Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was eventually ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: to create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceed to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Most of the cars shown in the film were Volkswagen, Peugeot 504, Mercedes, or some other Turkish or German, or French vehicles, while more than 70 percent of vehicles in Iran in that era was PAYKAN (a British-designed car that was produced in Iran). There wasn't even one in the movie. See more »
Call the Times, nail it to the goddamn door. CIA are the good guys.
The Canadians are the good guys.
Yeah, we're not greedy. Them too. Only Canada takes the credit, or they retaliate against the hostages.
Great Satan wasn't involved. No CIA.
Is that right, Jack?
Involved in what? We were as surprised as anybody. Thank you, Canada.
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As the end credits begin, a picture of the actual passport of each fake film crew member is displayed next to picture of the actor in the film, showing the similarities between the two faces. Then archive photos from the period are displayed next to pictures shot for the film. See more »
Honestly, I came into this movie with so-so expectations as the trailer I saw in a different movie made me give myself a 50% chance to watch it, up in the air if you will. But from the moment the movie began up until the end, I was gripping for the characters the whole way, the way movies should be.
The opening of the movie played a huge part in setting the tone of the rest of the film. As I had no history or prior knowledge to the events that transpired in Iran in the 1980s, the brief amount of a history lesson was just enough to maintain my interest. Throughout the film, there are times when I might have started to wander through long bouts of dialog, but witty comments by the characters kept me entertained. By the time the climax was about to hit, I was sitting on the edge of my seat, biting at my fingers, awaiting their next move.
Well done Ben, well done.
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