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American Honey (2016)

R | | Drama | 14 October 2016 (UK)
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A teenage girl with nothing to lose joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits.

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120 ( 19)
Nominated for 1 BAFTA Film Award. Another 12 wins & 32 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Pagan
Crystal Ice ...
Katness (as Crystal B. Ice)
Veronica Ezell ...
QT (as Verronikah Ezell)
Chad Cox ...
Billy (as Chad McKenzie Cox)
Garry Howell ...
Austin
Kenneth Kory Tucker ...
Sean
Raymond Coalson ...
JJ
...
Kalium
Dakota Powers ...
Runt
Shawna Rae Moseley ...
Shaunte
Christopher David Wright ...
Riley
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Storyline

Star, a teenage girl with nothing to lose, joins a traveling magazine sales crew, and gets caught up in a whirlwind of hard partying, law bending and young love as she criss-crosses the Midwest with a band of misfits. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity, language throughout, drug/alcohol abuse-all involving teens | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

Release Date:

14 October 2016 (UK)  »

Also Known As:

Dulzura americana  »

Filming Locations:

 »

Box Office

Opening Weekend:

$71,203 (USA) (30 September 2016)

Gross:

$662,786 (USA) (2 December 2016)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director Andrea Arnold wanted to work with unknown actors. She would often approach teenagers on the street whom she thought would be good for the movie, and hold impromptu auditions in parking lots. See more »

Goofs

When Star is entering the truck of the Oil Worker you can see a crew member (maybe two?) in the rear seats. See more »

Quotes

Krystal: Got anybody who's gonna miss you?
Star: Not really.
Krystal: OK good. You're hired.
See more »

Crazy Credits

The closing credits, after the lead actor names, consist of a list of names, alphabetized by first name, with no indication of whether they are crew or cast -- no job titles or character names. And there are no opening credits. See more »

Connections

Featured in Breakfast: Episode dated 16 October 2016 (2016) See more »

Soundtracks

I Kill Children
Written by DH Peligro (as Darren Henley), Klaus Flouride (as Geoffrey Lyall), East Bay Ray (as Raymond Pepperelle) and Jello Biafra (as Eric Boucher)
Published by Decay Music (Admin. by Kobalt Music Publishing Ltd)
See more »

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User Reviews

 
Lost and found on the road to nowhere.
2 January 2017 | by (Denmark) – See all my reviews

A young girl, named Star, with no economic abilities, bears the heavy responsibility of raising her two younger siblings.

Hungry after living the life of a teenager she gets attracted to a group of young people at a supermarket with high spirit and a bad attitude. She leaves her siblings behind and joins the group who lives from day to day selling magazines to whomever they meet. The common denominator is the selling of magazines. How to do it? How to manipulate the potential buyer with different kind of stories up the sleeve that is supposed to impose sympathy? As Oliver Twist is lured into Fagins lair and is taught to pick pockets without knowing what he is doing so is Star initially. At the point where she understands the rules and laws of the group, she is involved in such a way that she accepts the game and takes some very big risks and further compromises her own moral values.

The force of the movie is the depiction of the life on the road, the interaction between our marginalized young people and slowly getting to know our protagonist, who in the beginning is the silent observer and little by little starts to unfold her personality.

I can see that the movie is being criticized for being very long and not having a story that develops from a start- to an endpoint. I agree that some of the scenes are prolonged to a point that seems unnecessary. Besides this I think that this movie is a perfect example of how the truth often lies in the detail. This means that we need to dwell in some of the scenes and that the artistic challenge is to let this happen in a way that gets the audience involved.

Again I must express my deepest respect for director Andrea Arnold who has the rare ability to show a milieu in such a convincing way that it at certain points seems as if you are not watching a movie but instead a documentary but without loosing the storytelling.

Regards Simon


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