Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation. Written by
Sujit R. Varma
The song that plays over Mr. Gray and Lee at the end of the movie is "Chariots Rise" by Lizzie West. The original lyric is "What a fool am I, to fall so in love," but the director did not want to imply that Lee was being foolish, and asked if it could be altered. Because she wanted the song to be in the movie, Lizzie West re-recorded the line as "What grace have I, to fall so in love." See more »
The 6/7/99 letter addressed to Mr. Ralbovsky has three typos circled, but Grey overlooked the incorrect grammar of the first sentence. There seems to be a word or phrase missing between "requiring" and "issued" at the beginning of the second line. As is, the sentence makes no sense. Also, there are two spaces between "Law" and the case number, and two line breaks instead of one between the paragraphs. See more »
The most original romantic comedy I've seen in YEARS! Highly recommended.
I may be a jaded old cynic but from time to time a contemporary movie knocks me off my seat. Recently there's been quite a few -'May', 'Sympathy For Mr. Vengeance' and 'Auto Focus' immediately spring to mind. 'Secretary' is another recent gem. This is the most original romantic comedy (very black, mind you) I've seen in YEARS! And for something which deals with a lifestyle alien to me (dominance and submission) it's surprisingly touching, and even managed to get me to shed a tear or two. I had previously enjoyed Maggie Gyllenhaal's supporting roles in 'Donnie Darko' and John Waters' 'Cecil B. Demented' (she played Raven, the make up artist - "Pain is pleasure! Slavery is freedom! Suicide for Satan!' remember?), but her performance here is first class and is guaranteed to turn her into a major cult figure if not an actual genuine STAR. I confess that I now have a major crush on her to boot (I'm sure I'm not alone!). James Spader is also very, very good. While I admired him appearing in Cronenberg's 'Crash' a few years ago most of his other film choices have been safe ones and to be honest I'd pretty much given up on him as an actor. But it just goes to show what an actor is capable of with an innovative script and a supportive director. It's really difficult imagining any other two actors playing these roles any better. In the supporting cast Jeremy Davies also surprised me. I'd been getting a bit tired of his crazy shtick in previous roles, especially his extremely irritating performance in 'The Million Dollar Hotel', but he did a much more subtle job in this movie, and it really worked for me. This is my first experience with director Steven Shainberg but I was impressed. I now want to try and see his previous movie, the Jim Thompson adaptation 'Hit Me'. I also look forward to his next movie, because if 'Secretary' is any indication of his talent then he's sure to come up with something very special. Highly recommend.
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