Mubi has unveiled their February 2024 lineup, featuring Roy Andersson’s little-seen 1991 short World of Glory, Nicole Holofcener’s Lovely & Amazing starring Catherine Keener with an early Jake Gyllenhaal performance, and special Black History Month selections: Spike Lee’s Red Hook Summer, Kasi Lemmon’s Eve’s Bayou, Carl Franklin’s One False Move, and more.
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
- 1/25/2024
- by Jordan Raup
- The Film Stage
Mubi has announced its lineup of streaming offerings for next month, including the exclusive streaming premiere of Albert Serra’s extraordinary Pacifiction, a trio of films by Todd Haynes, two by Michael Haneke (Caché and Amour), plus works by David Cronenberg, Shin’ya Tsukamoto, and Derek Jarman.
Additional selections include Alice Rohrwacher’s Corpo Celeste, Luchino Visconti’s Rocco and His Brothers, Sean Baker’s early film Starlet, and Apichatpong Weerasethakul’s short Mekong Hotel.
Check out the lineup below and get 30 days free here.
June 1 – Is This Fate?, directed by Helga Reidemeister | What Sets Us Free? German Feminist Cinema
June 2 – Safe, directed by Todd Haynes | I Really Love You: Three by Todd Hayne
June 3 – Caché, directed by Michael Haneke | Close-Up on Michael Haneke
June 4 – Amour, directed by Michael Haneke | Close-Up on Michael Haneke
June 5 – Topology of Sirens, directed by Jonathan Davies
June 6 – Tetsuo, the Iron Man, directed by Shin’ya...
Additional selections include Alice Rohrwacher’s Corpo Celeste, Luchino Visconti’s Rocco and His Brothers, Sean Baker’s early film Starlet, and Apichatpong Weerasethakul’s short Mekong Hotel.
Check out the lineup below and get 30 days free here.
June 1 – Is This Fate?, directed by Helga Reidemeister | What Sets Us Free? German Feminist Cinema
June 2 – Safe, directed by Todd Haynes | I Really Love You: Three by Todd Hayne
June 3 – Caché, directed by Michael Haneke | Close-Up on Michael Haneke
June 4 – Amour, directed by Michael Haneke | Close-Up on Michael Haneke
June 5 – Topology of Sirens, directed by Jonathan Davies
June 6 – Tetsuo, the Iron Man, directed by Shin’ya...
- 5/23/2023
- by Leonard Pearce
- The Film Stage
Matthew Porterfield's Cuatro paredes is exclusively showing on Mubi starting April 13, 2021 in the Brief Encounters series.Cuatro paredes was conceived and shot over the course of four days in summer 2020. I like to think of it as an affirmation of language and its ability to transcend the physical frame. Over the course of the film, Karla (Bárbara López) sings a song, reads a letter aloud from her aunt, listens to three voice messages from her best friend back home, and ultimately delivers a monologue on creativity, cinema, and the fragility of the imagination. The words she shares and receives integrate disparate texts that felt particularly resonant in this year of increased isolation.The scenario surrounding the text is simple. I lost my father in 2019, so I created a character who has lost her father, too. Despite this absence at the heart of the film, I wanted to depict the...
- 4/12/2021
- MUBI
The onslaught of best-of-the-year lists from guilds and critics groups have only just begun, but one of the few of genuine interest each year comes from a single person: the wonderfully eccentric director John Waters, whose eclectic tastes always includes a mix of the unexpected and underseen.
Topping his list this year is Bruno Dumont’s singular metal take on an iconic figure with Jeannette: The Childhood of Joan of Arc. Also on his list are the Sundance stand-outs Blindspotting and American Animals, as well as Xavier Legrand’s intense Venice winner Custody and Guy Maddin’s formally inventive The Green Fog. There’s also room for a Nicolas Cage flick, but perhaps not the one you might expect.
Check out the list below courtesy of Art Forum, who also share Waters’ comments on each pick at their site.
1. Jeannette: The Childhood of Joan of Arc (Bruno Dumont)
2. American Animals (Bart Layton)
3. Nico,...
Topping his list this year is Bruno Dumont’s singular metal take on an iconic figure with Jeannette: The Childhood of Joan of Arc. Also on his list are the Sundance stand-outs Blindspotting and American Animals, as well as Xavier Legrand’s intense Venice winner Custody and Guy Maddin’s formally inventive The Green Fog. There’s also room for a Nicolas Cage flick, but perhaps not the one you might expect.
Check out the list below courtesy of Art Forum, who also share Waters’ comments on each pick at their site.
1. Jeannette: The Childhood of Joan of Arc (Bruno Dumont)
2. American Animals (Bart Layton)
3. Nico,...
- 12/1/2018
- by Jordan Raup
- The Film Stage
John Waters has once again shared his 10 favorite movies of the year with Artforum, and his list is unsurprisingly eclectic. After praising the likes of “Baby Driver” and “Wonderstruck” last year, the filmmaker has singled out Bruno Dumont’s “Jeannette: The Childhood of Joan of Arc” as his #1 of 2018 while also giving love to “American Animals” and “Blindspotting.” Here’s his full list:
10) “Permanent Green Light” (Dennis Cooper and Zac Farley)
9) “Let It Fall: Los Angeles 1982-1992” (John Ridley)
8) “Sollers Point” (Matthew Porterfield)
7) “Custody” (Xavier Legrand)
6) “The Green Fog”
5) “Blindspotting” (Carlos López Estrada)
4) “Mom and Dad” (Brian Taylor)
3) “Nico, 1988” (Susanna Nicchiarelli)
2) “American Animals” (Bart Layton)
1) “Jeannette: The Childhood of Joan of Arc” (Bruno Dumont)
As ever, the filmmaker’s blurbs enliven the piece greatly. Waters calls Dumont’s film “an insanely radical heavy-metal grade-school religious pageant that is sung in French from beginning to end” whose actors “seem like they might burst out laughing,...
10) “Permanent Green Light” (Dennis Cooper and Zac Farley)
9) “Let It Fall: Los Angeles 1982-1992” (John Ridley)
8) “Sollers Point” (Matthew Porterfield)
7) “Custody” (Xavier Legrand)
6) “The Green Fog”
5) “Blindspotting” (Carlos López Estrada)
4) “Mom and Dad” (Brian Taylor)
3) “Nico, 1988” (Susanna Nicchiarelli)
2) “American Animals” (Bart Layton)
1) “Jeannette: The Childhood of Joan of Arc” (Bruno Dumont)
As ever, the filmmaker’s blurbs enliven the piece greatly. Waters calls Dumont’s film “an insanely radical heavy-metal grade-school religious pageant that is sung in French from beginning to end” whose actors “seem like they might burst out laughing,...
- 12/1/2018
- by Michael Nordine
- Indiewire
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Beyond the Hills (Cristian Mungiu)
It took Cristian Mungiu over five years to release a feature-length follow-up to his Palme d’Or winning masterpiece, 4 Months, 3 Weeks, and 2 Days. That film, along with The Death of Mr. Lazerescu before it, launched the Romanian New Wave to international acclaim and recognition, and although the movement is not quite as overtly political as it once was, Beyond the Hills is evidence that...
Beyond the Hills (Cristian Mungiu)
It took Cristian Mungiu over five years to release a feature-length follow-up to his Palme d’Or winning masterpiece, 4 Months, 3 Weeks, and 2 Days. That film, along with The Death of Mr. Lazerescu before it, launched the Romanian New Wave to international acclaim and recognition, and although the movement is not quite as overtly political as it once was, Beyond the Hills is evidence that...
- 7/13/2018
- by Jordan Raup
- The Film Stage
Editor’s Note: Matthew Porterfield is an independent filmmaker who has made four feature films, including “Hamilton,” “Putty Hill,” and “I Used To Be Darker,” which have screened at Sundance, the Berlinale, SXSW, and the Whitney Biennial. His films are all set in his hometown of Baltimore, where now teaches at the Film and Media Studies Program at Johns Hopkins University.
Porterfield’s new film “Sollers Point” – which is being distributed by Oscilloscope Laboratories and opening in New York this Friday – tells the story of Keith (McCaul Lombardi), a twenty-four-year-old newly released from prison and living with his father (Jim Belushi) under house arrest in Baltimore. IndieWire recently ask Porterfield to share with our readers what he learned making his fourth feature.
When I began making movies, I imagined I’d work best when I had it all figured out. I thought it required unwavering vision to carry a project through from beginning to end.
Porterfield’s new film “Sollers Point” – which is being distributed by Oscilloscope Laboratories and opening in New York this Friday – tells the story of Keith (McCaul Lombardi), a twenty-four-year-old newly released from prison and living with his father (Jim Belushi) under house arrest in Baltimore. IndieWire recently ask Porterfield to share with our readers what he learned making his fourth feature.
When I began making movies, I imagined I’d work best when I had it all figured out. I thought it required unwavering vision to carry a project through from beginning to end.
