After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Returning to England from a bombing run in May 1945, flyer Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the USAAF, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mixup in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him 20 hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate. Written by
John Oswalt <email@example.com>
The inspiration for Peter's medical condition came from the semi-autobiographical novel "A Journey Round My Skull" by Hungarian novelist Frigyes Karinthy. More precise medical detail came from Emeric Pressburger's research in the British Library and consultations with Michael Powell's brother in law, Dr. Joe Reidy, who was a plastic surgeon in London. See more »
While Peter is riding up the stairway with Conductor 71, they pass by the statues (on the left side of the staircase) of Lincoln, then Plato, then Mohammed, and then Solomon. When Peter realizes he needs to go back down the stairs, the statue of Lincoln can again be seen as the next statue coming up. Then, after he stands up to leave, the statue of Mohammed is once again next to him. But we correctly never see a representation of Mohammed, we only see the base of the statue with his name-plate on it. See more »
Foreword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental. See more »
To me A Matter of Life and Death is just that- simply the best film ever made.
From beginning to end it oozes class. It is stimulating, thought provoking, a mirror to the post war world and the relations between peoples.
The cinematography is simply stunning and the effect of mixing monochrome and Technicolour to accent the different worlds works seamlessly. The characters and plot development are near perfect and the attention to detail promotes a thoroughly believable fantasy.
No matter how many times I watch the film - and I have watched it a lot - it never fails to touch me. It makes me smile, it makes me laugh, it makes me think, it makes me cry. It is as fresh today as it was in 1946.
If I were allowed just one film to keep and watch again A Matter of Life and Death would be that film.
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