As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls. Written by
Kenneth Chisholm (email@example.com)
Paramount executive Marc Evans and Adam Goodman, the president of production did not like the original cut (which has the Russian ending) as both men felt that it was incoherent and abrupt. They brought in Damon Lindelof to view the cut and he suggested to them either to add new scenes to improve the coherence or do a complete third-act rewrite and risk additional resource plus re-shoots. Lindelof recalled: "So when I gave them those two roads and they sounded more interested in Road B I was like, 'To be honest with you, good luck selling that to Paramount." See more »
As the passenger plane comes into land at Cardiff Airport the background images show Snowdon and other mountains in the Snowdonia region. It would be highly unlikely that a route from Jerusalem to South Wales would take them to North Wales. See more »
Light, family friendly and internationally marketable.
Oh, Hollywood. You saw the zombie apocalypse coming didn't you? Not a literal apocalypse of course, just 16 dozen different zombie books, graphic novels, games and TV shows taking over the world like the plague, and you just had to have your piece of the pie, didn't you?
World War Z is based on the 2006 novel by Max Brooks. The novel garnered some quite positive reviews, praised for its international and political scope. It also caught the eye of producer and star Brad Pitt, who after a long struggle with studios, directors, producers and other Hollywood zombies, managed to put together a half decent movie with director Marc Forster.
Half decent? Well, WWZ certainly isn't a bad movie. You've got the long-time Oscar-deserving Pitt playing Gerry Lane, a likable, good-looking family man who retired as a UN investigator to spend more time around his wife and daughters. This is all about to change obviously, because after the now seemingly mandatory news-footage-montage introduction, Gerry is called back by the UN in exchange for his family's safety on their big boat.
It sounds good enough, but the problem is that WWZ's political/international context is nowhere to be found so we're left pretty much to 28 Days Later with blockbuster pretentiousness. Sure, Gerry travels around the world and makes a few long distance phone calls, but there's never anything remotely compelling enough to warrant his travels and whenever the plot does manage to come close to something it quickly sets it aside in the interest of keeping this summer blockbuster light, family friendly and internationally marketable.
After Quantum of Solace there was much uncertainty about Forster's ability to direct action and after WWZ, guess what? There still is. Granted, it's never boring, but when the other elements that should've made the film aren't there it should be more than "never boring". Paramount's marketing certainly didn't help; if you've seen the trailers then you've seen the whole plot and LITERALLY every single action set piece, in chronological order too. You know when you see a trailer and think "they put all the good parts in"? Well, this time they put the whole movie in. The more hardcore genre fans might also want to look elsewhere if they're seeking gory zombie kills; there isn't much of that either as its PG-13 rating might suggest.
Brad Pitt is really the film's only strength. Much like Tom Cruise, Brad's got enough talent to singlehandedly pull you through a not-so-great movie without you hating him for it. And at almost age 50 you can't really blame him for wanting to star in his own big blockbuster franchise for the first time in his career when he could've played any superhero he wanted years ago. "Franchise" of course, if permitted by the audience, because this is one movie that desperately wants to have sequels.
421 of 661 people found this review helpful.
Was this review helpful to you?