A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A commercial crew aboard the deep space towing vessel, Nostromo is on its way home when they pick an SOS warning from a distant planet. What they don't know is that the SOS warning is not like any other ordinary warning call. Picking up the signal, the crew realize that they are not alone on the spaceship when a alien stowaway is on the cargo ship. Written by
Walter Hill and David Giler's most significant contribution to the script was to make Ash a robot. Although Dan O'Bannon has been reluctant to acknowledge any positive changes by Hill and Giler, Ronald Shusett has described the addition as a significant improvement to the plot. See more »
Just before Ripley enters the Narcissus (shuttle), she is carrying Jones's carrier with the "window" to the front. The next shot shows her holding the carrier with the window to the rear. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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Structural perfection matched only by its hostility
Director Ridley Scott's well-honed talents of pacing and editing create a tense atmosphere that superbly conveys dread and fear of an unknown, unseen evil entity. In 1979, the technology didn't exist to generate a computer image of a Being from another world, and thank God, because this film would have sucked just like all these post-Alien creature features do. Everyone who loves this movie knows what I'm talking about. Ridley Scott had to be extremely careful not to show a full shot of the Alien, except in very brief scenes, and not to reveal exactly how it moves, because then we would see that it is just some tall, skinny guy in a rubber suit. Nowadays, some computer guy would whip up a really scary-looking, but nevertheless FAKE-looking (yes, computer guys, we can tell) Alien, and the director would not have to even think about trying to breathe life into H.R. Giger's hallucinations to make a successful picture.
The dark, cold beauty of this film will never be equaled.
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