. His carefree youth and weekend dancing help him to forget the reality of his bleak life.



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Nominated for 1 Oscar. Another 4 wins & 11 nominations. See more awards »



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Cast overview, first billed only:
Bobby C.
Joseph Cali ...
Double J.
Bruce Ornstein ...
Julie Bovasso ...
Martin Shakar ...
Frank Jr.
Dan Fusco (as Sam J. Coppola)
Nina Hansen ...
Lisa Peluso ...
Bert Michaels ...
Paint Store Customer (as Robert Costanza)


Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by alfiehitchie

Plot Summary | Plot Synopsis


Where do you go when the record is over... See more »


Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content | See all certifications »

Parents Guide:






Release Date:

16 December 1977 (USA)  »

Also Known As:

Saturday Night  »

Box Office


$3,000,000 (estimated)


$94,213,184 (USA)

Company Credits

Show detailed on  »

Technical Specs


| (PG)

Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


When John Travolta first saw the rushes, he was greatly upset that his solo dance was cut in close-up. He called Robert Stigwood and vocalized his concerns. It didn't seem right he explained, that he had worked so hard to get in shape and learn a complex dance just to see the sequence cut down in the editing room. It was important to Travolta for audiences to see his work and to know without a doubt that he was doing his own dancing. Stigwood agreed and told Travolta to go back and sit with the editors and personally supervise a new cut of the solo sequence. See more »


After Tony leaves the "Disco Duck" dance lesson, he introduces himself to Stephanie. He asks her if she is practicing to be a bitch. She turns her head to him, then the camera angle changes. She is facing away and turns around to face him. See more »


Connie: So, are you as good in bed as you are on that dance floor?
Tony Manero: You know, Connie, if you're as good in bed as you are on the dance floor, then you're one lousy fuck.
Connie: Then how come they always send me flowers the next morning?
Tony Manero: I dunno. Maybe they thought you was dead.
See more »


Referenced in Gold Diggers: The Secret of Bear Mountain (1995) See more »


How Deep Is Your Love
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by The Bee Gees
See more »

Frequently Asked Questions

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User Reviews

I Don't See Anyone Givin You A Raise Down At Unemployment
5 January 2006 | by (United States) – See all my reviews

I am 31 so I was 3 when this movie came out. The first time I saw Saturday Night Fever was the "Edited For Television" version probably when I was 6 or 7 years old. At that point, it was about the music, the dance scenes and the clothes.

It wouldn't be until years later that I understood what a great story this is. It's a coming of age movie. It's a modern day tragedy. It's a love story.

The first thing that people think about when they hear Saturday Night Fever is disco and bell bottoms, but the story is timeless. Travolta plays Tony Manero, a loser in a nowhere job who only feels alive when he is on the dance floor at the local disco. There he is adored by his friends, by women and by strangers. There he is king. Everywhere else he is nobody. Even at home.

Tony becomes infatuated with a woman named Stephanie. On the surface Stephanie appears to be much better off than Tony. For the most part Stephanie is a big talker, but Tony is bothered by her observations.

"Let me guess. You work all week long at some dead end job and then you go and blow it at all at 2001 (the disco) on the weekends. You're a cliché. You're no one, going nowhere." As much as Tony is upset by her words he can't argue with them. Soon Tony becomes frustrated with his "station in life" and tells Stephanie he wants out (of Brooklyn).

What makes Saturday Night Fever work so much for me is Tony is very typical of a lot of males who would rather have a good time and party now than build something toward the future. Bars are full of guys like Tony. Guys who are super stars in their local drinking establishments, but have no life outside of the night life.

And of course there's the superb dance scenes that most people remember Saturday Night Fever for. The soundtrack is also one of the best out there.

For whatever reason, Saturday Night Fever also has my favorite closing shot of all time. It's really nothing special, but I get choked up every time I see it.

Saturday Night Fever is also a snapshot of a period in recent American history. The movie took place in 1977. The country was a mess after the Vitenam war ended and before Reagan stormed Washington and once again instilled a sense of pride in Americans. There was no longer a war to protest, but the average American didn't have much faith in our country. I think Saturday Night Fever does an excellent job of capturing what was probably a common attitude among young adults during the late 70's. Live for the moment because the future is pretty bleak.

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