Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored of him and decides to seduce Johnny's best friend, Mark. From there, nothing will be the same again.
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Joe Marshall and Frank Washington are two police detectives who must stop the ruthless activities of the Katana, a renegade Yakuza gang composed of violent and sadistic killers who want to lead the drug trade in Los Angeles.
Yumi moves into her boyfriend's Tokyo apartment but on the night of the move, he is called away for business in New York. The couple communicates over Skype and over the course of four ... See full summary »
In San Francisco, we follow Johnny, a man who has a girlfriend, Lisa, and also his best friend, Mark. Lisa has been cheating on Johnny with Mark and Johnny doesn't know! Will Johnny ever find out? Will Mark still be Johnny's best friend? Written by
Tommy Wiseau had the alley set rebuilt so he could film the football/Mike falling down scene. This move took two days and cost thousands. He also wanted to rebuild the rooftoop set for the "We're expecting!" subplot. See more »
Johnny buys Lisa the roses, and denies that he didn't get the promotion. In the next scene, she is carrying a vase, which she didn't have before she got the roses. See more »
This film is completely worth seeing. A friend of mine recently said it was as if a deer made a movie about human interaction, unable to comprehend what it is to be a human being. It is hilarious.
It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
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