Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <email@example.com>
This is Jeremy Hindle 's first feature-film work as production designer. Hindle previously collaborated with Australian cinematographer Greig Fraser on numerous TV commercial shoots. Director Kathryn Bigelow lauded Hindle for his remarkably precise re-creation of the huge Osama bin Laden compound - built from scratch in the Jordanian desert - in less than three months. See more »
When Maya, Dan, and Jessica watch the news about the Al Qaeda attack in Saudi Arabia, as Maya turns towards Jessica and speaks with Dan behind her, Dan's left hand is rubbing the top of the table. When Jessica responds and the angle is from behind Jessica, both of Dan's hands are below the table. See more »
I totally agree with the blog posted on Dawn.com regarding this movie by Nadeem F. Paracha.
Zero Dark Thirty', was quite an experience. Though sharp in its production and direction and largely accurate in depicting the events that led to the death of Osama Bin Laden, it went ballistic bad in depicting everyday life on the streets of Pakistan.
With millions of dollars at their disposal, I wonder why the makers of this film couldn't hire even a most basic adviser to inform them that
1: Pakistanis speak Urdu, English and other regional languages and NOT Arabic;
2: Pakistani men do not go around wearing 17th and 18th century headgear in markets;
3: The only Urdu heard in the film is from a group of wild-eyed men protesting against an American diplomat, calling him 'chor.' Chor in Urdu means robber. And the protest rally was against US drone strikes. How did that make the diplomat a chor?
4: And how on earth was a green Mercedes packed with armed men parked only a few feet away from the US embassy in Islamabad? Haven't the producers ever heard of an area called the Diplomatic Enclave in Islamabad? Even a squirrel these days has to run around for a permit to enter and climb trees in that particular area.
I can go on.
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