A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
When former journalist Martin Sixsmith is dismissed from the Labour Party in disgrace, he is at a loss as to what do. That changes when a young Irish woman approaches him about a story of her mother, Philomena, who had her son taken away when she was a teenage inmate of a Catholic convent. Martin arranges a magazine assignment about her search for him that eventually leads to America. Along the way, Martin and Philomena discover as much about each other as about her son's fate. Furthermore, both find their basic beliefs challenged. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Decades later, partly due to the original book, it became apparent just how common stories like Philomena's were in Ireland before, during, and after the 1950s. Revelations about widespread forced adoptions, and abuse of children by the Roman Catholic Church and other religious organizations, have given this film a much darker undercurrent than originally intended. See more »
When the phone rings in Martin's Washington, D.C. hotel room, the ringtone is typical UK, not US: two short rings, which repeat. "Filming Locations" indicate that interior hotel scenes were filmed at the London Marriott Hotel. The sound editor should have changed ringtone. See more »
I was going to ask you, Martin, if it'd be possible not to use my real name when you write the story? Why don't you just call me Nancy. I've always loved that name, Nancy. I have a niece called Nancy.
Oh, maybe they'd think it's her. What about Anne? Anne Boleyn? That's a lovely na-
well somebody had that, of course...
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Real footage of Anthony/Michael is shown at the ending credits See more »
My wife talked me into going, I wanted to see Captain Philips but she was adamant this time. We both grew up in Ireland and I didn't want to see another one of those movies focused on stereotypes, the marketing blob types like the Quiet Man and Ryan's Daughter...stereotypical nonsense that lampoon our history and our culture. Steve Coogan and Judy Dench, especially Judy got it just right from the very start. They were smart, witty, serious and most of all, Judy was 'Irish' They really got the spirit of an Irish mom, that cocktail of guilt, generosity, inferiority and a heart to care for the entire world spot on. Dench in the hotel thanking everybody for being 'so nice' and getting who her son was as a child as others were today trying to 'break the news' to her...she wasn't just a step ahead, she was years ahead. Really excellent, really well done. Beautiful!
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