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Alien (1979)

 -  Horror | Sci-Fi  -  22 June 1979 (USA)
8.5
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Ratings: 8.5/10 from 423,327 users   Metascore: 83/100
Reviews: 1,029 user | 362 critic | 22 from Metacritic.com

The commercial vessel Nostromo receives a distress call from an unexplored planet. After searching for survivors, the crew heads home only to realize that a deadly bioform has joined them.

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Title: Alien (1979)

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Top 250 #50 | Won 1 Oscar. Another 14 wins & 18 nominations. See more awards »

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Cast

Complete credited cast:
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Ash
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Helen Horton ...
Mother (voice)
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Storyline

A commercial crew aboard the deep space towing vessel, Nostromo is on its way home when they pick an SOS warning from a distant planet. What they don't know is that the SOS warning is not like any other ordinary warning call. Picking up the signal, the crew realize that they are not alone on the spaceship when a alien stowaway is on the cargo ship. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

The Scariest Movie Ever Made. Experience it only on the big screen (USA 2003 re-release) See more »

Genres:

Horror | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence/gore and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

|

Release Date:

22 June 1979 (USA)  »

Also Known As:

Alien: The Director's Cut  »

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

£208,081 (UK) (31 October 2003)

Gross:

$1,983,690 (USA) (28 November 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(70 mm prints)| (as Dolby Stereo)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

H.R. Giger's initial designs for the facehugger were held by US Customs who were alarmed at what they saw. Writer Dan O'Bannon had to go to LAX to explain to them that they were designs for a horror movie. The actual production design of the facehugger used by sculptors to make the real prop was created by Dan O'Bannon himself, as O'Bannon had trained as a designer. (Giger wasn't available in England at the time). See more »

Goofs

Just after the alien bursts from Kane's chest, you can see 2 steel rods supporting either side of the head. They disappear into the neck when the body is raised high enough. See more »

Quotes

[first lines]
Brett: This is the worst shit I've ever seen, man.
Parker: What you say? You got any biscuits over there?
Ripley: Here's some cornbread.
Parker: Cornbread. Yeah.
Lambert: I am cold.
Parker: Still with us, Brett?
Brett: Right.
Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead, man?
See more »


Soundtracks

Eine kleine Nachtmusik'
by Wolfgang Amadeus Mozart (as W.A. Mozart)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The mother of all movies
31 January 2005 | by (Spain) – See all my reviews

Back in early 20th century, Lumière brothers didn't have a clue of what they were playing with. I'm freaking sure that if somebody could have magically told them that thanks to their work, a movie like 'Alien' would have been made in the future, they both would have died of a sudden, shocked by the consequences of their labor, like an honest scientist would if he was shown an evil use of his research. In that sense, but in the best way imaginable, 'Alien' is the atomic bomb.

In my opinion, 'Alien' is the only perfect movie in the history of cinema. Of course, this could be debatable, but of all the films I've watched since I was born, this is the only one in which I haven't been able to find the slightest flaw. It gets a golden ten out of ten. Bright, solid and massive.

I could go on with a panegyric, but I'll try to be short and accurate:

The direction is just perfect. Every shot is marvellous, every movement of the camera is breathtaking. There is absolutely nothing you could add or subtract. Touch it, and you spoil it. Seriously.

The acting is splendid. The performances build a credible world centuries away. I don't know about you, but this take on the future was unveliabably acceptable. Sigourney Weaver is more than a revelation, John Hurt is a master, and the rest are nothing short of marvellous.

The script is a work of art, the story is mesmerizing, well-constructed, well-developed, and free of absurd twists. Its simplicity and efectiveness are yet, 25 years after, to be matched.

The atmosphere is pure genius. Gothic, claustrophobic and sometimes baroque. The use of light and dark is beyond description, the use of sound is as creepy as it gets.

The FX are the best possible for 1979. In the time of the release, some scenes were stomach churning.

The score. Jerry Goldsmith's work matches the images so perfectly it seems to bleed from them. It is and will be the best soundtrack for a sci-fi flick in space ever.

The tagline. "In space, no one can hear you scream". THIS is a tagline.

And, of course... the alien. The only alive creature that can steal Weaver the movie. Its design is the most innovative I've seen. It has spawned dozens of disgraceful imitations. This is the real deal. Not only the look, but the complete design of a life form, including biological features. Acid instead of blood. Jaws inside jaws. What more could you possibly want? This is how a movie is done.

A very good sign of a movie that has gone down in history is the amount of collectively well remembered scenes. Well, 'Alien' has so many that I won't go into it. This movie contains so many iconic scenes that has become an icon itself.

So, what else? I urge all young directors to watch this movie a zillion times, as I've already done, and take notes all along. But not in order to rip off from it, as many others have done, but to learn, learn, learn, learn and learn how a movie should be done. 'Casablanca'? You must be joking.

Oh, I almost forget! There's a lovable cat in it.

RATING: 10


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