Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
The story is of a deaf-mute hitman and his partner who are based in Bangkok. He is friends with his partner's girlfriend who is a stripper at a local club. They go about their assassination... See full summary »
Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »
Cat burglar Henry Clarke and his accomplices the Moreaus attempt to steal diamonds from the château of millionaire Salinas. However, Henry's partners in crime aren't the most emotionally stable people.
A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence. Written by
Mark Thompson <email@example.com>
Carter's rented Cortina is actually 2 cars, which have different registrations YBB 371H and YBB 372H at various points during the film. 371H acquires a dent above the front grille at one stage, while 372H never shows this dent, but does lose its front bumper. See more »
[Brumby has suddenly disappeared from his meeting with the architects at the car park building]
It's very rude to disappear like that. Where can he possibly be?
[Sounds of police cars converging on the car park can be heard below]
I have an awful feeling we're not going to get our fees on this job.
See more »
If Shakespeare could have written a gangster movie, "Get Carter" would surely be the one. Jack Carter is the 1970s embodiment of classical tragic heroes like Hamlet or Macbeth. Also, in the finest Shakespearian tradition, as the film reaches its climax, the bodies begin to mount with alarming rapidity.
The film is initially a slow-burner, but what is arguably a career-best performance from Michael Caine sustains interest until the plot begins, in every sense, to kick in. And when it does, there's no stopping it, as Carter ruthlessly, and recklessly, sets about dealing with his enemies.
The industrial city of Newcastle is depicted as gritty, seedy and unapologetically working class. The grainy camerawork gives the impression that this is a real-life documentary rather than a gangster flick.
Probably every British gangster movie since has used "Get Carter" as a benchmark, particularly "The Long Good Friday", or even the revoltingly trendy "Lock, Stock and Two Smoking Barrels". Any why shouldn't they? For the ultimate British gangster icon, you need look no further than Jack Carter and his silver Ford Cortina.
A genuine classic.
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