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Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

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Won 1 Oscar. Another 76 wins & 101 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Eva
Alexandre Tharaud ...
Alexandre
...
Geoff
Ramón Agirre ...
Concierge's Husband
Rita Blanco ...
Concierge
Carole Franck ...
Nurse #1
Dinara Drukarova ...
Nurse #2 (as Dinara Droukarova)
...
Police Officer #1
Jean-Michel Monroc ...
Police Officer #2
...
Neighbour
Damien Jouillerot ...
Paramedic #1
Walid Afkir ...
Paramedic #2
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Storyline

Georges and Anne are a couple of retired music teachers enjoying life in their eighties. However, Anne suddenly has a stroke at breakfast and their lives are never the same. That incident begins Anne's harrowingly steep physical and mental decline as Georges attempts to care for her at home as she wishes. Even as the fruits of their lives and career remain bright, the couple's hopes for some dignity prove a dispiriting struggle even as their daughter enters the conflict. In the end, George, with his love fighting against his own weariness and diminished future on top of Anne's, is driven to make some critical decisions for them both. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material including a disturbing act, and for brief language | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

20 September 2012 (Germany)  »

Also Known As:

Amour  »

Filming Locations:

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Box Office

Budget:

$8,900,000 (estimated)

Opening Weekend:

$68,266 (USA) (21 December 2012)

Gross:

$225,377 (USA) (27 November 2015)
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Company Credits

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Emmanuelle Riva slept on set during the duration of the filming because she hated the idea of traveling everyday through the pollution of the city. A security guard was appointed for her. See more »

Goofs

When Georges and Anne are eating together he first cuts her food for her with a Laguiole knife. Later on he is holding a classic knife with a round point. See more »

Quotes

Anne: There's no point in going on living. That's how it is. I know it can only get worse. Why should I inflict this on us, on you and me?
Georges: You're not inflicting anything on me.
Anne: You don't have to lie, Georges.
Georges: [looks down at the floor contemplatively] Put yourself in my place. Didn't you ever think that it could happen to me, too?
Anne: Of course I did. But imagination and reality have little in common.
Georges: But things are getting better every day.
Anne: I don't want to carry on. You're making such sweet efforts to ...
[...]
See more »

Connections

Featured in The Oscars Red Carpet Live (2013) See more »

Soundtracks

Impromptu opus 90 - no3
Franz Schubert
Interprétés au piano par Alexandre Tharaud
See more »

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User Reviews

 
Haneke's best film to date
29 November 2012 | by (United Kingdom) – See all my reviews

Amour (2012) Dir. Michael Haneke

Just when I thought Michael Haneke could surprise me no more, he comes along with a film like this. A film for which the jury at Cannes gave him his 2nd Palme d'Or in four years. And nothing less than this film deserves.

The story of an elderly French couple, their deteriorating health and devotion to each other is the basis, and allows the Austrian auteur to inject something rarely if ever seen in any of his films to date, heart.

Some of the typical Haneke touches are still there; the suffocating sense that something terrible is going to happen being his signature. His previous film, the 2008 Palme d'Or winning The White Ribbon keeps up this omnipresent dread for almost its entire runtime (also see the deus ex machina in Funny Games, and continuous sense of dread in Hidden). With these films Haneke has proved himself to be the biggest audience manipulator since the greatest of them all, Alfred Hitchcock.

But there's nothing artificially manipulative in Amour. And there's none of the sentimentality less able directors would fall back on given the film's subject matter. The acting and characterisation so good that sentiment is never needed, and is in fact the very last thing you'd come across in a Haneke picture.

The emotion felt towards the two protagonists as they struggle with coming to the end of their lives actually gave me a crushing sensation in my chest by the end of the runtime. This is an extremely tough film to watch at times, and on more than one occasion I had to look away from the screen.

The biggest compliment I can give this film, is that it make me want to call my parents.

5/5 stars. #1 film of the year so far.


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