The crew of the deep space towing vessel Nostromo are awaken from hypersleep to investigate a strange signal from a nearby planet. While investigating the signal, they discover it was intended as a warning, and not an SOS. Written by
Colin Tinto <email@example.com>
Dan O'Bannon was hyper-critical of any changes made to his script and, to be fair, he defended some aspects of the film that ended up being most iconic (including H.R. Giger's designs). Although he would come on set and nitpick, O'Bannon was generally welcomed by Ridley Scott until O'Bannon lost his temper and insulted Scott in front of the whole crew. The producers, including Walter Hill, had minimal respect for O'Bannon and largely ignored him, giving him little credit once the film became a success. See more »
When Ripley visits Parker and Brett to inspect their progress, she says "Yeah, you'll get whatever's coming to you." But the word "Yeah" is missing entirely from the soundtrack, and the rest of the sentence is out of sync with the video. This error is not present on the original Alien DVD box set, where Ripley's "Yeah" is muffled but quite audible. But the 2003 theatrical release and the new "Alien Quadrilogy" boxed set both have the word entirely absent. See more »
This is the worst shit I've ever seen, man.
What you say? You got any biscuits over there?
Here's some cornbread.
I am cold.
Still with us, Brett?
Oh, I feel dead.
Anybody ever tell you you look dead, man?
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The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.
It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.
It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)
However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.
We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.
The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.
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