Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
A small boy discovers a mystical power as a child. He is then separated from his childhood girlfriend. He grows up to be a computer scientist who is hacking into the most secret national ... See full summary »
An edgy action thriller set in Las Vegas during a terrorist attack. A brilliant computer loner takes control of the city and the attack as he fights with his fits of overwhelming depression and obsessions with love and death.
In San Francisco, we follow Johnny, a man who has a girlfriend, Lisa, and also his best friend, Mark. Lisa has been cheating on Johnny with Mark and Johnny doesn't know! Will Johnny ever find out? Will Mark still be Johnny's best friend? Written by
Greg Ellery has claimed that Juliette Danielle was just "off the bus from Texas" when shooting began, and that on the first day of shooting, "the cast watched in horror" as Tommy Wiseau jumped on Danielle and immediately began filming their "love scene". Greg Sestero has disputed this chronology, stating that the sex scenes were among the last to be filmed. See more »
When Chris-R stands in the doorway leading to the roof, the camera is positioned behind his feet and pans to the right. When it pans right, the wall has no "back". The roof entrance goes from having four walls to three, then back to four. See more »
Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
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