7.5/10
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197 user 94 critic

Get Carter (1971)

When his brother dies under mysterious circumstances in a car accident, London gangster Jack Carter travels to Newcastle to investigate.

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Writers:

(screenplay), (novel)
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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
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John Osborne ...
Cyril Kinnear
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Glenda (as Geraldine Moffatt)
Dorothy White ...
Margaret
Rosemarie Dunham ...
Petra Markham ...
...
Bryan Mosley ...
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...
Thorpe
...
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Storyline

A vicious London gangster, Jack Carter, travels to Newcastle for his brother's funeral. He begins to suspect that his brother's death was not an accident and sets out to follow a complex trail of lies, deceit, cover-ups and backhanders through Newcastle's underworld, leading, he hopes, to the man who ordered his brother killed. Because of his ruthlessness, Carter exhibits all the unstopability of the android in Terminator, or Walker in Point Blank, and he and the other characters in the film are prone to sudden, brutal acts of violence. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

The original gangster is back. See more »

Genres:

Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

18 March 1971 (USA)  »

Also Known As:

Jack rechnet ab  »

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Box Office

Budget:

£750,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mike Hodges favored the use of long-distance lenses (as he had used previously on ITV Playhouse: Rumour (1970)) in many scenes to create a naturalistic documentary feel, especially in crowd scenes. See more »

Goofs

At around 1:18:30 as Jacks shoves the soggy Glenda into the boot of her car, in the top left of the screen the balding head of the driver can be seen hunched over trying not be seen in-shot. As Michael Caine didn't drive (manual transmission at least), this is presumably the person who drives the car away. See more »

Quotes

Edna: What's that gun doing in your room? Suppose I phone the police, told them there's a bloke in my hotel... who's planning to shoot somebody?
Jack Carter: You wouldn't do that.
Edna: How do you know I wouldn't?
Jack Carter: 'Cause I know you wear purple underwear.
Edna: What's that supposed to mean?
Jack Carter: Think about it.
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Soundtracks

Gettin' Nowhere In a Hurry
Music by Roy Budd
Lyrics by Jack Fishman
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User Reviews

 
Better than Godfather
30 December 2004 | by See all my reviews

If there can be anything such as a 'generic genre', then the great British gangster film must be it. But don't blame Get Carter for this, blame Madge's husband, Guy Ritchie. I saw Get Carter again recently and it must be the least dated film from the seventies ever made. This is largely because the situations, characters, settings and even fashions are so slice of life. It's a lot more convincing than a lot of the Sean Penn stuff at the moment, and even hyper-real stuff like Gummo or Julian Donkey Boy. I think this is because there's no exaggeration in Get Carter. It's not shot in some weird hicky town in the middle of nowhere, it's shot in Newcastle, one of the UK's major cities. And Get Carter tells it like it is. It is this no-nonsense style that still makes it look one of the coolest films around. Also, there aren't any heroes, which is a good thing. Well, how many 'heroes' have you met? Carter, though no hero, is a great character, make no mistake about that, and he shows just enough emotion for the audience to identify with him: like when he stumbles across his dead brother's daughter in some seedy porn film, and the whole motivation for his revenge mission in the first place. But he is a cold blooded killer too, hardened by London's gangland, and violence is his main emotional outlet in everything else - sex etc - he's pretty cool. It's not just the killers he's after, it's anyone even associated with it. And he dispatches them with a passion. "I know you didn't kill him!! I know!!" and "Goodbye ----!!" being two memorable sign offs. I really do believe this is a better film than Godfather. Godfather exists in a world most of us will never experience and is one of the best Hollywood films. Get Carter though, exists in our world, and the superb characters, acting and writing make it totally believable - even when Michael Caine walks naked out of the door of his seedy B & B with his shotgun to escort out some local hoods, the most memorable thing you remember about the scene is the previously belligerent moaning old lady neighbour scurrying into her house, terrified. Oh, and Budd's soundtrack is pure sleazy brilliance, well up to the standard of virtually everything else about the film.


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