Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile ... See full summary »
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile the point-of-view of the newborn boy is narrated through voice over.
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a paint store. However, things begin to change when he spies Stephanie in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to the big city just over the bridge soon change Tony's life forever. Written by
Five additional instrumental cues by David Shire were recorded for the film: "Barracuda Hangout", "Tony and Stephanie", "Near the Brooklyn Bridge", "Death on the Bridge", and "All Night Train". However, only one was credited, and all remained unreleased. See more »
When Tony and Annette are making out in the car she is wearing a blue dress. When they drive to the bridge and she runs to the rail to see them her dress is brown. See more »
So, are you as good in bed as you are on that dance floor?
You know, Connie, if you're as good in bed as you are on the dance floor, then you're one lousy fuck.
Then how come they always send me flowers the next morning?
I dunno. Maybe they thought you was dead.
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Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-
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