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A special military unit fights a powerful, out-of-control supercomputer and hundreds of scientists who have mutated into flesh-eating creatures after a laboratory accident.
Director:
Paul W.S. Anderson
Stars:
Milla Jovovich,
Colin Salmon,
Michelle Rodriguez
A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged.
A freak storm unleashes a species of bloodthirsty creatures on a small town, where a small band of citizens hole up in a supermarket and fight for their lives.
Director:
Frank Darabont
Stars:
Thomas Jane,
Marcia Gay Harden,
Laurie Holden
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
A strange prehistoric beast lurks in the depths of the Amazonian jungle. A group of scientists try to capture the animal and bring it back to civilization for study.
Director:
Jack Arnold
Stars:
Richard Carlson,
Julie Adams,
Richard Denning
The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS. Written by
Colin Tinto <cst@imdb.com>
Dallas' pursuit of the alien down the ventilator shafts, and the intercut scenes of the rest of the crew urging him on, was shot in one day. See more »
Goofs
When Dallas, Kane and Lambert are inside the alien ship containing the space jockey, there is light coming from the left side of the screen, despite them being inside an internal chamber of the derelict spacecraft. See more »
Quotes
[first lines]
Brett:
This is the worst shit I've ever seen, man.
Parker:
What you say? You got any biscuits over there?
Ripley:
Here's some cornbread.
Parker:
Cornbread. Yeah.
Lambert:
I am cold.
Parker:
Still with us, Brett?
Brett:
Right.
Kane:
Oh, I feel dead.
Parker:
Anybody ever tell you you look dead, man?
See more »
ALIEN received mixed reviews when it debuted in 1979--largely from science fiction critics, who accused it of being little more than a sort of Friday the 13th in Outer Space, a blood-and-gore horror flick given a futuristic twist via special effects. But while these accusations have more than a little truth, it has been an incredibly influential film--and even today, in the wake of CGI effects, it still holds up extremely, extremely well.
The story is well known: the crew of an interstellar craft responds to what seems a distress signal, only to encounter a remarkably lethal alien life form that boards their ship and sets about picking them off one by one. Some of the special effects are weak (the alien spacecraft and the android "revival" are fairly notorious). There is little in the way of character development, the film has a fairly slow pace, and the story itself is predictable; you can usually guess who is going to die next.
BUT. The art designs are incredible: the entire look of the film, from the commercial nature of the spacecraft to the iconographic alien itself (brilliantly envisioned by Giger) is right on the money. Director Ridley Scott encouraged his cast to ad lib from the script, and the result is a shocking sense of realism--and the somewhat slow pace of the film and the predictability of the story gives it a sense of relentless and ever-mounting paranoia that is greatly enhanced by the tight sets and camera set-ups. With its odd mixture of womb-like organics and cold mechanics, ALIEN is a film calculated to send even the most slightly claustrophobic viewer into a fit of hysteria.
The entire cast, led by Tom Skerrit and Sigorney Weaver, is very, very good--and the film abounds with memorable images and scenes ranging from John Hurt's encounter with the alien egg to Skerrit's search of the ship air ducts to Weaver's terrifying race against time as the ship counts down to self-destruct. Seldom has any film been so consistent in design, cast, direction, and out-and-out fear factor, and although certain aspects of ALIEN are open to legitimate criticism the end result is powerful enough to bring it in at a full five stars. A word of warning, however: you'll need to send the kids to bed for this one. And you'll probably be up half the night afterward yourself! Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
118 of 144 people found this review helpful.
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ALIEN received mixed reviews when it debuted in 1979--largely from science fiction critics, who accused it of being little more than a sort of Friday the 13th in Outer Space, a blood-and-gore horror flick given a futuristic twist via special effects. But while these accusations have more than a little truth, it has been an incredibly influential film--and even today, in the wake of CGI effects, it still holds up extremely, extremely well.
The story is well known: the crew of an interstellar craft responds to what seems a distress signal, only to encounter a remarkably lethal alien life form that boards their ship and sets about picking them off one by one. Some of the special effects are weak (the alien spacecraft and the android "revival" are fairly notorious). There is little in the way of character development, the film has a fairly slow pace, and the story itself is predictable; you can usually guess who is going to die next.
BUT. The art designs are incredible: the entire look of the film, from the commercial nature of the spacecraft to the iconographic alien itself (brilliantly envisioned by Giger) is right on the money. Director Ridley Scott encouraged his cast to ad lib from the script, and the result is a shocking sense of realism--and the somewhat slow pace of the film and the predictability of the story gives it a sense of relentless and ever-mounting paranoia that is greatly enhanced by the tight sets and camera set-ups. With its odd mixture of womb-like organics and cold mechanics, ALIEN is a film calculated to send even the most slightly claustrophobic viewer into a fit of hysteria.
The entire cast, led by Tom Skerrit and Sigorney Weaver, is very, very good--and the film abounds with memorable images and scenes ranging from John Hurt's encounter with the alien egg to Skerrit's search of the ship air ducts to Weaver's terrifying race against time as the ship counts down to self-destruct. Seldom has any film been so consistent in design, cast, direction, and out-and-out fear factor, and although certain aspects of ALIEN are open to legitimate criticism the end result is powerful enough to bring it in at a full five stars. A word of warning, however: you'll need to send the kids to bed for this one. And you'll probably be up half the night afterward yourself! Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer