Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »
A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence. Written by
Mark Thompson <email@example.com>
Britt Ekland was reluctant to be in the film, as she was was afraid of becoming typecast, having already played two gangster molls before, and she did not want to take her clothes off. However, she had financial problems at the time, as a result of bad investment decisions by her accountant. She was later happy that she had been involved with the project. See more »
(at around 1h 14 mins) After Carter has dunked Glenda underwater in the bath and pulls her up again, his shirt is soaking wet. As there was no big splash and as Carter never fell into the bath at that time, there is no need for his shirt to be that wet. See more »
If Shakespeare could have written a gangster movie, "Get Carter" would surely be the one. Jack Carter is the 1970s embodiment of classical tragic heroes like Hamlet or Macbeth. Also, in the finest Shakespearian tradition, as the film reaches its climax, the bodies begin to mount with alarming rapidity.
The film is initially a slow-burner, but what is arguably a career-best performance from Michael Caine sustains interest until the plot begins, in every sense, to kick in. And when it does, there's no stopping it, as Carter ruthlessly, and recklessly, sets about dealing with his enemies.
The industrial city of Newcastle is depicted as gritty, seedy and unapologetically working class. The grainy camerawork gives the impression that this is a real-life documentary rather than a gangster flick.
Probably every British gangster movie since has used "Get Carter" as a benchmark, particularly "The Long Good Friday", or even the revoltingly trendy "Lock, Stock and Two Smoking Barrels". Any why shouldn't they? For the ultimate British gangster icon, you need look no further than Jack Carter and his silver Ford Cortina.
A genuine classic.
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