Max Baron (James Spader) is a 27-year-old high flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon) a... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
James Spader is the original Mr. Grey, a seemingly normal lawyer whose relationship with his new secretary (Maggie Gyllenhaal) descends into a kinky affair that would give nightmares to any human resource director. Written by
Erin Cressida Wilson:
In Mr. Grey's waiting room, where there are three people waiting to see him, one of them is played by the film's screenwriter. See more »
During the shot of Lee with the White Out bottles on the typewriter in the foreground, the reflection (inside the lens?) of the camera operator can be seen - an outline of a head with an arm turning the focus ring. See more »
Performed by Lizzie West
Written by Lizzie West
Produced by Brian Gitkin for West Press & Company
Engineered by Val Gamarnik (as Valery Gamarnik)
Courtesy of Warner Brothers Records Inc. See more »
Maggie Gyllenhaal deserves an Oscar nomination for her brilliant portrayal of borderline psychotic, self-mutilating Lee Holloway, a former mental institution patient seeking to sustain herself - vocationally and emotionally - in a challenging world where she has few safe harbors. She comes from a messy family background although that alone can't explain her illness.
Learning typing, she gets a secretary's job with lawyer E. Edward Grey (James Spader, who also turns in a first-rate, nuanced performance). Grey refuses to have any computers in his very smart, expensive law office. Like many lawyers he's a perfectionist who abhors typographical errors but his obsession with perfection reflects more than an anal personality hitched to a law degree. His solo practice seems to thrive better than his self-control of a suppressed sexuality, awakened by Maggie at first unknowingly.
This is a film about what many consider to be deviant behavior (sado-masochism and bondage-discipline, not your usual Hollywood romantic fun and games) that most will concur is uncommon in the workplace. Director Steven Shainberg and his cast - and Gyllenhaal and Spader carry the film, forget the supporting actors - show Lee and Grey's rocky and developing relationship with candor, without condemnation and without exploitation. The lawyer and his secretary are sexualized in a way few have experienced and those who have don't talk to folks outside their circle.
This is a black comedy/a black drama. It either grabs or repels the viewer: there's no in-between. The resolution? Is it realistic or a cop-out? I'd love to hear from those able to comment from experience on IMDb's discussion board. But I have a feeling few will post reactions.
A very different film that I rate 8/10 on a personal scale where I value the deep and tortured acting projecting the absorbing conflict of this sexualized working (initially) relationship.
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