Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <firstname.lastname@example.org>
In the Kuwait Lamborghini showroom scene, Dan asks if one of the cars is a Balboni. Gallardo LP 550-2 Valentino Balboni, a limited-production named after a test driver, is the car with the stripe along its centerline. See more »
As Maya watches the modified Blackhawks take off from the forward base, she lifts her hand to shield her face from the rotor wash. But in the next shot from farther away, she is standing with her hands at her side. See more »
I've seen all the reasons viewers (and some critics) dislike this film, but in my opinion it is infinitely superior to ARGO in its authenticity and dramatic quality. The final scenes, when the SEAL team, goes into Ben Laden's house, are brilliantly rendered. The idea of doing it mostly in the dark with flashes of illumination by "night vision" green is a brilliant touch, which most directors would never have attempted.
The performances by Jessica Chastain, of course, Jason Clark and Jennifer Ehle are top drawer and the torture scenes, while brutal, are necessary--because that's the way it happened. Congratulations to Kathryn Bigelow and Mark Boal for getting it right.
I don't want to put the knock on Argo, because I found it entertaining. But it's artificiality provides a distinct contrast with Zero Dark Thirity's authenticity, and authenticity wins.
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