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Argo (2012)

7.8
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Ratings: 7.8/10 from 335,826 users   Metascore: 86/100
Reviews: 655 user | 633 critic | 45 from Metacritic.com

Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.

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(screenplay), (based on a selection from "The Master of Disguise" by), 1 more credit »
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Title: Argo (2012)

Argo (2012) on IMDb 7.8/10

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Won 3 Oscars. Another 85 wins & 108 nominations. See more awards »

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Cast

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Robert Pender
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Bates
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Storyline

In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceeded to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Plot Keywords:

iranian | iran | canadian | hostage | cia | See more »

Taglines:

The movie was fake. The mission was real. See more »


Motion Picture Rating (MPAA)

Rated R for language and some violent images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

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Release Date:

12 October 2012 (USA)  »

Also Known As:

Escape from Tehran  »

Filming Locations:

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Box Office

Budget:

$44,500,000 (estimated)

Opening Weekend:

$19,458,109 (USA) (12 October 2012)

Gross:

$136,019,448 (USA) (19 April 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Extended Version)

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The script originally began by jumping directly into the protests outside the U.S. Embassy. However, Ben Affleck and Chris Terrio did not want the film to simply be a portrayal of irrationally crazy Middle Easterners; the opening credits/prologue, which details how the U.S. helped install the Shah in power and the Shah's subsequent corruption and brutality, was created so as to make the anger after the Iranian Revolution understandable while not supporting the grossly illegal and immoral hostage-taking at the embassy. See more »

Goofs

The insignia outside the Canadian Ambassador's residence is a maple leaf. This is not used by Canadian diplomatic missions. The royal Canadian coat of arms (implemented in 1921) would have been used instead. See more »

Quotes

[first lines]
Sahar: [narration] This is the Persian Empire known today as Iran. For 2,500 years, this land was ruled by a series of kings, known as shahs. In 1950, the people of Iran elected Mohammad Mossadeqh, a secular democrat, as Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran's oil to it's people. But in 1953, the U.S. and Great Britain engineered a coup d'etat that deposed Mossadeqh and installed Reza Pahlavi as shah. The young Shah was known for opulence and ...
See more »

Crazy Credits

As the end credits begin, a picture of the actual passport of each fake film crew member is displayed next to picture of the actor in the film, showing the similarities between the two faces. Then archive photos from the period are displayed next to pictures shot for the film. See more »

Connections

References Sssssss (1973) See more »

Soundtracks

Here Comes the Blues
(uncredited)
Music by Alan Hawkshaw
Courtesy of APM Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Good movie but took a lot of liberties
12 October 2012 | by (Canada) – See all my reviews

This is a great movie. The story, acting, pacing, editing, etc. was just fantastic. Affleck's directing was solid, and the suspense will keep you entertained right through to the last seconds. I loved it.

It did have one irritating thing, though, kind of a big one. It pointed most of the accolades to Affleck's character and the CIA. This really was not true. It was Ken Taylor and the Canadians who really pulled 'the Canadian Caper' off so successfully.

"When Taylor heard a few years ago that Mendez had sold movie rights to his book (which, to be fair, is much more generous than the movie about Canada's role), "I said, 'Well, that's going to be interesting.'...."The movie's fun, it's thrilling, it's pertinent, it's timely," he said. "But look, Canada was not merely standing around watching events take place. The CIA was a junior partner."

"The old postscript sent the message that, for political reasons, Canada took the credit. A sarcastic kicker noted that Taylor received 112 citations. The clear implication was that he did not deserve them."(Sept/Oct., 2012, thestar.com)".

So the USA does another revision on history here. I believe 'Argo' goes this far. Yes, it's based on a true story - the movie does it's best to allude that it sticks to technical accuracy. And it really does, in some ways. Historical pictures of flag burners, rioters, gate climbers, etc.. up against Argo film stills run by during the credits make it seem that the facts were adhered to down to the tiniest detail. In reality, it wasn't Tony Mendez or the CIA who were responsible for the success of this operation; actually they were barely there.

Since the movie premiered, Ben Affleck has added emphasis on the movie postscripts since then that gives kudos to the Canadians' role. This was after Ken Taylor politely complained, as a Canadian would tactfully do. But Affleck did this only after pressure from Taylor himself.

I can understand the need to spice up events to make them as exciting and entertaining as possible, don't get me wrong. But this film needs to let the audience know that more explicitly than it does, even after the changed postscripts.

Still, a really entertaining and riveting film, very well done, and easily worth seeing. As a matter of fact, don't miss it.


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