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In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls. Written by
Kenneth Chisholm (firstname.lastname@example.org)
J. Michael Straczynski's early draft of the script stayed closer to the source material. That version followed Gerry Lane, a UN worker tasked with investigating the failures that led to the outbreak so that they can be avoided in the future. The bulk of the narrative consisted of interviews with prominent figures and flashbacks to their role in the initial outbreak, largely taken from the book. This was framed by Gerry's journey around the globe to meet these individuals, showing the current condition of the human race, and flashbacks to the Lane family's struggle to survive in the wilderness in the early days of the war. See more »
When Gerry is in Jerusalem, the IDF soldiers use Colt M-16 rifles. It was replaced several years ago by the Israeli-made Tavor rifle. See more »
Looks like we just woke the dead. In that respect, please turn off all pagers and cellphones.
See more »
The opening logos are shown in dark blueish color with intense music in the background. See more »
I haven't read the book so I'm not coming from viewing this as an adaptation but rather a stand-alone film. (From what I've heard it's pretty far from the original source anyway.) First off, a zombie film watered-down and free from blood and gore? That idea alone would lose a big slice (pun-intended) of hardcore fans in the audience. How does it hold your attention then? By stringing you along on the edge with tension and suspense from beginning to end. It does a pretty good job of maintaining this grip even without the standard horror elements of slasher flicks.
Brad Pitt easily slips into the role of a family man desperate to keep his family safe. It's not difficult to root for him and share in his urgency. His charm certainly makes up for and saves the movie from its flaws (and there are many!) not the least of which are its gaping plot holes and loose direction.
The audience in the theater seemed to have fun screaming along and allowing themselves to be entertained and toyed with. There are a handful of funny scenes (whether intentional or not). If you're willing to quit analyzing the movie like a critic, you'll probably start enjoying it.
After all, when did a zombie movie ever have to be "BELIEVABLE"?
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