The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS. Written by
Colin Tinto <email@example.com>
The embryonic movements of the facehugger, prior to bursting out of its egg, were created by Ridley Scott using both his rubber-gloved hands. See more »
When Lambert comes to tell the rest of the crew that it will be ten more months until they reach Earth, Ripley is leaning forward listening to her. In the next shot she is leaning against the wall when she says, "Oh God." See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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Three words perfectly describe ALIEN: Long, dark and ominous.
You know you're in for a good time when even the opening title gives you a shiver. The music plays perfectly as the word 'ALIEN' slowly appears, line by line. Then there are the establishing shots of the ship; poorly maintained, claustrophobic.
And then there's basically forty minutes of people in a ship pondering and eating and getting along (or not). The film has one little thing that allows it to draw you along so slowly - a promise. A promise made by the advertisements and hype that this was going to kick your ass. You just had to wait.
But when it happens, it happens. Though the film doesn't speed up per se, there's a lot more happening in front of the screen to make it at least look like stuff's going on. The first half crawls almost depressingly, but the second half catches your eye and refuses to let go.
I suggest everyone sees this film. Even if you skip through the beginning, you need to see this. It defined sci-fi and horror all in one.
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