- 5/17/2018
- by Matthew Porterfield
- Indiewire
Matthew Porterfield’s career is a testament to the artistic merits of keeping close to your roots. Born and bred in Baltimore, Porterfield’s films illuminate national currents like deindustrialization, drug culture, and masculinity in crisis without ever leaving the people and places Porterfield grew up among, giving his work an unassailable authenticity that shines brightly in an era of CGI and substituting Toronto for NYC. In fact, his films are so intimately intertwined with their setting that it represented a major shift when he started exploring different neighborhoods of Baltimore after “Putty Hill.”
Read More: Summer Movie Preview: 36 Films Worth The Watch
Porterfield’s latest, “Sollers Point,” takes place in Dundalk, where Keith is finishing up a stint of house arrest after prison and trying to get back on his feet.
Read More: Summer Movie Preview: 36 Films Worth The Watch
Porterfield’s latest, “Sollers Point,” takes place in Dundalk, where Keith is finishing up a stint of house arrest after prison and trying to get back on his feet.
- 5/17/2018
- by Joe Blessing
- The Playlist
The summer movie season is upon us, which means a seemingly endless pile-up of superheroes, reboots, and sequels will crowd the multiplexes. While a very select few show some promise, we’ve set out to highlight a vast range of titles–40 in total–that will arrive over the next four months, many of which we’ve already given our stamp of approval.
There’s bound to be more late-summer announcements in the coming months, and a number of titles will arrive on VOD day-and-date, so follow us on Twitter for the latest updates. In the meantime, see our top 40 picks for what to watch this summer below, in chronological order, and let us know what you’re looking forward to most in the comments.
Manhunt (John Woo; May 4)
John Woo’s return to the genre that made his career isn’t so much of a comeback as it is watching...
There’s bound to be more late-summer announcements in the coming months, and a number of titles will arrive on VOD day-and-date, so follow us on Twitter for the latest updates. In the meantime, see our top 40 picks for what to watch this summer below, in chronological order, and let us know what you’re looking forward to most in the comments.
Manhunt (John Woo; May 4)
John Woo’s return to the genre that made his career isn’t so much of a comeback as it is watching...
- 4/19/2018
- by The Film Stage
- The Film Stage
With his small-scale, deeply felt, and wonderfully-realized dramas, Matthew Porterfield has carved out an impressive eye for a Baltimore we don’t often see on screen. After earning acclaim on the festival circuit and elsewhere with Putty Hill and I Used to Be Darker, the director returns this summer with Sollers Point.
Premiering at San Sebastián International Film Festival last fall and touring around, Oscilloscope Laboratories will release it in a few weeks and now the first trailer has arrived. The drama follows a man under house arrest who must reacquaint himself with both his family and the community at large.
Starring Jim Belushi, McCaul Lombardi, and Zazie Beetz, see the trailer below.
Sollers Point tells the story of Keith (McCaul Lombardi), a twenty-four- year-old newly released from prison and living with his father (Jim Belushi) under house arrest in Baltimore. Keith is struggling to re-establish himself, and break free...
Premiering at San Sebastián International Film Festival last fall and touring around, Oscilloscope Laboratories will release it in a few weeks and now the first trailer has arrived. The drama follows a man under house arrest who must reacquaint himself with both his family and the community at large.
Starring Jim Belushi, McCaul Lombardi, and Zazie Beetz, see the trailer below.
Sollers Point tells the story of Keith (McCaul Lombardi), a twenty-four- year-old newly released from prison and living with his father (Jim Belushi) under house arrest in Baltimore. Keith is struggling to re-establish himself, and break free...
- 4/19/2018
- by Jordan Raup
- The Film Stage
"We're going to start practicing waking up like normal people." Oscilloscope Labs has released an official trailer for an indie drama titled Sollers Point, the latest film from indie director Matthew Porterfield. The film stars McCaul Lombardi as a 24-year-old kid fresh from prison, now living with his father under house arrest in Baltimore, Maryland. He's struggling to find his place again and trying to stay away from old habits that will get him into new trouble. The cast includes Zazie Beetz, Tom Guiry, Everleigh Brenner, and Jim Belushi as his father Carol. This looks like a damn fine film, with a great lead performance from this newcomer - those eyes, McCaul! And the way this trailer opens is fantastic - it's such a powerful, convincing scene to start with right away. This is very much worth a watch. Here's the first official trailer (+ poster) for Matthew Porterfield's Sollers Point,...
- 4/10/2018
- by Alex Billington
- firstshowing.net
A filmmaker we’ve been keeping tabs on since the late naughts when his Slamdance/SXSW preemed 2007’s Murder Party dropped, Jeremy Saulnier played a significant creative role with dp contributions to Baltimore originals in Matthew Porterfield’s Hamilton and Putty Hill and Michael Tully’s Septien (2011).
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- 11/15/2017
- by Eric Lavallée
- IONCINEMA.com
Now in its eighth year, the American Film Festival offers a unique perspective on recent developments in U.S. indie filmmaking. That’s because it happens in Poland, staged at the stylish Kino Nowe Horyzonty film center in Wroclaw, also home to the summer New Horizons festival, which has more of a European tilt.
Although the festival, which recently concluded, surveys many favorites from Sundance and South by Southwest, the curation doesn’t merely transpose selections to a new setting. It imports a lively assortment of filmmakers, as well, and creates a cozy, engaged atmosphere more akin to the communal vibe of the Maryland Film Festival. Indeed, to rub shoulders in a crowd that included Jody Lee Lipes, Noel Wells, Dustin Guy Defa, Nathan Silver, producer Mike Ryan, Jessica Oreck and Mike Ott is to experience a deep dive into the creative bustle of current indie ferment.
That spirit is...
Although the festival, which recently concluded, surveys many favorites from Sundance and South by Southwest, the curation doesn’t merely transpose selections to a new setting. It imports a lively assortment of filmmakers, as well, and creates a cozy, engaged atmosphere more akin to the communal vibe of the Maryland Film Festival. Indeed, to rub shoulders in a crowd that included Jody Lee Lipes, Noel Wells, Dustin Guy Defa, Nathan Silver, producer Mike Ryan, Jessica Oreck and Mike Ott is to experience a deep dive into the creative bustle of current indie ferment.
That spirit is...
- 11/14/2017
- by Steve Dollar
- Indiewire
The American Film Institute (AFI) has announced the films that will be featured in their New Auteurs and American Independents sections at the upcoming AFI Fest 2017 presented by Audi. Selections include a number of lauded features from around the festival circuit, including Cannes offerings like “I Am Not a Witch,” SXSW favorites like “Gemini” and “Mr. Roosevelt,” the Sundance breakout “Thoroughbreds,” and Joseph Kahn’s Toronto Midnight Madness favorite “Bodied,” among others.
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
- 10/16/2017
- by Kate Erbland
- Indiewire
Exclusive: Oscilloscope has acquired North American rights to Sollers Point, the new film from Matthew Porterfield that stars McCaul Lombardi, Jim Belushi and Atlanta‘s Zazie Beetz. A 2018 theatrical release is planned, with the deal sealed before the film has its world premiere next week at the San Sebastian Film Festival. The plot centers on Keith (Lombardi, from American Honey), a 24-year-old newly released from prison and living with his father (Belushi) under house…...
- 9/22/2017
- Deadline
Out of jail but not yet back in the swing of things — that in-between state has sparked countless movies, from genre thrillers to quiet character studies. In Sollers Point, Matthew Porterfield puts his distinctive stamp on this classic setup with the story of a young man who's caught between the impulse to slide back and the longing to leap forward. Working again in his native Baltimore, the writer-director maintains the documentary-style feel for place that has infused all his features. But like his previous outing, I Used to Be Darker, the new work mines more straightforward, less impressionistic...
- 9/20/2017
- by Sheri Linden
- The Hollywood Reporter - Movie News
Films from Olivier Nakache and Éric Toledano, Alexandros Avranas and Diego Lerman added to competition line-up.
Further competition titles for the 2017 San Sebastian Film Festival (22-30 September) have been announced, including The Disaster Artist.
Written, directed and starring James Franco, the project tells the story of Tommy Wiseau’s infamous cult film The Room. It will also appear at the Toronto International Film Festival.
Other titles competing for the Golden Shell include Diego Lerman’s A Sort Of Family (Una Especie De Familia); Love Me Not from Alexandros Avranas; Barbara Albert’s Mademoiselle Paradis; and The Lion Sleeps Tonight from Nobuhiro Suwa.
Olivier Nakache and Éric Toledano’s C’est La Vie!, Ivana Mladenovic’s Soldiers. Story From Ferentari and Matt Porterfield’s Sollers Point have also been announced.
Alexandros Avranas won the best director Silver Lion at Venice for Miss Violence in 2013. Diego Lerman’s Suddenly won the Silver Leopard at the Locarno Festival in 2002.
Nakache...
Further competition titles for the 2017 San Sebastian Film Festival (22-30 September) have been announced, including The Disaster Artist.
Written, directed and starring James Franco, the project tells the story of Tommy Wiseau’s infamous cult film The Room. It will also appear at the Toronto International Film Festival.
