Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.
The Girl on the Train is the story of Rachel Watson's life post-divorce. Every day, she takes the train in to work in New York, and every day the train passes by her old house. The house she lived in with her husband, who still lives there, with his new wife and child. As she attempts to not focus on her pain, she starts watching a couple who live a few houses down -- Megan and Scott Hipwell. She creates a wonderful dream life for them in her head, about how they are a perfect happy family. And then one day, as the train passes, she sees something shocking, filling her with rage. The next day, she wakes up with a horrible hangover, various wounds and bruises, and no memory of the night before. She has only a feeling: something bad happened. Then come the TV reports: Megan Hipwell is missing. Rachel becomes invested in the case and trying to find out what happened to Megan, where she is, and what exactly she herself was up to that same night Megan went missing.
When Scott is lying dead, the blood on his shirt is completely dry. A frame later, when Anna approaches, it is soaking wet. See more »
Jesus Christ, Rachel, what the hell is wrong with you? I spent the last hour looking around for you. You scared the shit out of Anna, do you know that? She thought you were gonna... she wanted to call the police. So just... leave us alone. You can ruin your own life if you want to but you're not going to destroy ours. I'm not going to protect you any more.
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Emily Blunt totally deserves an applaud for her acting. She has delivered an masterpiece. This thriller is atmospheric and suspenseful, like the best-selling Paula Hawkins novel it's based on. Emily carries the weight of Rachel's alcohol dependency, an awful cocktail mixed with grief and self-hatred. Its heroes and villains are painted with a one-dimensional brush, either evil and angry, icy, or simply a big hot mess.
It almost feels like a lot of The Girl on the Train's potential was left on the cutting room floor, taken out for brevity or simplicity. But characters like these deserve complex treatment. And audiences need more than just the twist in the end if you want to leave them puzzling over a movie after the credits roll. What we get instead is an interesting enough, creepy enough experience.
An amazing directed and superbly acted movie.
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