Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource. All the while, he still tries to seek revenge over the death of his love.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves. Written by
The painting that Q and Bond view at the National Gallery is "The Fighting Temeraire" (1839) by J.M.W Turner. The painting depicts H.M.S Temeraire, being a part of the British armada that participated in the Battle of Trafalgar 1805 decommissioned and towed from Sheerness to Rotherhithe to be broken up in 1838. Turner's main motive of painting that was to evoke a sense of loss rather than giving a recording of the event. In a metaphorical way, the painting's depiction provides a hint to the fate of one of the characters in the film. Other paintings and art-works seen include "Woman with a Fan (Luna Czechowska)" (1919) by Amedeo Modigliani and Joseph Wright of Derby's "An Experiment on a Bird in the Air Pump" (1768). See more »
On the sailing yacht Bond puts the radio device in the right side pocket of his trousers, but when he shows it to Silva he must have taken it from the left pocket because his right hand is holding a gun. See more »
Bond's traditional shot towards the camera, seen through the barrel of a gun, is placed at the end of this film rather than the beginning. After the blood stops dripping, the James Bond 50th Anniversary logo appears with the words "James Bond will return," below it. See more »
Indiana Jones and the Last Crusade wrapped up Indy's complexities within ten minutes so why did we need the waste of three precious Bond films and so many years to find out (unnecessarily) about Bond's?
If Indiana Jones and the Last Crusade were made by EON, by the end of it we would have only just found out that his name is Indy. In the next installment, at the conclusion, we would have found out that he has a fear of snakes. In the final installment we would find out that he has daddy issues.
Finally, after years wasted for Indy fans a real adventure would come by which time the audience are so grey and disillusioned they are past caring.
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