Other titles competing for the Golden Shell include Diego Lerman’s A Sort Of Family (Una Especie De Familia); Love Me Not from Alexandros Avranas; Barbara Albert’s Mademoiselle Paradis; and The Lion Sleeps Tonight from Nobuhiro Suwa.
Olivier Nakache and Éric Toledano’s C’est La Vie!, Ivana Mladenovic’s Soldiers. Story From Ferentari and Matt Porterfield’s Sollers Point have also been announced.
Alexandros Avranas won the best director Silver Lion at Venice for Miss Violence in 2013. Diego Lerman’s Suddenly won the Silver Leopard at the Locarno Festival in 2002.
Nakache...
- 8/4/2017
- by orlando.parfitt@screendaily.com (Orlando Parfitt)
- ScreenDaily
The Disaster Artist is heading to San Sebastian Photo: Courtesy of San Sebastian Film Festival San Sebastian Film Festival announced a selection of the films that will compete at its 65th edition this September - including features from James Franco, Alexandros Avranas, Diego Lerman and Barbara Albert.
Other directors in contention for the Golden Shell include Olivier Nakache, Eric Toledano Matt Porterfield and Ivana Mladenovic..
Franco puts himself in front of the camera for his latest film, comedy The Disaster Artist, starring as Tommy Wiseau, the director of the "Citizen Kane of bad movies" The Room. The film showed as a work in progress at SXSW with considerable success and will have its world premiere in Toronto.
Also heading to the festival after a premiere in Canada is Mademoiselle Paradis (Licht), a historical drama about a blind piano prodigy, directed by Austrian filmmaker Albert, who previously competed at the festival...
Other directors in contention for the Golden Shell include Olivier Nakache, Eric Toledano Matt Porterfield and Ivana Mladenovic..
Franco puts himself in front of the camera for his latest film, comedy The Disaster Artist, starring as Tommy Wiseau, the director of the "Citizen Kane of bad movies" The Room. The film showed as a work in progress at SXSW with considerable success and will have its world premiere in Toronto.
Also heading to the festival after a premiere in Canada is Mademoiselle Paradis (Licht), a historical drama about a blind piano prodigy, directed by Austrian filmmaker Albert, who previously competed at the festival...
- 8/4/2017
- by Amber Wilkinson
- eyeforfilm.co.uk
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Full Lineup Announcements
– The Museum of the Moving Image (MoMI) and The India Center Foundation are launching India Kaleidoscope, an exciting new festival that will present film lovers with a chance to immerse themselves in the unique sights and sounds that make up the Indian regional, independent film landscape. These films, which delve into the most relevant and pressing topics facing India, are being made by today’s most progressive filmmakers working in regional languages such as Marathi, Kannada, Tamil, and Bengali. Their films are insightful, topical, and provocative, bringing to light the dynamism and the challenges that face modern India and her many diverse communities.
The inaugural festival, taking place December 8 – 11 at the Museum, will feature eight films, including seven new titles that will be making their U.
Full Lineup Announcements
– The Museum of the Moving Image (MoMI) and The India Center Foundation are launching India Kaleidoscope, an exciting new festival that will present film lovers with a chance to immerse themselves in the unique sights and sounds that make up the Indian regional, independent film landscape. These films, which delve into the most relevant and pressing topics facing India, are being made by today’s most progressive filmmakers working in regional languages such as Marathi, Kannada, Tamil, and Bengali. Their films are insightful, topical, and provocative, bringing to light the dynamism and the challenges that face modern India and her many diverse communities.
The inaugural festival, taking place December 8 – 11 at the Museum, will feature eight films, including seven new titles that will be making their U.
- 11/3/2016
- by Kate Erbland
- Indiewire
Venice Production Bridge will incorporate Gap Financing Market and Final Cut events.
The Venice Film Festival (Aug 31 - Sept 10) has revealed the line-ups for its 2016 market events, newly renamed the Venice Production Bridge (Sept 1 - 5).
The Production Bridge will host features, TV, web-series and Vr projects.
Venice’s two-day Gap-Financing Market event (September 2-3, 2016) will host 40 selected European and International projects looking to close their international financing.
The market’s Final Cut strand will award prizes to selected in-the-works projects from Africa and from Iraq, Jordan, Lebanon, Palestine and Syria, while the inaugural Book Adaptation Rights Area will see publishers pitch books ripe for film or TV adaptation.
The European Commission organises two workshops, one on access to finance (Sept 3) and the other on the future of cinemas (Sept 4). The second event, which will be opened by European Commissioner Oettinger, will focus on how cinemas can fully reap the benefits of digital technologies.
Gap Financing...
The Venice Film Festival (Aug 31 - Sept 10) has revealed the line-ups for its 2016 market events, newly renamed the Venice Production Bridge (Sept 1 - 5).
The Production Bridge will host features, TV, web-series and Vr projects.
Venice’s two-day Gap-Financing Market event (September 2-3, 2016) will host 40 selected European and International projects looking to close their international financing.
The market’s Final Cut strand will award prizes to selected in-the-works projects from Africa and from Iraq, Jordan, Lebanon, Palestine and Syria, while the inaugural Book Adaptation Rights Area will see publishers pitch books ripe for film or TV adaptation.
The European Commission organises two workshops, one on access to finance (Sept 3) and the other on the future of cinemas (Sept 4). The second event, which will be opened by European Commissioner Oettinger, will focus on how cinemas can fully reap the benefits of digital technologies.
Gap Financing...
- 7/29/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
McCaul Lombardi (who’ll be on the Croisette in the featured Andrea Arnold’s American Honey quartet comprised of Sasha Lane, Shia Labeouf and Arielle Holmes) will topline and Tashiana Washington (Gimme the Loot), recording Artist Breezay and veteran actor James Belushi (who’ll next be seen in Katie Says Goodbye) are part of the make-up of indie Baltimore based helmer Matt Porterfield‘s Soller’s Point.
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- 4/15/2016
- by Eric Lavallee
- IONCINEMA.com
There are many reasons Cinema Guild is probably our favorite distributor, chief among them the sense that their slate consists almost entirely of titles that even the second- and third-most adventurous distributors would express hesitance about putting into the world. Make of it what you will, then, that their former distribution executive, Ryan Krivoshey, has just launched Grasshopper Film, an outlet that immediately sounds no less crucial than his old haunting ground.
Their initial press release is a murderer’s row of international voices, a few favorites of ours included. Just look at its first release: in some sense following the lead of Cinema Guild’s major unveiling of About Elly last year, they’re leading off with Asghar Farhadi‘s 2006 picture Fireworks Wednesday — previously released by Facets and less-than-easy to acquire for years — which comes to New York on March 16.
It’s expected that each year will offer eight-to-twelve...
Their initial press release is a murderer’s row of international voices, a few favorites of ours included. Just look at its first release: in some sense following the lead of Cinema Guild’s major unveiling of About Elly last year, they’re leading off with Asghar Farhadi‘s 2006 picture Fireworks Wednesday — previously released by Facets and less-than-easy to acquire for years — which comes to New York on March 16.
It’s expected that each year will offer eight-to-twelve...
- 2/15/2016
- by Nick Newman
- The Film Stage
Read More: The 2016 Indiewire Sundance Bible: All the Reviews, Interviews and News Posted During The Festival Often in his "Dark Night," filmmaker Tim Sutton develops terrifying suspense around nothing happening. Loosely based on the 2012 shooting in Aurora, Colorado during a multiplex screening of "The Dark Knight," Sutton's elegantly designed drama contains a fascinating, enigmatic agenda. In its opening moments, Maica Armata's mournful score plays out as we watch a traumatized face lit up by the red-blue glow of a nearby police car. Mirroring the media image of tragedy divorced from the lives affected by it, the ensuing movie fills in those details. Over the last several years, Sutton has joined the ranks of a new American minimalism. While his aesthetic immediately calls to mind Gus Van Sant, Sutton's documentary-like technique of casting amateur performers in atmospheric conditions echoes a similar approach by Matthew Porterfield; both filmmakers are...
- 1/25/2016
- by Eric Kohn
- Indiewire
“Restoring our belief in this world—this is the power of modern cinema.”—Gilles Deleuze, Cinema 2The names of two genres of images have migrated from painting to photography and into our digital age: “portrait” and “landscape.” While these terms have become shorthand for whether an image is oriented vertically or horizontally, they are rarely used to describe contemporary commercial cinema, in which portraiture is all too often reduced to costume and cartoon, and landscape is a computer-generated backdrop. But there is a rich vein of filmmaking that privileges both portrait and landscape, in which they are no longer separate genres but two modes of cinema that can enrich and complicate each other. It is at the intersection of portrait and landscape that the films of Joaquim Pinto, Matthew Porterfield and Agnès Varda reside. From the Mediterranean fishing community of Varda’s Le Pointe Courte to the Portuguese countryside in...
