Alien (1979)

The crew of a commercial deep space mining ship, investigating a suspected S.O.S., lands on a distant planet and discovers a nest of strange eggs.

Director:

Ridley Scott

Writers:

Dan O'Bannon (story), Ronald Shusett (story),

Stars:

Tom Skerritt, Sigourney Weaver, Veronica Cartwright

Top 250 #40 | Won 1 Oscar. Another 12 wins & 18 nominations.

Cast

Complete credited cast:
Tom Skerritt	...	Dallas
Sigourney Weaver	...	Ripley
Veronica Cartwright	...	Lambert
Harry Dean Stanton	...	Brett
John Hurt	...	Kane
Ian Holm	...	Ash
Yaphet Kotto	...	Parker
Bolaji Badejo	...	Alien
Helen Horton	...	Mother (voice)

Storyline

The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS.

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Plot Keywords:

spaceship | egg | warning | parasite | deep space | 

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Taglines:

Sometimes the scariest things come from within

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Genres:

Horror | Sci-Fi

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Motion Picture Rating (MPAA)

Rated R for sci-fi violence/gore and language

Details

Official Sites:

Official Facebook

Country:

USA UK

Language:

English Spanish

Release Date:

25 May 1979 (USA)

Also Known As:

Alien: The Director's Cut

Filming Locations:

Shepperton Studios, Shepperton, Surrey, England, UK

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend:

£208,081 (UK) (31 October 2003)

Gross:

$1,983,690 (USA) (28 November 2003)

Company Credits

Production Co:

Brandywine Productions, Twentieth Century-Fox Productions

Technical Specs

Runtime:

117 min 116 min (director's cut)

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby (as Dolby Stereo)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

When Ripley punches in the code to activate the scuttle procedure, one of the button tabs reads AGARIC FLY. While engineering sounding in name, fly agaric is actually a highly poisonous hallucinogenic mushroom whose toxin used to be commonly used in flypaper.

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Goofs

When Parker and Brett are walking through a long hallway and complaining that none of the other crew "come down here", their reflection can briefly be seen in a mirror behind them. Mirrors were used to make the set hallways look much longer than they actually were.

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Quotes

[first lines]
Brett: This is the worst shit I've ever seen, man.
Parker: What you say? You got any biscuits over there?
Ripley: Here's some cornbread.
Parker: Cornbread. Yeah.
Lambert: I am cold.
Parker: Still with us, Brett?
Brett: Right.
Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead, man?

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Connections

Referenced in Going to Pieces: The Rise and Fall of the Slasher Film (2006)

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Soundtracks

"Eine kleine Nachtmusik'"
by Wolfgang Amadeus Mozart (as W.A. Mozart)

User Reviews

Classic horror

The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.

It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.

It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)

However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.

We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.

The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.