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Stairway to Heaven (1946)

A Matter of Life and Death (original title)
PG | | Comedy, Drama, Fantasy | March 1947 (USA)
A British wartime aviator who cheats death must argue for his life before a celestial court.
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1 win & 2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Robert Coote ...
Bob
...
...
An English Pilot
Bonar Colleano ...
An American Pilot (as Bonor Colleano)
Joan Maude ...
Chief Recorder
Marius Goring ...
...
Robert Atkins ...
The Vicar
Bob Roberts ...
Dr. Gaertler
Edwin Max ...
Dr. Mc.Ewen
Betty Potter ...
Mrs Tucker
Abraham Sofaer ...
The Judge
...
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Storyline

Returning to England from a bombing run in May 1945, flyer Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the USAAF, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mixup in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him 20 hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

Neither Heaven nor Earth could keep them apart! See more »


Motion Picture Rating (MPAA)

Rated PG for thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

March 1947 (USA)  »

Also Known As:

A Matter of Life and Death  »

Box Office

Budget:

£320,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Dye - Monochrome)| (Colour) (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The inspiration for Peter's medical condition came from the semi-autobiographical novel "A Journey Round My Skull" by Hungarian novelist Frigyes Karinthy. More precise medical detail came from Emeric Pressburger's research in the British Library and consultations with Michael Powell's brother in law, Dr. Joe Reidy, who was a plastic surgeon in London. See more »

Goofs

While Peter is riding up the stairway with Conductor 71, they pass by the statues (on the left side of the staircase) of Lincoln, then Plato, then Mohammed, and then Solomon. When Peter realizes he needs to go back down the stairs, the statue of Lincoln can again be seen as the next statue coming up. Then, after he stands up to leave, the statue of Mohammed is once again next to him. But we correctly never see a representation of Mohammed, we only see the base of the statue with his name-plate on it. See more »

Quotes

[first lines]
Narrator: This is the universe. Big, isn't it?
See more »

Crazy Credits

Foreword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental. See more »

Connections

Featured in Arena: A Pretty British Affair (1981) See more »

Soundtracks

Scherzo
(1842) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn-Bartholdy
Played on a record at the Shakespeare rehearsal
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Quite simply the best film ever made
23 November 2000 | by (Cheshire, England) – See all my reviews

To me A Matter of Life and Death is just that- simply the best film ever made.

From beginning to end it oozes class. It is stimulating, thought provoking, a mirror to the post war world and the relations between peoples.

The cinematography is simply stunning and the effect of mixing monochrome and Technicolour to accent the different worlds works seamlessly. The characters and plot development are near perfect and the attention to detail promotes a thoroughly believable fantasy.

No matter how many times I watch the film - and I have watched it a lot - it never fails to touch me. It makes me smile, it makes me laugh, it makes me think, it makes me cry. It is as fresh today as it was in 1946.

If I were allowed just one film to keep and watch again A Matter of Life and Death would be that film.


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