- 11/9/2015
- by Cinema Dialogues: Harvard at the Gulbenkian
- MUBI
The American Film Institute announced today the films that will screen in the World Cinema, Breakthrough, Midnight, Shorts and Cinema’s Legacy programs at AFI Fest 2015 presented by Audi.
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
AFI Fest will take place November 5 – 12, 2015, in the heart of Hollywood. Screenings, Galas and events will be held at the historic Tcl Chinese Theatre, the Tcl Chinese 6 Theatres, Dolby Theatre, the Lloyd E. Rigler Theatre at the Egyptian, the El Capitan Theatre and The Hollywood Roosevelt.
World Cinema showcases the most acclaimed international films of the year; Breakthrough highlights true discoveries of the programming process; Midnight selections will grip audiences with terror; and Cinema’s Legacy highlights classic movies and films about cinema. World Cinema and Breakthrough selections are among the films eligible for Audience Awards. Shorts selections are eligible for the Grand Jury Prize, which qualifies the winner for Academy Award®consideration. This year’s Shorts jury features filmmaker Janicza Bravo,...
- 10/22/2015
- by Melissa Thompson
- WeAreMovieGeeks.com
Tired Moonlight, Dp: Adam GinsbergOne of the few shocks of the otherwise steadfastly low-key Tired Moonlight, a recent inclusion in New York’s New Directors/New Films program, is discovering in the credit roll that Sean Price Williams didn’t shoot it. The film arrives at a point where seemingly every new low-budget indie shot on 16mm and featuring a hitherto unsung directorial newcomer—in this case Montana-born Britni West—is graced by the eye of this particular cinematographer: see The Vanquishing of the Witch Baba Yaga, Kuichisan, Young Bodies Heal Quickly, Christmas, Again, and several others, not to mention all the work in this vein he’s done for Alex Ross Perry. Williams is certainly skilled (it’s hard to find a review of a film boasting his work that doesn’t mention his name—a rare feat for a Dp), but as of now only demonstrably proficient in...
- 9/8/2015
- by Carson Lund
- MUBI
At their annual retreat, the traditional internal kick-off for the big Sundance Film Festival this January, programmer Charlie Reff was able to take some time to talk with me about Next Fest.
My colleague Carlos Aguilar has already written about this big L.A. event here, so I will cover other areas and fill in on the music components of the film program.
Each film is its own event so that audiences will go to one film and not necessarily all films. Though the series package is selling well, the individual ticket sales are significant not only selling out but in bringing in new audiences. Getting L.A. people’s attention is not an easy task, but the pairing of movies and music in the unique way Next is creating, plus the spectacular venue, the Theatre at the Ace Hotel, one of L.A.’s most lavish and historic film venues, downtown at 9th and Broadway, will also bring out new audiences who care about preservation of our art deco landmarks.
This year more than half the films that showed in Sundance came out quickly theatrically this spring and summer followed by their VOD releases. If they did not get released theatrically then they were eligible to be chosen for Next if they were sufficiently “renegade” in the best spirit of indie filmmakers, like past films “Obvious Child”, “Compliance”, “Appropriate Behavior”, “Tangerine” and “Escape from Tomorrow”.
Out of the six films chosen for the unconventional and forward thinking of their narrative styles – including one doc -- there is a full range of experience to be had.
Four films showing in the evening are paired with live musical acts which somehow fit the film in mood or in ideas and are new and next in film and music.
In addition there will be three world premiere music videos and a full-body, mind-blowing virtual reality flight simulator, Birdly which was shown this past Sundance in the New Frontier exhibition. You can experience being a bird from a first-person perspective through a full-body virtual reality set up….it’s free, in the mezzanine of The Theatre of the Ace Hotel and available through an onsite waitlist system.
The world premiere music videos are Superhumanoid’s music video for “Anxious in Venice”, premiering Friday along with Noah Baumbach’s out of the mold “Mistress America” (Fox Searchlight) followed by a live performance by Sky Ferreira.Health’s album trailer for “Death Magic” as part of Saturday evening’s screening of “ Entertainment“ (Magnolia Releasing) starring Michael Cera will be followed by a solo performance by Sharon Van Etten. “Death Magic” is directed by acclaimed graphic designer, title designer, and editor Pablo Ferro, who has worked alongside some of the most respected filmmakers of all time including Stanley Kubrick, Hal Ashby and Tim Burton. An experimental short film by Eddie Alcazar with soundtrack by Flying Lotus, “Fuckkkyouuu”, will premiere Sunday at the “Turbo Kid” (Epic Pictures Releasing) screening with a back-to-back DJ battle between Neon Indian and Toro Y Moi.
Pairing music audiences with movie audiences aims to bring new awareness of new art canvasses to people who do not have a lot of crossover knowledge of film on one hand or of music on the other. Musicians often want to make movies and both they and filmmakers have had the carpets pulled out from under them and are struggling to find their way amidst digitization. It seems self-evident that fimmakers appreciate music since soundtracks and even the most incidental music in a film can make or break it. By pairing “Mistress America” with Sky Ferreira, Charlie is sure Sky’s fans will love “Mistress America” which will result in new discussions and will perhaps begin to define how to make sense of movies to music audiences. The cross-pollination of audiences enriches everyone.
The two daytime films, “Cronies” by Michael Larnell and “Finders Keepers” will be followed by conversations, paired respectively with Robert Townsend, one of the Godfathers of the Independent Film World, actor, writer, director and producer of first of “Hollywood Shuffle” followed by many other films; and Saturday’s “Finders Keepers” directors Bryan Carberry and Clay Tweel with Thomas Middletich (“Silicon Valley” ) along with the film’s subject John Wood himself! Speakers were chosen by the filmmakers who were told to ask who was influential them them and who would they want to see their film.
Among the filmmakers, cast and musicians expected to attend Sundance Next Fest are Rick Alverson, Noah Baumbach, Bryan Carberry, Munro Chambers, Greta Gerwig, Health, Tim Heidecker, Lola Kirke, Michael Larnell, François Simard, Superhumanoids, Gregg Turkington, Clay Tweel, Anouk Whissell and Yoann-Karl Whissell.
Attendance is expected to be around 10,000 judging by lat year’s numbers. Last year all three film with music event was sold out. The opening screening in the Hollywood Forever Cemetery was huge and the screenings over three days had about 1,000 at each event.
Next is not just a film festival; it is an Event.
Sundance Next Fest is supported by Principal Sponsors – Acura and Adobe; Major Sponsor – Kickstarter; Media Sponsor – Kcrw; and Supporting Sponsors – Beachside Films, Dolby, FilmL.A., Inc., ShopHouse, Shudder, Skullcandy®, Southwest Airlines, Stella Artois®, The Theatre at Ace Hotel and the Utah Film Commission. As part of their presence at the festival, Adobe and Kickstarter will host panels open to the public on Saturday and Sunday afternoons;
Below is the full program in detail. Even more details and tickets ($15-25) now on sale can be found at sundance.org/next.
Friday, August 7, 8:00 p.m.
"Anxious in Venice" (Band: Superhumanoids, Director: Taylor Cohen) — It's 4:37 a.m. and someone straps a camera to your chest. Nearby, your hungover bandmate sips gas station coffee and the director yells about missing the sunrise. You hate performance music videos but you're sure this one will be different. Then again, when you've been up all night and are shooting without a permit -- you can't be sure of anything. Welcome to Anxious In Venice. Music Video. World Premiere
"Mistress America" / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke's alluringly mad schemes. Cast: Greta Gerwig, Lola Kirke. Los Angeles Premiere
Sky Ferreira — Sky Ferreira has quickly established herself as one of today’s most exciting new faces in music, film and fashion. She first signed to Capitol Records at the early age of 15 where she eventually wrote & executive produced her critically acclaimed debut album, Night Time, My Time. As an actress, she has worked with many independent filmmakers including Eli Roth, Liza Johnson & Matthew Porterfield. Sky is currently recording her highly anticipated new album, Masochism.
Saturday, August 8, 3:30 p.m.
"Finders Keepers" / U.S.A. (Directors: Bryan Carberry, Clay Tweel) — Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it, therefore, to be his rightful property. Los Angeles Premiere
Followed by a conversation between directors Bryan Carberry and Clay Tweel, subject John Wood and special guests Aubrey Plaza and Thomas Middleditch.
Saturday, August 8, 8:00 p.m.
"Death Magic" (Band: Health, Director: Pablo Ferro) — The sun slowly sets; its beauty soundtracked by a serene yet melancholy sound. As the last rays of light slip behind the clouds, a violent transformation takes place. The music, ever-changing and explosive, creates the imagery… supergraphic and never seen before! The quick cuts in sync with the music, introduce the emotional range and complexity of Health’S new album Death Magic. Album Trailer. World Premiere
"Entertainment" / U.S.A. (Director: Rick Alverson, Screenwriters: Rick Alverson, Gregg Turkington, Tim Heidecker) — In an attempt to revive his dwindling career and reunite with his estranged daughter, a broken, aging comedian plays a string of dead-end shows in the California desert. Cast: Gregg Turkington, John C. Reilly, Tye Sheridan, Michael Cera, Amy Seimetz, Lotte Verbeek. Los Angeles Premiere
Sharon Van Etten — Singer/songwriter Sharon Van Etten writes from free-flowing emotional honesty and vulnerability, creating a bond with the listener that few contemporary musicians can match. Following her 2012 break-through Tramp, last year’s follow up Are We There and her new Ep I Don’t Want to Let You Down, Van Etten finds herself in full stride, writing, producing and performing.
