Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was eventually ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: to create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceed to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In some of the shots in Iran, there are some "Anadol" brand cars on the streets. Anadol is a Turkish car manufactured and sold only in Turkey. See more »
If I'm the Revolutionary Guard, that's nothing we couldn't have made at home. Six people's lives depend on this. It's not enough. If we're gonna fool these people, it has to be big. And it has to have something that says it's authentic.
I did a movie with Rock Hudson one time. If you wanna sell a lie...
You get the press to sell it for you.
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As the end credits begin, a picture of the actual passport of each fake film crew member is displayed next to picture of the actor in the film, showing the similarities between the two faces. Then archive photos from the period are displayed next to pictures shot for the film. See more »
Six American embassy staff are sheltered and smuggled out of the Iran, quietly, safely and without any fuss. It just gets done as it should, with the help of the western diplomatic community including Canada, Sweden, Denmark, Britain and New Zealand.
You could make a film out of it - but it would be a documentary and probably boring as simple competency and decency make for poor cinema these days.
You can also make a Die-hard/RAMBO type film with one man against the system, lots of car chases, explosions, improbable plot twists and cliffhanger type of escapes. These can be a lot of fun to watch when done right.
Or you can make a film that is something in between, where you intersperse actual events and people to trick viewers into taking the pulp fiction seriously. It is important to make sure that most of the audience was not alive when the events occurred - just stress the few cultural references that they know and give a slide show at the end to convince them how real it all was. And add a one sentence disclaimer so that all those friends that did help aren't too offended.
I personally prefer the first two types of film that either give credit to the very real people who actually did risk their very real lives or be honest with the audience that this is make-believe.
Or at the very least - make something that can stand on its own without having to pretend that most of it actually happened.
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