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The American (2010)

6.3
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Ratings: 6.3/10 from 68,126 users   Metascore: 61/100
Reviews: 437 user | 323 critic | 36 from Metacritic.com

An assassin hides out in Italy for one last assignment.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
...
Ingrid (as Irina Bjorklund)
Lars Hjelm ...
Hunter #1
Björn Granath ...
Hunter #2
Johan Leysen ...
Paolo Bonacelli ...
Giorgio Gobbi ...
Silvana Bosi ...
...
Guido Palliggiano ...
Waiter (Market)
...
Young Swedish Man (as Samuli Vauramo)
Antonio Rampino ...
Postmaster
...
...
Ilaria Cramerotti ...
Hooker #2
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Storyline

Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Pavel that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde, is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto and pursues romance with local woman Clara. But by stepping out of the shadows, Jack may be tempting fate. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, sexual content and nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

|

Release Date:

1 September 2010 (USA)  »

Also Known As:

A Very Private Gentleman  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£411,707 (UK) (26 November 2010)

Gross:

£1,290,205 (UK) (17 December 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The American's riverside idyllic spot was much more barren in real life so the production added lots of extra plants to make it perfect. Guards had to be posted by the location at night to prevent it from being eaten by wild boars. See more »

Goofs

When packing the bullets in the candy box, and when handing over the candy box to the assassin, Jack doesn't wear gloves. Given how careful he's shown to be, one would expect him to not leaving fingerprints, especially given that he knows the gun will most likely be left at the scene. See more »

Quotes

[first lines]
Ingrid: You know, I thought I maybe drive into town. You want something?
Jack: No.
See more »

Crazy Credits

The credits at the end are in order of appearance. However, the 3 hookers are listed in the order: Hooker #2, Hooker #3 and Hooker #1, which logically doesn't make sense. See more »

Connections

Featured in Maltin on Movies: Awards Special 2012 (2012) See more »

Soundtracks

TIMMY
from the Motion Picture Once Upon a Time in the West (Once Upon a Time in the West (1968))
Composed and Conducted by Ennio Morricone
Courtesy of Paramount Pictures and IDM Music Ltd. o.b.o. GDM Music s.r.l.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
the second-best movie of 2010
2 September 2010 | by (United States) – See all my reviews

Before anybody reading this review goes to see "The American," let me give you some sincere advice. If you are expecting this to be another Jason Bourne or James Bond-style of movie with elaborate action sequences, tight pacing, and ear-throbbing music...you had better stay away, for you will be sorely disappointed. The advertising campaign and production photographs gives one the impression that George Clooney is taking on a role in a movie like Liam Neeson did in that marvelously powerful thriller "Taken" released in 2008. But that is not the case. "The American" is shot on a foreign location, features a lot of foreign dialect, and was made by a Dutch director with a mostly Italian cast. In other words, it's not really an American action production. It's an Italian melodrama and a really fascinating one at that.

Lots of questions are raised and very few of them are given answers (detailed ones, at least) in this incredibly affecting thriller. We know and find out very little about our protagonist (George Clooney) who goes by two names: Jack and Edward. All we know is that he's a trained killer, somebody wants him to manufacture a special rifle for an assassination, and that's about it. We don't find out who exactly he works for, and we really don't need to. Clooney is an American sent into an Italian town for a last assignment. While he is waiting for the right time, Clooney tries to avoid being shot at by assassins, and begins a relationship with a prostitute (Violante Placido) which slowly transforms from lust to love.

This is not really an action picture and to a certain extent, it's not even really a thriller. "The American" is a transfixing character study. We learn not about the George Clooney character's history, but his integrity as a human being, which it not very much. Director Anton Corbijn frequently has Clooney in a one-note personality and sets up his cameras at a combination of close-ups and medium shots that remain static as he performs rather mundane tasks as he waits for his assignment to come through. One would assume that this would produce tedium and boredom and for some people, it will be just that. But for me, and those who really get involved, this is rather fascinating and it doesn't drag on for very long at all.

However, the best scenes in the movie revolve around the relationship between George Clooney and Violante Placido, who is effective and charismatic as the prostitute who falls in love with him. The director sets up earlier scenes of them having sex and then later changes the direction to show them not as a pair of sex-starved individuals looking for a way to kill a boring night, but as two human beings who care for each other. At first, I was questioning the point of the Placido character and I was griping, as I usually do, about the sex scenes and how they seem, as usual, to have no purpose. But now in hindsight, I commend the filmmakers for their choice. The sex scenes, for once, are appropriate because they show how the relationship between these two characters evolves from lecherousness to a pure and affectionate love.

Director Anton Corbijn and cinematographer Martin Ruhe have done a superb job at crafting their nostalgia-stirring opus. The movie's misc en scene and lighting is absolutely wonderful. The film is great to look at as well as experience. There are some marvelous and more importantly, creative landscape and interior shots and it's almost a treat that the camera is frequently locked-down so we can admire these moments.

In regards to the performances, they are solid. George Clooney proves his worth as an actor yet again with his portrayal of this tormented, cynical man of few words. Violante Placido is also very effective as the girl. Thekla Reuton is icy and more than scenic in her performance as the in-between person working with Clooney. Paolo Bonacelli is compelling as the priest whom Clooney befriends, and Johan Leysen is chilling in his moments as the mysterious individual who always answer his phone with a gruff "Yeah?" "The American" is one of the best movies of the year. However, I cannot guarantee that many people will agree with my statement. First of all, because a lot going in will be misled that this is a high-tensity action picture like "The Bourne Identity" and when they find out it's not, they will leave the theater feeling vastly empty. So that's why I am giving you warning. Don't go in with that attitude. Go in with expectations for a fascinating, nostalgia-stirring character study and be especially keen as you watch the relationship between Clooney and Placindo transform. And believe me: scenes that seem pointless at first will seem ideal when you look back on it in hindsight.


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Boring indianapolisbeth
More quiet movies with Italian/mediterranean backdrops? Lin301
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