Sunday, August 9, 3:30 p.m.
"Cronies" / U.S.A. (Director and screenwriter: Michael J. Larnell) — Twenty-two-year-old Louis doesn’t know whether his childhood friendship with Jack will last beyond today. Cast: George Sample III, Zurich Buckner, Brian Kowalski. Los Angeles Premiere
Followed by a conversation between director Michael J. Larnell and special guest Robert Townsend.
Sunday, August 9, 8:00 p.m.
"Fuckkkyouuu" (Director: Eddie Alcazar, Music: Flying Lotus) — With the ability to travel in time, a lonely girl finds love and comfort by connecting with her past self. Eventually faced with rejection she struggles with her identity and gender, and as time folds onto itself only one of them can remain. Cast: Jesse Sullivan, Charles Baker. Experimental Short / Music Video. World Premiere
"Turbo Kid" / Canada, New Zealand (Directors and screenwriters: Anouk Whissell, François Simard, Yoann-Karl Whissell) — Set in a post apocalyptic year of 1997, this nostalgic tribute to ’80s action-adventure films follows an orphaned teenager who goes on an adventure to save his female-robot companion from the hands of the evil warlord who controls the only water supply. Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Aaron Jeffery, Edwin Wright. Los Angeles Premiere
Neon Indian (DJ set) B2B Toro Y Moi (DJ set) — Neon Indian, the brainchild of Alan Palomo, is defined by a unique electro-mangled sound which has attracted fans and opening slots before acts like Massive Attack, The Flaming Lips, Phoenix and Chromeo. Toro Y Moi, the guise of Chaz Bundick, channels a wide swath of stylistic influences into his electronics-incorporating music and cites Big Star, Talking Heads and Todd Rundgren as some of his inspirations.
My colleague Carlos Aguilar has already written about this big L.A. event here, so I will cover other areas and fill in on the music components of the film program.
Each film is its own event so that audiences will go to one film and not necessarily all films. Though the series package is selling well, the individual ticket sales are significant not only selling out but in bringing in new audiences. Getting L.A. people’s attention is not an easy task, but the pairing of movies and music in the unique way Next is creating, plus the spectacular venue, the Theatre at the Ace Hotel, one of L.A.’s most lavish and historic film venues, downtown at 9th and Broadway, will also bring out new audiences who care about preservation of our art deco landmarks.
This year more than half the films that showed in Sundance came out quickly theatrically this spring and summer followed by their VOD releases. If they did not get released theatrically then they were eligible to be chosen for Next if they were sufficiently “renegade” in the best spirit of indie filmmakers, like past films “Obvious Child”, “Compliance”, “Appropriate Behavior”, “Tangerine” and “Escape from Tomorrow”.
Out of the six films chosen for the unconventional and forward thinking of their narrative styles – including one doc -- there is a full range of experience to be had.
Four films showing in the evening are paired with live musical acts which somehow fit the film in mood or in ideas and are new and next in film and music.
In addition there will be three world premiere music videos and a full-body, mind-blowing virtual reality flight simulator, Birdly which was shown this past Sundance in the New Frontier exhibition. You can experience being a bird from a first-person perspective through a full-body virtual reality set up….it’s free, in the mezzanine of The Theatre of the Ace Hotel and available through an onsite waitlist system.
The world premiere music videos are Superhumanoid’s music video for “Anxious in Venice”, premiering Friday along with Noah Baumbach’s out of the mold “Mistress America” (Fox Searchlight) followed by a live performance by Sky Ferreira.Health’s album trailer for “Death Magic” as part of Saturday evening’s screening of “ Entertainment“ (Magnolia Releasing) starring Michael Cera will be followed by a solo performance by Sharon Van Etten. “Death Magic” is directed by acclaimed graphic designer, title designer, and editor Pablo Ferro, who has worked alongside some of the most respected filmmakers of all time including Stanley Kubrick, Hal Ashby and Tim Burton. An experimental short film by Eddie Alcazar with soundtrack by Flying Lotus, “Fuckkkyouuu”, will premiere Sunday at the “Turbo Kid” (Epic Pictures Releasing) screening with a back-to-back DJ battle between Neon Indian and Toro Y Moi.
Pairing music audiences with movie audiences aims to bring new awareness of new art canvasses to people who do not have a lot of crossover knowledge of film on one hand or of music on the other. Musicians often want to make movies and both they and filmmakers have had the carpets pulled out from under them and are struggling to find their way amidst digitization. It seems self-evident that fimmakers appreciate music since soundtracks and even the most incidental music in a film can make or break it. By pairing “Mistress America” with Sky Ferreira, Charlie is sure Sky’s fans will love “Mistress America” which will result in new discussions and will perhaps begin to define how to make sense of movies to music audiences. The cross-pollination of audiences enriches everyone.
The two daytime films, “Cronies” by Michael Larnell and “Finders Keepers” will be followed by conversations, paired respectively with Robert Townsend, one of the Godfathers of the Independent Film World, actor, writer, director and producer of first of “Hollywood Shuffle” followed by many other films; and Saturday’s “Finders Keepers” directors Bryan Carberry and Clay Tweel with Thomas Middletich (“Silicon Valley” ) along with the film’s subject John Wood himself! Speakers were chosen by the filmmakers who were told to ask who was influential them them and who would they want to see their film.
Among the filmmakers, cast and musicians expected to attend Sundance Next Fest are Rick Alverson, Noah Baumbach, Bryan Carberry, Munro Chambers, Greta Gerwig, Health, Tim Heidecker, Lola Kirke, Michael Larnell, François Simard, Superhumanoids, Gregg Turkington, Clay Tweel, Anouk Whissell and Yoann-Karl Whissell.
Attendance is expected to be around 10,000 judging by lat year’s numbers. Last year all three film with music event was sold out. The opening screening in the Hollywood Forever Cemetery was huge and the screenings over three days had about 1,000 at each event.
Next is not just a film festival; it is an Event.
Sundance Next Fest is supported by Principal Sponsors – Acura and Adobe; Major Sponsor – Kickstarter; Media Sponsor – Kcrw; and Supporting Sponsors – Beachside Films, Dolby, FilmL.A., Inc., ShopHouse, Shudder, Skullcandy®, Southwest Airlines, Stella Artois®, The Theatre at Ace Hotel and the Utah Film Commission. As part of their presence at the festival, Adobe and Kickstarter will host panels open to the public on Saturday and Sunday afternoons;
Below is the full program in detail. Even more details and tickets ($15-25) now on sale can be found at sundance.org/next.
Friday, August 7, 8:00 p.m.
"Anxious in Venice" (Band: Superhumanoids, Director: Taylor Cohen) — It's 4:37 a.m. and someone straps a camera to your chest. Nearby, your hungover bandmate sips gas station coffee and the director yells about missing the sunrise. You hate performance music videos but you're sure this one will be different. Then again, when you've been up all night and are shooting without a permit -- you can't be sure of anything. Welcome to Anxious In Venice. Music Video. World Premiere
"Mistress America" / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy is a lonely college freshman in New York, having neither the exciting university experience nor the glamorous metropolitan lifestyle she envisioned. But when she is taken in by her soon-to-be stepsister, Brooke – a resident of Times Square and adventurous gal about town – she is rescued from her disappointment and seduced by Brooke's alluringly mad schemes. Cast: Greta Gerwig, Lola Kirke. Los Angeles Premiere
Sky Ferreira — Sky Ferreira has quickly established herself as one of today’s most exciting new faces in music, film and fashion. She first signed to Capitol Records at the early age of 15 where she eventually wrote & executive produced her critically acclaimed debut album, Night Time, My Time. As an actress, she has worked with many independent filmmakers including Eli Roth, Liza Johnson & Matthew Porterfield. Sky is currently recording her highly anticipated new album, Masochism.
Saturday, August 8, 3:30 p.m.
"Finders Keepers" / U.S.A. (Directors: Bryan Carberry, Clay Tweel) — Recovering addict and amputee John Wood finds himself in a stranger-than-fiction battle to reclaim his mummified leg from Southern entrepreneur Shannon Whisnant, who found it in a grill he bought at an auction and believes it, therefore, to be his rightful property. Los Angeles Premiere
Followed by a conversation between directors Bryan Carberry and Clay Tweel, subject John Wood and special guests Aubrey Plaza and Thomas Middleditch.
Saturday, August 8, 8:00 p.m.
