With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <email@example.com>
The bizarre, four-lens night vision goggles worn by SEAL Team Six are in fact, authentic. They are cutting-edge GPNVG-18 (Ground Panoramic Night Vision Goggles) manufactured by L-3 Warrior Systems. The extra lenses provide more peripheral vision to the operator. See more »
The languages in which the sign board on the road are written when the search for Abu Ahmed is on, are: a) English, b) Hindi, and, c) Punjabi spoken in North India, where the movie was shot (Chandigarh). In Pakistan, the sign board would have been English and Urdu. See more »
Knowing this movie was nominated for best picture, I was afraid that I was losing my mind after seeing it, since what I saw in the theater was: one dimensional characters being frustrated about not being able to do anything, inter-cut with a newsreel about current events, followed a ridiculously overdone operation to kill a couple people in a house.
No doubt this is a difficult story to tell dramatically, since it's about people who are doing a job that is passive by nature. But what was striking is how completely devoid it was of character. Courtroom dramas trade in the same stock, but even the most pedestrian episode of Boston Legal or LA Law contain more compelling characters than anyone in this movie.
And most movies about real events overcome the inherent story problems by provoking thought in the audience about the events themselves. What they lack in dramatic momentum, they make up for in unsettling questions. But it was amazing how completely empty this film was of anything resembling a question about what was going on. It was as if Kathryn Bigelow thought she was just "presenting reality" to the audience.
In 50 years, people are going to look back at this movie in the same way that we look at the jingoistic WWII Hollywood features now - as empty fare designed to prop up our fragile national psyche. Maybe that's what people need right now. But let's not pretend it's a quality film.
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