Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <firstname.lastname@example.org>
This movie depicts a high-level CIA official (known in the film as "The Wolf" and played by Fredric Lehne) as a devout Muslim. This corresponds with a March 24, 2012, Washington Post article titled "At CIA, a Convert to Islam Leads the Terrorism Hunt," which (pseudonymously) profiles "Roger," the chief of the CIA's Counterterrorism Center and identifies him as an adult convert to Islam. See more »
The C-130H Maya boards at the end of the movie is clearly marked as belonging to the RAF (the blue and red roundel can be seen under the wing) and not the USAF. It is possible although highly unlikely that the RAF would have an American serving as load-master. See more »
One's appeal for Zero Dark Thirty is to see how it depicts the search for Osama Bin Laden like it seems too impossible to find him, like he's probably already dead, or almost doesn't exist. Even though there are controversies going around and some revelations, the story is still all dramatized. Without a surprise from director Kathryn Bigelow, the film is totally electrifying and deliberately engrossing. There is humanity left in the end that made this a lot more compelling, but that's the last thing we should talk about. It never backs away from the promise and stays focus on the mission. Zero Dark Thirty is a powerfully gripping thriller.
It's a straightforward mission and only about the mission. We can see the main protagonist's obsession of capturing Bin Laden even without showing any backstories. She's brave, probably too brave, enough on what she's doing. They have to make difficult decisions to where are they gonna go or who are they gonna find. The film is indeed a dramatize version of the ten year hunt. It plays too much suspense and sudden shock, but no matter what, every tragic event are still portrayed in a completely terrifying way.
There is no doubt this film will fall into a controversy. It features a torture scene that many think they justify it. It is so talked about and was against it but it seems the scenes only exists nothing more than showing that sort of truth. The most awaited part of the movie is indeed the climax. Just like anyone would imagine, it's a silent and mercilessly violent raid. There's a lot of humanity in the character Maya. As much as she aggressively wanted to find her target, she still cannot stomach any brutal interrogation and tragedy happening on her associates and other people. Jessica Chastain manages to weigh all of her personalities. Other strong actors like Jason Clarke, Kyle Chandler, Jennifer Ehle, and Mark Strong keeps their roles effective as well.
Kathryn Bigelow's prominent style is slick tension. Here she displays danger in any place where the characters go like something will suddenly explode or a loud gunfire. The action scenes is filled with suspense. One of the sequences can be tad too ridiculous for this movie but it didn't ruin a single thing to the experience. When it takes place inside the CIA or a meeting, it gets undeniably absorbing. The screen writing makes sure it's factual enough and interesting.
People's expectations might mislead them. Zero Dark Thirty is not only about finding and killing Osama Bin Laden but it's also about one's obsession and revenge to this terrorist. In the end, there's plenty of guilt to express but that proves that they are still human beings. We could merit its brilliant filmmaking and strong storytelling that made it feel like we're part of the search. We all know this is just a dramatization of the true events but all the horrifying truths like the violence stays to the picture. It's a story with nobody calling themselves heroes even though they defeated their enemy. It depicts the darkest parts of its history. Some might wonder how worse it could have been but ignoring all the commotion, Zero Dark Thirty is still a compelling thriller.
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