"Death Magic" (Band: Health, Director: Pablo Ferro) — The sun slowly sets; its beauty soundtracked by a serene yet melancholy sound. As the last rays of light slip behind the clouds, a violent transformation takes place. The music, ever-changing and explosive, creates the imagery… supergraphic and never seen before! The quick cuts in sync with the music, introduce the emotional range and complexity of Health’S new album Death Magic. Album Trailer. World Premiere
"Entertainment" / U.S.A. (Director: Rick Alverson, Screenwriters: Rick Alverson, Gregg Turkington, Tim Heidecker) — In an attempt to revive his dwindling career and reunite with his estranged daughter, a broken, aging comedian plays a string of dead-end shows in the California desert. Cast: Gregg Turkington, John C. Reilly, Tye Sheridan, Michael Cera, Amy Seimetz, Lotte Verbeek. Los Angeles Premiere
Sharon Van Etten — Singer/songwriter Sharon Van Etten writes from free-flowing emotional honesty and vulnerability, creating a bond with the listener that few contemporary musicians can match. Following her 2012 break-through Tramp, last year’s follow up Are We There and her new Ep I Don’t Want to Let You Down, Van Etten finds herself in full stride, writing, producing and performing.
Sunday, August 9, 3:30 p.m.
"Cronies" / U.S.A. (Director and screenwriter: Michael J. Larnell) — Twenty-two-year-old Louis doesn’t know whether his childhood friendship with Jack will last beyond today. Cast: George Sample III, Zurich Buckner, Brian Kowalski. Los Angeles Premiere
Followed by a conversation between director Michael J. Larnell and special guest Robert Townsend.
Sunday, August 9, 8:00 p.m.
"Fuckkkyouuu" (Director: Eddie Alcazar, Music: Flying Lotus) — With the ability to travel in time, a lonely girl finds love and comfort by connecting with her past self. Eventually faced with rejection she struggles with her identity and gender, and as time folds onto itself only one of them can remain. Cast: Jesse Sullivan, Charles Baker. Experimental Short / Music Video. World Premiere
"Turbo Kid" / Canada, New Zealand (Directors and screenwriters: Anouk Whissell, François Simard, Yoann-Karl Whissell) — Set in a post apocalyptic year of 1997, this nostalgic tribute to ’80s action-adventure films follows an orphaned teenager who goes on an adventure to save his female-robot companion from the hands of the evil warlord who controls the only water supply. Cast: Munro Chambers, Laurence Leboeuf, Michael Ironside, Aaron Jeffery, Edwin Wright. Los Angeles Premiere
Neon Indian (DJ set) B2B Toro Y Moi (DJ set) — Neon Indian, the brainchild of Alan Palomo, is defined by a unique electro-mangled sound which has attracted fans and opening slots before acts like Massive Attack, The Flaming Lips, Phoenix and Chromeo. Toro Y Moi, the guise of Chaz Bundick, channels a wide swath of stylistic influences into his electronics-incorporating music and cites Big Star, Talking Heads and Todd Rundgren as some of his inspirations.
- 8/6/2015
- by Sydney Levine
- Sydney's Buzz
Hey, it's Stanley Kubrick's birthday. As it happens, the BFI has just posted an edited extract from the introduction to the new collection, Stanley Kubrick: New Perspectives. Also in today's roundup: Madison Brookshire on Josef von Sternberg and Jack Smith by way of Gilles Deleuze; interviews with Pedro Costa (conducted by David Barker and Matthew Porterfield), Bruno Dumont, Barbara Kopple, Paul Schrader and "illustrator, concept artist and visual futurist" Syd Mead; Anna Shechtman on James Ponsoldt's The End of the Tour and the David Foster Wallace Industry; news of Fatih Akin's next project; and remembering producer Pierre Cottrell. » - David Hudson...
- 7/26/2015
- Fandor: Keyframe
Hey, it's Stanley Kubrick's birthday. As it happens, the BFI has just posted an edited extract from the introduction to the new collection, Stanley Kubrick: New Perspectives. Also in today's roundup: Madison Brookshire on Josef von Sternberg and Jack Smith by way of Gilles Deleuze; interviews with Pedro Costa (conducted by David Barker and Matthew Porterfield), Bruno Dumont, Barbara Kopple, Paul Schrader and "illustrator, concept artist and visual futurist" Syd Mead; Anna Shechtman on James Ponsoldt's The End of the Tour and the David Foster Wallace Industry; news of Fatih Akin's next project; and remembering producer Pierre Cottrell. » - David Hudson...
- 7/26/2015
- Keyframe
Musicians Sky Ferriera, Sharon Van Etten and dee-jays Neon Indian and Toro Y Moi are now part of the expanding Sundance Film Festival family. Sundance’s Next Fest (August 7th to the 9th) kicks off early on August 2nd, with a showing of Jon Watt’s Cop Car — the filmmaker made the industry news headlines this week when he signed onto direct the new Spiderman. Now in its third year, the fest which intertwines filmmakers and musicians or surprise mentors of the arts is comprised of films from the ’15 edition of the festival with only a pair of Next titles being re-programmed in Rick Alverson’s Entertainment and Michael J. Larnell’s
Cronies. Our Nicholas Bell will be covering the event for the site. Here’s the full lineup:
Sunday, August 2, 8:30 p.m. – Sundance Next Fest Kick Off Event
Cinespia at the Hollywood Forever Cemetery
Cop Car / U.S.
Cronies. Our Nicholas Bell will be covering the event for the site. Here’s the full lineup:
Sunday, August 2, 8:30 p.m. – Sundance Next Fest Kick Off Event
Cinespia at the Hollywood Forever Cemetery
Cop Car / U.S.
- 6/24/2015
- by Eric Lavallee
- IONCINEMA.com
We are saddened to hear of the passing of Time's inimitable critic, Richard Corliss (1944 - 2015), pictured above. Visit David Hudson's roundup at Keyframe Daily for coverage. In the past week there's been more additions to the Cannes Film Festival lineup, including new movies by Apichatpong Weerasethakul, Naomi Kawase and Gaspar Noé.When Manoel de Oliveira died earlier this month, word spread that he had made a film that would be released only upon his death, Memories and Confessions. Now word has come that its premiere screening will be on the 4th of May in Porto.Above: We're on the fence whether we should be excited for this, but the trailer for M. Night Shyamalan's The Visit certainly has us intrigued.New York's essential film listing site Screen Slate has turned to Kickstarter to help fund its project. Speaking of New York, this May the Museum of the Moving...
- 4/29/2015
- by Notebook
- MUBI
Most audiences think of the feature-length film as 90 minutes or longer. The 30-50 minute "medium length" film has proved something of a conundrum for the American festival and distribution landscape. But filmmakers who work within those restrictions have found plenty of benefits. Read More: Tribeca: 'High Maintenance' Creators on Short Filmmaking Opportunities Online "I don't know about you," said Matt Porterfield, when discussing his new 30-minute film "Take What You Can Carry," "but I've always thought of my days as made up of half-hour segments, not hours. It's a valuable unit of time." Regardless of the quality of these long shorts or short features, their chances for maximal visibility are almost immediately diminished from the moment the edit is locked. Programmers must resort to knocking out three or four other contenders to wedge a medium-length film into a shorts block, while acquisition offers remain slimmer than the already.
- 4/28/2015
- by Sarah Salovaara
- Indiewire
The new 24th issue of The Seventh Art features a video interview with Matt Porterfield, Hannah Gross and Deragh Campbell, the director and stars of I Used to Be Darker and a video essay on Ann Hui's Boat People. Also in today's roundup: The Paris Review on Better Call Saul and Michael Powell and Emeric Pressburger’s Tales of Hoffmann, Criterion's Michael Koresky on Yasujiro Ozu's Walk Cheerfully, That Night’s Wife and Dragnet Girl, Salon on Elia Kazan's America America, the best of Carl Theodor Dreyer, David Thomson on Marlon Brando, news of forthcoming work by Jean-Pierre Dardenne and Luc Dardenne, Marco Bellocchio and more. » - David Hudson...
- 4/26/2015
- Fandor: Keyframe
The new 24th issue of The Seventh Art features a video interview with Matt Porterfield, Hannah Gross and Deragh Campbell, the director and stars of I Used to Be Darker and a video essay on Ann Hui's Boat People. Also in today's roundup: The Paris Review on Better Call Saul and Michael Powell and Emeric Pressburger’s Tales of Hoffmann, Criterion's Michael Koresky on Yasujiro Ozu's Walk Cheerfully, That Night’s Wife and Dragnet Girl, Salon on Elia Kazan's America America, the best of Carl Theodor Dreyer, David Thomson on Marlon Brando, news of forthcoming work by Jean-Pierre Dardenne and Luc Dardenne, Marco Bellocchio and more. » - David Hudson...
- 4/26/2015
- Keyframe
The second edition of Art of the Real opens tomorrow at New York's Film Society of Lincoln Center with the premieres of new short films by João Pedro Rodrigues and João Rui Guerra da Mata, Eduardo Williams and Matt Porterfield, all of whom will be present for a Q&A. Closing on April 26 with Jenni Olson's The Royal Road, the series features a tribute to Agnès Varda and a spotlight on reenactments. Other highlights include films by Peter Watkins, James Benning, Harun Farocki, Jill Godmilow, Derek Jarman and more. » - David Hudson...
