After investigating an S.O.S. signal on a near-by world, the crew of an industrial spacecraft must fight for survival when a highly aggressive bioform is born in the ship and begins hunting them one by one.
The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS. Written by
Colin Tinto <firstname.lastname@example.org>
When the Nostromo crew first discover the marooned alien spacecraft and exit their craft to investigate, the murky POV footage through their helmet visors was filmed by Ridley Scott walking a consumer camcorder at low level across the cramped set. See more »
When Ripley finds out the truth from Mother, Ash is seen standing next to her. A brief scuffle ensues and Ripley leaves the room. As she leaves there is no injury to her but when the door opens on the other side she has a bloody right nostril. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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Structural perfection matched only by its hostility
Director Ridley Scott's well-honed talents of pacing and editing create a tense atmosphere that superbly conveys dread and fear of an unknown, unseen evil entity. In 1979, the technology didn't exist to generate a computer image of a Being from another world, and thank God, because this film would have sucked just like all these post-Alien creature features do. Everyone who loves this movie knows what I'm talking about. Ridley Scott had to be extremely careful not to show a full shot of the Alien, except in very brief scenes, and not to reveal exactly how it moves, because then we would see that it is just some tall, skinny guy in a rubber suit. Nowadays, some computer guy would whip up a really scary-looking, but nevertheless FAKE-looking (yes, computer guys, we can tell) Alien, and the director would not have to even think about trying to breathe life into H.R. Giger's hallucinations to make a successful picture.
The dark, cold beauty of this film will never be equaled.
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