In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
Anna Ivers returns home to her sister Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother. Her dismay quickly turns to horror when she is visited by ghastly visions of her dead mother.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan
Kylie Bucknell is forced to return to the house she grew up in when the court places her on home detention. Her punishment is made all the more unbearable by the fact she has to live there ... See full summary »
Rima Te Wiata,
In 1921, in London, the arrogant and skeptical Florence Cathcart is famous for exposing hoaxes and helping the police to arrest con artists. The stranger Robert Mallory tells her that the headmaster of a boarding school in Rookford had invited her to travel to Cumbria to investigate a ghost that is frightening the pupils to death. He also tells that many years ago there was a murder in the estate and recently pupil Walter Portman had died. The reluctant Florence finally accepts to go to Cumbria. On arrival, she is welcomed by governess Maud and the boy Thomas Hill. Soon Florence discovers what had happened to Walter and then the students, teachers and staff are released on vacation, and Florence remains alone with Robert, Maud and Tom in the school. Florence is ready to leave the boarding school when strange things happen, leaving Florence scared. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Isaac Hempstead Wright (Tom Hill) and Joseph Mawle (Edward Judd, the groundskeeper) also star together in Game of Thrones (2011) as uncle and nephew. Mawle portrayed Benjen Stark, brother of Ned Stark, while Wright protrays Bran Stark, Ned Stark's son. See more »
When Florence is sitting in the kitchen talking to the boy, the blanket she is wrapped in moves up and down between shots. See more »
[opening title] Observation: Between 1914 and 1919, war and influenza claimed more than a million lives in Britain alone. Conclusion: This is a time for ghosts. Florence Cathcart "Seeing Through Ghosts" p7 See more »
I love old-fashioned ghost stories, both in literature and in moving picture. It's a harder genre than people give credit to, especially because it's age. Since it has been done to death, almost every possibility and approach seems to have been covered. However, there are movies that have taken the this tired formula and made splendid films - The Orphanage is a good example of a ghost story done right. The Awakening started off right. The acting was good, the mood was efficiently set and the cinematography gorgeous to look at. I was many times at absolute awe at the beautiful images and camera shots that the movie boosted. However, the central thing in a movie is it's plot, and that's where things get shaky. The plot wasn't that great to begin with and as it progressed became less interesting, managing nonetheless to sustain my interest throughout until the end, which was by far the film's greatest weakness. The ending "twist" came too late and was done with too much haste, which hurt it's already shaky believability. I think the ending despite being far-fetched could still work if done more competently and with more preparation. It's still an enjoyable movie, but the beautiful and eerie imagery would be much better served by a better plot. All in all, a solid 5 for the film, 10 for the cinematography. This cinematographer deserves to be well known, assuming he isn't already.
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