Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to ... See full summary »
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham? Written by
Martin Lewison <firstname.lastname@example.org>
Performed by RuPaul
Written by RuPaul (as RuPaul Charles) and Joe Carrano
Published by RuPaul Charles Music (SESAC) and Touch Me II Music (ASCAP)
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products See more »
Further Proof That Gay Audiences Will Buy Anything
Someday, gay cinema will grow up. In the meantime gay women and men are so hungry for representation, so starved to see themselves on the silver screen, that even junk like this is welcomed.
Comparisons to John Waters' films are inevitable because "But I'm a Cheerleader" is low budget, gay-friendly, and rife with poor acting. The concept is indeed fertile: if any movement is ripe for skewering it's the "convert-a-homosexual" movement. Unfortunately the execution is overstated and witless. The targets have been satirized so often there is little bite left in rehashing the same simple stereotypes. Making the "straights" so preposterously anachronistic further sanitizes the potential for humor. The fable is meant to be contemporary, but the well-meaning bad guys are right out of a 1950's nightmare of conformity that barely existed even in the 1950's. All the girls in pink, all the boys in blue? Well, if nothing else, it's easy to follow.
Cathy Moriarty plays the founder of "True Directions," but her lackluster performance seems more like your typical Mary Woronov star turn. RuPaul was clearly cast with an eye towards irony (he is out of drag here), but his limitations as an actor overshadow the joke. Other cast members have likewise been seen elsewhere to better advantage. Only the two young romantic (female) leads are appealing, yet even when triumphant they remain inexplicably bland and one-dimensional. It's one thing to show lead characters with the life sucked out of them by a conservative society, another to weigh down the film with their lifelessness.
"But I'm a Cheerleader" should have been hilarious. It's too bad that the filmmakers approached the material with a kindergartener's point of view. The resulting film is so dull it gives "camp" a bad name.
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