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Amour (2012)

7.8
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Ratings: 7.8/10 from 56,498 users   Metascore: 94/100
Reviews: 172 user | 422 critic | 44 from Metacritic.com

Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

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Title: Amour (2012)

Amour (2012) on IMDb 7.8/10

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Won 1 Oscar. Another 76 wins & 61 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Eva
Alexandre Tharaud ...
Alexandre
...
Geoff
Ramón Agirre ...
Concierge's Husband
Rita Blanco ...
Concierge
Carole Franck ...
Nurse #1
Dinara Drukarova ...
Nurse #2
...
Police Officer #1
Jean-Michel Monroc ...
Police Officer #2
...
Neighbour
Damien Jouillerot ...
Paramedic #1
Walid Afkir ...
Paramedic #2
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Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

20 September 2012 (Germany)  »

Also Known As:

Amour  »

Filming Locations:


Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

$68,266 (USA) (21 December 2012)

Gross:

$6,738,954 (USA) (10 May 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Marion Cotillard and Emmanuelle Riva are the only actors to win both a BAFTA and a César award for the same performance. Cotillard won both awards in 2008 for La Vie en Rose (2007) and Riva won in 2013 for "Amour". See more »

Quotes

Georges: [telling a childhood memory] ... some banal romance or other about a nobleman and a lower middle-class girl who couldn't have each other and who then, out of sheer magnanimity, decide to renounce their love - in fact, I don't quite remember it any more. In any case, afterwards I was thoroughly distraught, and it took me a bit of time to calm down. In the courtyard of the house where gradma lived, there was a young guy at the window who asked me where I'd been. He was a couple of years older than...
[...]
See more »

Connections

Featured in Pauw & Witteman: Episode #7.63 (2012) See more »

Soundtracks

Impromptu opus 90 - no1
Franz Schubert
Interprétés au piano par Alexandre Tharaud
See more »

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User Reviews

 
Certainly Accomplished, But It Left Me Cold
23 February 2013 | by (United States) – See all my reviews

I thought I was going to be deeply affected by "Amour," based on my experience with Michael Haneke's "The White Ribbon" and the film's premise. My wife and I just recently watched her father degenerate physically and mentally over the last few years until his recent death, so the closeness to me of the subject matter combined with Haneke's uncompromising approach to filmmaking made me feel sure that I would be deeply disturbed by his film.

And while I was watching it, I felt like I should be feeling that way, but never really did. It's by any definition a formidable piece of filmmaking, but it left me cold. The events depicted in the film count among my worst nightmares and are even more terrifying for the significant likelihood that I will have to experience them in some fashion. But I never forgot that I was watching actors performing in a movie. There's something about Haneke's style that's cold and clinical, and the same quality that can make his movies deeply disturbing can also make them inaccessible.

To be honest, I'm kind of glad Haneke's style kept me at an emotional distance from the film, because I think it might otherwise have been unendurable.

Grade: A-


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