In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
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Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
Set in the 1960s, three sisters form girl group and soon become local sensations with major label interest, but fame becomes a challenge as the close-knit family begins to fall apart.
This is the film version of the Pulitzer and Tony Award winning musical about Bohemians in the East Village of New York City struggling with life, love and AIDS, and the impacts they have on America.
Director:
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Stars:
Anthony Rapp,
Rosario Dawson,
Wilson Jermaine Heredia
Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
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The hit musical based on the life of Evita Duarte, a B-picture Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.
A musical based on the New York City newsboy strike of 1899. When young newspaper sellers are exploited beyond reason by their bosses they set out to enact change and are met by the ruthlessness of big business.
Ali is son of a well-off family who plays santoor (an Iranian instrument like dulcimer) and has earned some reputation through his concerts and teaching music but is rejected by his family ... See full summary »
Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion. Written by
Anonymous
Despite reports of having the number to finished in one shot, Anne Hathaway confirmed in a interview that it took 8 hours to film "I Dreamed a Dream" because she wanted to get the scene deeper and more emotional. The fourth take made it in the final cut. See more »
Goofs
When Valjean gets down on one knee to tell Cosette of her mother's fate, he appears to reach up and take his hat off. When the camera goes from Cosette back to Jean, his hat is still sitting on top of his head. See more »
Quotes
[first lines]
Jean Valjean:
Look down, look down, don't look them in the eye.
Chain Gang:
Look down, look down, you're here until you die.
See more »
Crazy Credits
The film opens without any opening credits. The title of the film is stated just before the closing credits. See more »
As someone who has been burned by every single Hollywood adaptation of Les Miserables, let me categorically state that this time it was done right! Everything from the acting to the music to the sets was borderline perfect. The only thing that could possibly be considered a negative was something that was absolutely unavoidable. That is, when you are taking a novel as voluminous as Les Miserables and condensing it into a feature length movie, some things will be cut or rushed. This is no exception. The movie moves at breakneck speed. Anyone who is fond of the Broadway musical will no doubt not be bothered by it, but people new to the story or those who have only read the novel might be put off by it.
As far as the acting and music is concerned, I can find very little to fault. Russel Crowe was the weakest of the lot as I just didn't find his voice to be up to the task of singing some of Javert's songs (Stars immediately springs to mind). Hugh Jackman, Anne Hathaway, and Samantha Barks were all especially good. The intense emotions their characters experience throughout the story are perfectly performed.
This naturally leads to a critique of the music. Anyone familiar with the Broadway show will undoubtedly find themselves joyously mouthing along to the familiar lyrics and might be surprised at a couple of brand new songs written specifically for the movie. Just as in the show, the music is brilliant and meshes wonderfully with the story.
One of the biggest treats, however, were the sets and special effects. The beauty and squalor of 19th century Paris was showcased magnificently and it really allowed you to become engrossed in story.
This is a movie that both fans of the novel as well as fans of the musical can both fall in love with, since even though there are some deviations from the novel this is still the closest a film version has ever come to being completely faithful to the book. Additionally, this movie is a perfect chance for those who have never read the book or haven't heard of or had a chance to see the Broadway show. I wholeheartedly recommend this film to everyone. My only warning is to limit your fluid intake, since at 2.5+ hours your chance of encountering an overflowing bladder is a very real danger.
86 of 138 people found this review helpful.
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As someone who has been burned by every single Hollywood adaptation of Les Miserables, let me categorically state that this time it was done right! Everything from the acting to the music to the sets was borderline perfect. The only thing that could possibly be considered a negative was something that was absolutely unavoidable. That is, when you are taking a novel as voluminous as Les Miserables and condensing it into a feature length movie, some things will be cut or rushed. This is no exception. The movie moves at breakneck speed. Anyone who is fond of the Broadway musical will no doubt not be bothered by it, but people new to the story or those who have only read the novel might be put off by it.
As far as the acting and music is concerned, I can find very little to fault. Russel Crowe was the weakest of the lot as I just didn't find his voice to be up to the task of singing some of Javert's songs (Stars immediately springs to mind). Hugh Jackman, Anne Hathaway, and Samantha Barks were all especially good. The intense emotions their characters experience throughout the story are perfectly performed.
This naturally leads to a critique of the music. Anyone familiar with the Broadway show will undoubtedly find themselves joyously mouthing along to the familiar lyrics and might be surprised at a couple of brand new songs written specifically for the movie. Just as in the show, the music is brilliant and meshes wonderfully with the story.
One of the biggest treats, however, were the sets and special effects. The beauty and squalor of 19th century Paris was showcased magnificently and it really allowed you to become engrossed in story.
This is a movie that both fans of the novel as well as fans of the musical can both fall in love with, since even though there are some deviations from the novel this is still the closest a film version has ever come to being completely faithful to the book. Additionally, this movie is a perfect chance for those who have never read the book or haven't heard of or had a chance to see the Broadway show. I wholeheartedly recommend this film to everyone. My only warning is to limit your fluid intake, since at 2.5+ hours your chance of encountering an overflowing bladder is a very real danger.