America, America (1963) 7.7
A young Anatolian Greek, entrusted with his family's fortune, loses it en route to Istanbul and dreams of going to America, Director:Elia KazanWriter:Elia Kazan |
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America, America (1963) 7.7
A young Anatolian Greek, entrusted with his family's fortune, loses it en route to Istanbul and dreams of going to America, Director:Elia KazanWriter:Elia Kazan |
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| Cast overview: | |||
| Stathis Giallelis | ... |
Stavros Topouzoglou
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Frank Wolff | ... |
Vartan Damadian
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Harry Davis | ... |
Isaac Topouzoglou
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Elena Karam | ... |
Vasso Topouzoglou
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Estelle Hemsley | ... |
Grandmother Topouzoglou
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Gregory Rozakis | ... |
Hohannes Gardashian
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Lou Antonio | ... |
Abdul
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Salem Ludwig | ... |
Odysseus Topouzoglou
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| John Marley | ... |
Garabet
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| Joanna Frank | ... |
Vartuhi
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Paul Mann | ... |
Aleko Sinnikoglou
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Linda Marsh | ... |
Thomna Sinnikoglou
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Robert H. Harris | ... |
Aratoon Kebabian
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Katharine Balfour | ... |
Sophia Kebabian
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Elia Kazan, ethnic Greek but Turkish by birth, tells the story of the struggles of his uncle - in this account named Stavros Topouzoglou - in emigrating to America. In the 1890's, the young, kind-hearted but naive Stavros lived in Anatolia, where the Greek and Armenian minorities were repressed by the majority Turks, this repression which often led to violence. Even Stavros being friends with an Armenian was frowned upon. As such, Stavros dreamed of a better life - specifically in America - where, as a result, he could make his parents proud by his grand accomplishments. Instead, his parents, with most of their money, sent Stavros to Constantinople to help fund the carpet shop owned by his first cousin once removed. What Stavros encountered on his journey, made on foot with a small donkey, made him question life in Anatolia even further. Once in Constantinople, his resolve to earn the 110 Turkish pound third class fare to the United States became stronger than ever. But try after try,... Written by Huggo
Elia Kazan has been often criticized about his personal choices in some parts of life that are now history. It is understandable that this kind of criticism -though totally justified in some cases- should not be the lens through which we will judge his works of art. In particular, "America America" can only be described as a very well directed film "carrying" many of the truths of multicultural Asia Minor during the last decades of Ottoman Empire. It accurately depicts the contradiction between cosmopolitan Constantinople and the more "oriental" villages of Asia Minor. The dream of a new life in a new and free land like America is excellently presented in the movie together with the strong bonds of the members of a family and the social status of Greeks, Turks and Armenians at that region back then. The fact that Elia Kazan put a great deal of himself in the movie makes it more worth-seeing. Thank you for reading.