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Storyline
In Los Angeles, after a violent drug rip-off, the Los Angeles Police Department detectives find the identity of the trio - the sadistic I.Q. of 150 and college graduate Lenny "Pluto" Franklyn; his not so bright buddy in San Quentin Ray Malcolm; and his girlfriend Fantasia. Their further investigation indicates that the criminals are fleeing to Star City, Arkanas, and LAPD detective Dud Cole and his partner John McFeely contact the local Chief of Police Dale 'Hurricane' Dixon and they head to the little town. The yokel family man Dale, who is used to resolve domestic issues, is fascinated with the chance to participate of a manhunt and befriends the two detectives. But when he sees the picture of Fantasia, he recognizes her as Lila Walker and is haunted by his past, hiding a secret about Lila Walker. "One False Move" is a little gem from the 90's and one of the best in the genre neo-noir. The first time I saw this film was on VHS in the early 90's, but now I have the chance of buying ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
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Taglines:
Nothing is as dangerous as the past.
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Did You Know?
Trivia
The script was originally titled "Hurricane".
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Goofs
When Pluto staggers out of the house and dies he is face down, but when the detective arrives to check him, he is face up.
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Quotes
Cheryl Ann:
He don't know no better, he watches television. I read non-fiction.
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Soundtracks
"Rock Me with Your Love"
Written and Produced by
Odette Springer and
Matthew Ender (as Matt Ender)
© 1987 Spidey Music (ASCAP) and Cookies and Milk Music (BMI)
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I watched this film in 1991 and I still think about it frequently. It has become a standard to compare other films. The violence at the beginning made me uncomfortable, and I almost turned it off. I am glad that I didn't, because I would have missed one of the best films of the decade. The movie's pace and tone are perfectly natural - not artificial in any way. I like the scene in the diner best. The two LA cops are joking with each other about the backward local sheriff (Paxton), and they didn't know he was standing there. The awkwardness of the moment encapsulated the film.
I think One False Move, Fargo, and The Sweet Herafter are a great trilogy of movie making at its best. All set in small - real towns with real people.