Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceeded to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Lester Siegel (played by Alan Arkin) is said to be a composite character. However, in real life, the make-up artist Robert Sidell, a friend of John Chambers, posed as the fake film's producer. Sidell's wife, Andi, was the fake production company's receptionist. Ben Affleck assumed that Sidell, like Chambers, had passed away, but he was informed just before the film's release that he was still alive and well. Affleck had Robert Sidell flown to the film's premiere in Los Angeles, and in his opening remarks, he gave recognition to Sidell for his part in the mission. See more »
During the flight leaving Iran, the flight attendant opens a regular size bottle of champagne and starts pouring it. In the second angle, she is holding a small size bottle. See more »
This is the Persian Empire known today as Iran. For 2,500 years, this land was ruled by a series of kings, known as shahs. In 1950, the people of Iran elected Mohammad Mossadeqh, a secular democrat, as Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran's oil to it's people. But in 1953, the U.S. and Great Britain engineered a coup d'etat that deposed Mossadeqh and installed Reza Pahlavi as shah. The young Shah was known for opulence and ...
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As the end credits begin, a picture of the actual passport of each fake film crew member is displayed next to picture of the actor in the film, showing the similarities between the two faces. Then archive photos from the period are displayed next to pictures shot for the film. See more »
'Argo' presents maybe the greatest, if not the most absurd, account of American foreign policy espionage widely unbeknownst to the greater majority. The story, which falls perfectly into the category of you-can't-make-this-kind-of-thing-up, is based upon Tony Mendez's rescue of six isolated US diplomats out of Iran, during the time of the Iranian hostage crisis of 1980, through the means of creating a fake film production as cover.
Director Ben Affleck proves here just how incredibly mature and restrained a filmmaker he's become, molding what is inherently a political story, yet wisely setting aside the politics. He masterfully handles the changes in tone very fluidly, from one moment being edge of your seat tension, to the next of inspired comic relief. It brings back memories of 70's thrillers, when craft and entertaining went together hand-in-hand.
The cast of veteran character-actors is worth the price of admission alone. Nearly every speaking role is occupied by a recognizable face, with the likes of Philip Baker Hall, Bob Gunton, Michael Parks, Kyle Chandler, John Goodman, Bryan Cranston, Alan Arkin, and more. This is easily the best cast of 2012 and, better yet, they all brought out there A game.
'Argo' is not a film to miss, its subject matter being more relevant than ever and will be a major contender come award season (and deservedly so.)
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