After investigating an S.O.S. signal on a near-by world, the crew of an industrial spacecraft must fight for survival when a highly aggressive bioform is born in the ship and begins hunting them one by one.
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A special military unit fights a powerful, out-of-control supercomputer and hundreds of scientists who have mutated into flesh-eating creatures after a laboratory accident.
Director:
Paul W.S. Anderson
Stars:
Ryan McCluskey,
Oscar Pearce,
Milla Jovovich
A game designer on the run from assassins must play her latest virtual reality creation with a marketing trainee to determine if the game has been damaged.
A freak storm unleashes a species of bloodthirsty creatures on a small town, where a small band of citizens hole up in a supermarket and fight for their lives.
Director:
Frank Darabont
Stars:
Thomas Jane,
Marcia Gay Harden,
Laurie Holden
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS. Written by
Colin Tinto <cst@imdb.com>
Ridley Scott's 2003 director's cut largely came about when over 100 boxes of footage of his 1979 original were discovered in a London vault. See more »
Goofs
When Dallas is first entering Mother, as he passes through the last doorway... when he is seen outside the door, one of the lights on the door-frame is burned out (on his left) but in the next shot, it is lit. See more »
Quotes
[first lines]
Brett:
This is the worst shit I've ever seen, man.
Parker:
What you say? You got any biscuits over there?
Ripley:
Here's some cornbread.
Parker:
Cornbread. Yeah.
Lambert:
I am cold.
Parker:
Still with us, Brett?
Brett:
Right.
Kane:
Oh, I feel dead.
Parker:
Anybody ever tell you you look dead, man?
See more »
The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
174 of 210 people found this review helpful.
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The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.