- 4/9/2015
- Fandor: Keyframe
The second edition of Art of the Real opens tomorrow at New York's Film Society of Lincoln Center with the premieres of new short films by João Pedro Rodrigues and João Rui Guerra da Mata, Eduardo Williams and Matt Porterfield, all of whom will be present for a Q&A. Closing on April 26 with Jenni Olson's The Royal Road, the series features a tribute to Agnès Varda and a spotlight on reenactments. Other highlights include films by Peter Watkins, James Benning, Harun Farocki, Jill Godmilow, Derek Jarman and more. » - David Hudson...
- 4/9/2015
- Keyframe
Read More: MoMA and Film Society of Lincoln Center Announce Complete New Directors/New Films Lineup New York's Film Society of Lincoln Center announced the complete lineup for the second annual Art Of The Real documentary film festival. The nonfiction showcase will premiere a trio of shorts to open the festivities, including João Pedro Rodrigues & João Rui Guerra da Mata’s "Iec Long", Eduardo Williams’s "I Forgot," and Matt Porterfield’s "Take What You Can Carry." Jenni Olson's "The Royal Road" gets the closing night honors after having its world premiere at Sundance in January. The festival runs April 10-26 and the rest of the newly announced films can be found below. Visit filmlinc.com for more information. [Synopses courtesy of the Film Society.] Opening Night Opening Night Shorts Program:Premiering new works by João Pedro Rodrigues & João Rui Guerra da Mata, Eduardo Williams,...
- 3/5/2015
- by David Ballard
- Indiewire
If you were looking for a primer on Jean-Luc Godard, you couldn't do much better than J. Hoberman's latest piece for the Nation. Also in today's roundup of news and views: Matthew Asprey Gear on the conspiracy thriller Orson Welles never got around to making, Imogen Sara Smith on Jacques Tati's Playtime, Julien Allen on Michael Powell and Emeric Pressburger's A Matter of Life and Death, Adam Nayman on George Stevens’s Shane, Robert Cashill on Richard Fleischer's Che!, Christopher Sharrett on Roger Corman's Bloody Mama, Leonard Quart on Nicholas Ray's The Lusty Men, interviews with Martín Rejtman, Andrei Zvyagintsev, Matt Porterfield, David Robert Mitchell (It Follows), Daniel Wolfe (Catch Me Daddy)—and much more. » - David Hudson...
- 2/27/2015
- Keyframe
If you were looking for a primer on Jean-Luc Godard, you couldn't do much better than J. Hoberman's latest piece for the Nation. Also in today's roundup of news and views: Matthew Asprey Gear on the conspiracy thriller Orson Welles never got around to making, Imogen Sara Smith on Jacques Tati's Playtime, Julien Allen on Michael Powell and Emeric Pressburger's A Matter of Life and Death, Adam Nayman on George Stevens’s Shane, Robert Cashill on Richard Fleischer's Che!, Christopher Sharrett on Roger Corman's Bloody Mama, Leonard Quart on Nicholas Ray's The Lusty Men, interviews with Martín Rejtman, Andrei Zvyagintsev, Matt Porterfield, David Robert Mitchell (It Follows), Daniel Wolfe (Catch Me Daddy)—and much more. » - David Hudson...
- 2/27/2015
- Fandor: Keyframe
With only three features under his belt, Matthew Porterfield has proven himself one of the most original voices in low-budget independent cinema, winning deserved praise from critics and audiences in both the Us and Europe. Last year Porterfield made his first short film, the 30-minute Take What You Can Carry, which had its world premiere at the 2015 Berlinale. Inspired by a quote from French author Georges Perec, this self-described meditation on “communication, creativity and physical space” finds the Baltimore native working once more (in a somewhat more abstract mode than his features) with girlfriend Hannah Gross as Lilly, an American in […]...
- 2/25/2015
- by Andrew Grant
- Filmmaker Magazine-Director Interviews
With only three features under his belt, Matthew Porterfield has proven himself one of the most original voices in low-budget independent cinema, winning deserved praise from critics and audiences in both the Us and Europe. Last year Porterfield made his first short film, the 30-minute Take What You Can Carry, which had its world premiere at the 2015 Berlinale. Inspired by a quote from French author Georges Perec, this self-described meditation on “communication, creativity and physical space” finds the Baltimore native working once more (in a somewhat more abstract mode than his features) with girlfriend Hannah Gross as Lilly, an American in […]...
- 2/25/2015
- by Andrew Grant
- Filmmaker Magazine - Blog
"Art of the Real" is returning to the Film Society of Lincoln Center with a celebration of Agnès Varda (who will attend!) and more:
"The 2015 edition, taking place April 10-26, will again feature dozens of new works from around the world and in a variety of genres alongside retrospective and thematic selections. Opening Night will premiere new works by João Pedro Rodrigues and João Rui Guerra da Mata (The Last Time I Saw Macao, Mahjong), Eduardo Williams, and Matt Porterfield (I Used to Be Darker), with all filmmakers attending the evening."
Above: For The Criterion Collection, kogonada's new video essay, "Mirrors of Bergman." Abderrahmane Sissako, the director of Timbuktu, will be heading Cannes' Cinéfondation and Short Films Jury. In his NY Times home video column, J. Hoberman writes on Richard Linklater's Boyhood and Guy Maddin's My Winnipeg. Richard Brody writes about Spike Lee's Da Sweet Blood of...
"The 2015 edition, taking place April 10-26, will again feature dozens of new works from around the world and in a variety of genres alongside retrospective and thematic selections. Opening Night will premiere new works by João Pedro Rodrigues and João Rui Guerra da Mata (The Last Time I Saw Macao, Mahjong), Eduardo Williams, and Matt Porterfield (I Used to Be Darker), with all filmmakers attending the evening."
Above: For The Criterion Collection, kogonada's new video essay, "Mirrors of Bergman." Abderrahmane Sissako, the director of Timbuktu, will be heading Cannes' Cinéfondation and Short Films Jury. In his NY Times home video column, J. Hoberman writes on Richard Linklater's Boyhood and Guy Maddin's My Winnipeg. Richard Brody writes about Spike Lee's Da Sweet Blood of...
- 2/18/2015
- by Notebook
- MUBI
Eric Lavallee: Name me three of your favorite “2014 discoveries” …
Hannah Gross: Jean Rhys. Sharon Lockhart. The Bridge (Bron, Broen) / The Fall / *re*discovering The X-Files
Lavallee: Could you describe the character of Lydia, and the sort of oscillating rapport she built with Noel?
Gross: I think Lydia also considers herself to be a bit of an outsider, that’s why she gravitates towards Noel. And Noel is able to recognize that in her as well.
Lavallee: Your filmography so far includes work with the likes of Matthew Porterfield, Nathan Silver, and Dustin Guy Defa. I’m curious to know how you go about your film choices?
Gross: More luck than anything. Consider myself very lucky to have met and then been able to work with, I think, some of the most interesting filmmakers in coming out of American independent film.
Hannah Gross: Jean Rhys. Sharon Lockhart. The Bridge (Bron, Broen) / The Fall / *re*discovering The X-Files
Lavallee: Could you describe the character of Lydia, and the sort of oscillating rapport she built with Noel?
Gross: I think Lydia also considers herself to be a bit of an outsider, that’s why she gravitates towards Noel. And Noel is able to recognize that in her as well.
Lavallee: Your filmography so far includes work with the likes of Matthew Porterfield, Nathan Silver, and Dustin Guy Defa. I’m curious to know how you go about your film choices?
Gross: More luck than anything. Consider myself very lucky to have met and then been able to work with, I think, some of the most interesting filmmakers in coming out of American independent film.
- 2/6/2015
- by Eric Lavallee
- IONCINEMA.com
Section by section, the lineup for the 65th Berlinale is filling up fast. Today, Panorama's completed its narrative feature selections with new work by Gabriel Ripstein, tag>Sebastián Silva and tag>Mitchell Lichtenstein; Berlinale Classics has announced screenings of five new restorations, including tag>Goldfinger (1964) and tag>In Cold Blood (1967); we've got shorts by tag>Matt Porterfield, tag>Nadav Lapid, tag>Jennifer Reeder and more to catch up with; and there's a enticing exhibition: Margrit and Peter Sickert have designed posters for films by tag>Wim Wenders, tag>Rainer Werner Fassbinder, tag>Martin Scorsese, tag>William Friedkin and more. » - David Hudson...
- 1/16/2015
- Fandor: Keyframe
Section by section, the lineup for the 65th Berlinale is filling up fast. Today, Panorama's completed its narrative feature selections with new work by Gabriel Ripstein, tag>Sebastián Silva and tag>Mitchell Lichtenstein; Berlinale Classics has announced screenings of five new restorations, including tag>Goldfinger (1964) and tag>In Cold Blood (1967); we've got shorts by tag>Matt Porterfield, tag>Nadav Lapid, tag>Jennifer Reeder and more to catch up with; and there's a enticing exhibition: Margrit and Peter Sickert have designed posters for films by tag>Wim Wenders, tag>Rainer Werner Fassbinder, tag>Martin Scorsese, tag>William Friedkin and more. » - David Hudson...
