After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by
It is now rated PG because we want everyone to see John Travolta's performance... Because we want everyone to hear the #1 group in the country, the Bee Gees... Because we want everyone to catch Saturday Night Fever. See more »
Two additional songs for the film ended up not being used. One was The Bee Gees singing their self-penned version of "If I Can't Have You", and Samantha Sang's "Emotion". The latter was recorded by Destiny's Child in 2001 - the song was played on radio playlists after the September 11, 2001 terrorist attacks. See more »
While Tony does his solo dance the girl he was dancing with(Connie) is standing in the background. During the dance between camera shots she disappears for a moment and then reappears at the same spot a few seconds later. See more »
I have a friend. He's a very good friend, and he got a girl pregnant. And I wanted to know: if you had to make a choice between getting an abortion and having to get married, what would you do?
Well, who would I have to marry?
You'd have to marry me.
I think I'd get an abortion.
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Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
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