A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being sheltered by her adoptive parents.
As Cecil Gaines serves eight presidents during his tenure as a butler at the White House, the civil rights movement, Vietnam, and other major events affect this man's life, family, and American society.
When former journalist Martin Sixsmith is dismissed from the Labour Party in disgrace, he is at a loss as to what do. That changes when a young Irish woman approaches him about a story of her mother, Philomena, who had her son taken away when she was a teenage inmate of a Catholic convent. Martin arranges a magazine assignment about her search for him that eventually leads to America. Along the way, Martin and Philomena discover as much about each other as about her son's fate. Furthermore, both find their basic beliefs challenged. Written by
Kenneth Chisholm (email@example.com)
In the United States, the MPAA gave the film an 'R' rating for ambiguous usage of the "F-word" (usually, only one non-sexual utterance of the word is permitted for 'PG-13'). A lengthy appeals process ensued, with producer Harvey Weinstein and actor/writer Steve Coogan testifying at the hearings in Los Angeles. The Weinstein Company won their appeal for 'PG-13' on November 13, 2013, nearly a week before the film's scheduled theatrical release. See more »
The Ford Escape, which Pete drives in the US in 2004, is a second generation model from 2007. See more »
What you're talking about is what they call a human interest story; I don't do those.
Because "human interest story" is a euphemism for stories about weak-minded, vulnerable, ignorant people, to fill in newspapers read by vulnerable, weak-minded, ignorant people. Not that you are.
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Sometimes I get the feeling filmmakers have lost their way. Formulas work and make the basics irrelevant so we get carbon copy blockbusters appealing to the masses clearly showing a reckless disregard for what filmmaking is all about: visually telling a story. And then a film like Philomena comes along and reminds us of the magic that can happen when a true craftsman and artist skillfully blends the basic ingredients of story, character, camera, and music into an exhilarating and powerful work of art. This film is satisfying at every level and gives me hope that some people still know what they are doing when they take the money and do their job effectively. The folks on this one should be extremely proud of their efforts.
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