A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot. During his hopeful rise to the top, he discovers he has an 11-year-old son who wants to know his father.
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls. Written by
Kenneth Chisholm (firstname.lastname@example.org)
A budget calculation oversight while filming in Malta partially contributed to the film being over budget. The wrap-up team found a stack of purchase orders for extras that was casually tossed aside in a drawer which was unaccounted for. See more »
When Gerry is in the research facility viruses room, while the zombie is outside waiting, a crewmember's face is reflected for a second in one of the windows. See more »
The president is dead. Four of six joint chiefs, VP missing. Reports of gunbattles in the streets of the capital.
See more »
The ending Paramount logo is shown in the same dark blueish color from the opening logos. See more »
The story of how World War Z was made is a lot more harrowing and suspenseful than the film itself. After going way over-budget and enduing a complete revision and reshoot of the final act, WWZ wasn't exactly set up for success. Ultimately the movie is completely forgettable and uneven, but not offensively bad or objectively terrible in any sense. What struck me about it was how much of a wasted opportunity it was, given how interesting and entertaining the source material is.
Having read the book World War Z, I could tell from the trailers for this movie that it wouldn't exactly be a faithful adaptation. I thought that the most interesting aspects of the book were its exploration of how the Zombie plague affected social and political structures across the world. Anything like that is completely ignored in the film, but I can at least understand how the filmmakers thought that those aspects wouldn't work in a single feature length movie. What I can't understand is how the filmmakers seemingly ignored the book's most obviously cinematic content. The book features a lot of setpiece action scenes, and to be fair, many of these involve world cities falling to zombie infestation and the movie does do enough to cover this. However, the book's immense battle scenes - the meat of the titular Zombie War, such as the Battle of Yonkers, nuclear war between Pakistan and Iran, Chinese civil war and massive formation combat against zombies - are completely absent. I was very surprised that they did not cover these, especially the Yonkers scene, because they would obviously fit so well into a film and the script, even as it is now, could easily be tweaked to include or at least mention them. The action that did make it into this film is very unsatisfying and obscure thanks to the restrictions of the PG-13 rating, and the narrative around is not engaging enough to really get me invested in it.
I was also surprised at how cheap this movie looked. This film cost hundreds of millions of dollars to make, but it's hard to see where it all went on the screen. Swarms of zombies look very fake and nonthreatening, and in some cases individual zombies are computer animated, which gave me bad flashbacks to I Am Legend's awful CGI overload. Aside from the opening scenes in Philadelphia and the middle act in Jerusalem, there are no big outdoor sets. A South Korean airbase is portrayed as a series of dark rooms; too much of the movie takes place in an airline seat; there is a lot of sitting around inside of the aircraft carrier, etc. The sense of scale is very inconsistent, and this is accentuated in the bizarre final act, which was obviously the focus of the infamous reshoots as it feels like a completely separate movie. I consider myself a patient viewer, but this very long and dull scene started to bring me down after a while, and my less patient viewing audience eventually fell completely out of sync with the film and began to make fun of it at every opportunity - not really a fair criticism of the film, but it's a real issue when it can't hold an audience's attention. The final act does actually have an interesting idea at its heart, albeit one that completely doesn't connect with anything in the book, but I just didn't think it was a well executed concept. The very different style and tone of these scenes makes it feel like a completely different movie.
Again, while there was nothing all that terrible about WWZ, I didn't think it was anything to get excited about. In other words, a perfect 5/10 movie. I wish they were more aware of the source material's potential because without the best and most cinematic aspects of the book, WWZ (the film)and WWZ (the book) only share a title and the central premise of a zombie plague, which is not an original idea in itself.
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