Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <email@example.com>
Just moments after the first SEALs' boots hit the ground inside Usama bin Laden's compound, there is a cut to Maya, and a clock shows the local time is 00:30, or "Zero Dark Thirty." See more »
When the CIA agent asks help from his Kuwaiti asset in Kuwait city, the setting is in a bar, with girls dancing and drinks in hand. Alcohol is still strictly forbidden and there are no bars or dance clubs in Kuwait. See more »
This is what happens when you encourage bad effort. The team of Bigelow and Boal was showered with praise for the horrible "The Hurt Locker." Now the inept team is back with an effort that's equally bad if not worse. Told in a documentary style, this is basically the story of investigative journalism, which can be riveting if done right, as in "All the President's Men." Boal's script, however, is so excruciatingly boring that this one is painful to sit through. Bigelow does not help matters with her drab direction. The film is nothing more than a series of meetings, interviews, and torture scenes. Even the finale, where the force makes its way through Bin Laden's compound, fails to be compelling.
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