Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Seeing a way to reassert control over her adult son's life when he faces manslaughter charges, an affluent Romanian woman sets out on a campaign of emotional and social manipulation to keep... See full summary »
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
An Iranian man deserts his French wife and her two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife's request for a divorce.
Alina and Voichita have been friends since their orphanage days. And they have been lovers since they became sexually mature. But despite their oath of mutual fidelity, Alina, who could not bear poverty any more, emigrated to Germany where she became a barmaid. Now she just could not take the estrangement from Voichita and today she is back to Romania with a view to taking Voichita along with her to Germany. The only trouble is that in the meantime her girlfriend has betrayed her in falling in love with... God! Voichita indeed now lives in a convent where she plans to make vows. The priest agrees, if somewhat reluctantly, to accommodate Alina before their (hypothetical) departure. He sees all too well that not only is the young woman materialistic but hostile and troublesome as well... Written by
Based on a true story of an exorcism gone wrong in an Orthodox monastery, Cristian Mungiu's new film could have been a simple story of innocent girl vs. superstitious religious zealots, but Mungiu never takes the easy route. Instead, he creates layers upon layers of complexity in characters, relationships and motivations until what finally happens acquires the devastating inevitability of Greek tragedy. Most of all, just like in his previous 4 Months, 3 Weeks, 2 Days, he takes what could have been a mere anecdote and lays bare the societal forces that shape people's actions, be it Communism in the first, or patriarchal religion in this film. ***1/2
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