- 1/16/2015
- Keyframe
The 2015 Berlin International Film Festival has announced the short films that will be screening at this year's festival, which runs from February 5-15. A notable inclusion in the lineup is the introduction of the U.S. genre "Mumblecore" to German audiences with Matt Porterfield's "Take What You Can Carry," which tells of a young woman who is a foreigner in Berlin and portrays Generation Y. This year's members of the International Short Film Jury are documentary filmmaker and curator Madhusree Dutta from India, Turkish artist Halil Altındere, and producer and festival director Wahyuni A. Hadi from Singapore. Screening in competition are the latest works of Nadav Lapid, Amit Dutta, Matt Porterfield, artist duos Daniel Schmidt & Alexander Carver, Mischa Leinkauf & Matthias Wermke in collaboration with Lutz Henke, Billy Roisz & Dieter Kovačič, among many others. The entire short film list is below: Berlinale Shorts 2015:"Architektura," Ulu...
- 1/13/2015
- by Casey Cipriani
- Indiewire
Includes short films from Nadav Lapid, Amit Dutta and Jennifer Reeder.Scroll down for full line-up
The 65th Berlin International Film Festival (Feb 5-15) has unveiled its line-up of shorts, comprising 27 films from 18 countries.
The titles will compete for a Golden and a Silver Bear, as well as the nomination for best short film at the European Film Awards and the first-ever €20,000 Audio Short Film Award.
This year’s members of the International Short Film Jury are documentary filmmaker and curator Madhusree Dutta from India, Turkish artist Halil Altındere, and producer and festival director Wahyuni A. Hadi from Singapore.
Screening in competition are the latest works of Nadav Lapid, Amit Dutta, Jennifer Reeder, Matt Porterfield, artist duos Daniel Schmidt & Alexander Carver, Mischa Leinkauf & Matthias Wermke in collaboration with Lutz Henke, Billy Roisz & Dieter Kovačič, among others.
A special programme, titled The Golden Night of the Short Bears, with a selection of films from 60 years of shorts at the...
The 65th Berlin International Film Festival (Feb 5-15) has unveiled its line-up of shorts, comprising 27 films from 18 countries.
The titles will compete for a Golden and a Silver Bear, as well as the nomination for best short film at the European Film Awards and the first-ever €20,000 Audio Short Film Award.
This year’s members of the International Short Film Jury are documentary filmmaker and curator Madhusree Dutta from India, Turkish artist Halil Altındere, and producer and festival director Wahyuni A. Hadi from Singapore.
Screening in competition are the latest works of Nadav Lapid, Amit Dutta, Jennifer Reeder, Matt Porterfield, artist duos Daniel Schmidt & Alexander Carver, Mischa Leinkauf & Matthias Wermke in collaboration with Lutz Henke, Billy Roisz & Dieter Kovačič, among others.
A special programme, titled The Golden Night of the Short Bears, with a selection of films from 60 years of shorts at the...
- 1/13/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
This year, Richard Linklater’s "Boyhood" played in the closing night slot of the True/False Film Fest, a festival dedicated to documentaries. The organizers explained the that, because of its documentary-like production schedule, the film represented something that only non-fiction is capable of. "For most casual filmgoers, the role of the producer may be mysterious, in part because their efforts are designed to be invisible onscreen. But a film like 'Boyhood,' seamless as a viewing experience, also demands that we acknowledge the epic care and attention to detail than went into its creation. What's more, Linklater's artistic process, by necessity, took into account the natural meanderings of his actor's lives, lending a verisimilitude to the action missing from many other fiction films." The folks behind the Cinema Eye awards clearly agree with True/False’s assessment and in the possibility that fiction can transcend its own narrative...
- 12/8/2014
- by Matt Patches
- Hitfix
Following their win of the 2014 Audience Award at Sundance for their short film Chapel Perilous , writer/director Matthew Lessner and producer David Gerson's new feature film Automatic at Sea has been selected as 1 of 4 auteur American films to screen at the Black Rabbit U.S. In Progress Paris program as a work in progress.
U.S. in Progress Paris will take place during the third edition of the Champs Elysées Film Festival in Paris, on June 11-12 2014. The program will present 4 Us indie films in post-production to European buyers in order to achieve completion and to foster the circulation and distribution of American indie films in Europe.
We are excited to announce the selection for the third edition of Us in Progress Paris:
« Automatic at Sea » by Matthew Lessner
« Creative Control » by Benjamin Dickinson
« Eugenia and John » by Hossein Keshavarz
« Plastic Jesus » by Erica Dunton
Previous participants of Us in Progress included:
1982
by Tommy Oliver (Toronto 2013),
Ping Pong Summer
by Michael Tully (Sundance 2014, world sales by Films Boutique),
Bluebird
by Lance Edmands (Tribeca 2013, Karlovy Vary 2013),
I Used To Be Darker
by Matthew Porterfield (Sundance 2013, Berlinale 2013),
Milkshake
by David Andalman (Sundance 2013),
Hide Your Smiling Faces
by Daniel Patrick Carbone (Berlinale Generation 14Plus 2013, Tribeca 2013),
A Teacher
by Hannah Fidell (Sundance 2013, SXSW 2013), Jason Cortlund & Julia Halperin’s
Now, Forager: a Film About Love and Fungi
by Jason Cortlund & Julia Halperin (Rotterdam 2012, New Directors/New Films 2012, Gotham Awards nominee)
Sun Don’t Shine
by Amy Seimetz (SXSW 2012, Edinburgh Iff 2013, Gotham Awards nominee 2012)
Not Waving But Drowning
by Devyn Waitt (Sarasota Ff, world sales by Premium Films).
More information here:
http://www.blackrabbitfilm.com/us-in-progress/paris-2014-edition/
www.montelomax.com
http://www.ioncinema.com/news/us-in-progress-paris-tully-meyerhoff-and-zinn-among-6-selected...
U.S. in Progress Paris will take place during the third edition of the Champs Elysées Film Festival in Paris, on June 11-12 2014. The program will present 4 Us indie films in post-production to European buyers in order to achieve completion and to foster the circulation and distribution of American indie films in Europe.
We are excited to announce the selection for the third edition of Us in Progress Paris:
« Automatic at Sea » by Matthew Lessner
« Creative Control » by Benjamin Dickinson
« Eugenia and John » by Hossein Keshavarz
« Plastic Jesus » by Erica Dunton
Previous participants of Us in Progress included:
1982
by Tommy Oliver (Toronto 2013),
Ping Pong Summer
by Michael Tully (Sundance 2014, world sales by Films Boutique),
Bluebird
by Lance Edmands (Tribeca 2013, Karlovy Vary 2013),
I Used To Be Darker
by Matthew Porterfield (Sundance 2013, Berlinale 2013),
Milkshake
by David Andalman (Sundance 2013),
Hide Your Smiling Faces
by Daniel Patrick Carbone (Berlinale Generation 14Plus 2013, Tribeca 2013),
A Teacher
by Hannah Fidell (Sundance 2013, SXSW 2013), Jason Cortlund & Julia Halperin’s
Now, Forager: a Film About Love and Fungi
by Jason Cortlund & Julia Halperin (Rotterdam 2012, New Directors/New Films 2012, Gotham Awards nominee)
Sun Don’t Shine
by Amy Seimetz (SXSW 2012, Edinburgh Iff 2013, Gotham Awards nominee 2012)
Not Waving But Drowning
by Devyn Waitt (Sarasota Ff, world sales by Premium Films).
More information here:
http://www.blackrabbitfilm.com/us-in-progress/paris-2014-edition/
www.montelomax.com
http://www.ioncinema.com/news/us-in-progress-paris-tully-meyerhoff-and-zinn-among-6-selected...
- 5/23/2014
- by Sydney Levine
- Sydney's Buzz
Renowned Swiss artist and set designer H.R. Giger, best known for his incredible work on Ridley Scott's Alien, has passed away at the age of 74. Oscar-winning filmmaker Malik Bendjelloul (Searching For Sugar Man) has shockingly been found dead in his home at the age of 36. We've been big fans of Critics Round Up, an alternative aggregator for movie reviews, so we were pretty choked to hear it was shutting down...But now it appears, in Lazarus-fashion, the site will be sticking around. Above: Film Comment has made available (for 99 cents!) a digital anthology that "collects 35 years of analysis of Rainer Werner Fassbinder's films and profiles of his closest collaborators." This coincides with the "Fassbinder: Romantic Anarchist" retrospective at the Film Society of Lincoln Center starting May 16th. If you're lucky enough to attend, you may want to grab one of these. Check out the series' trailer:
For Cinema Scope Online,...
For Cinema Scope Online,...
- 5/14/2014
- by Adam Cook
- MUBI
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