A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Alone among assassins, Jack is a master craftsman. When a job in Sweden ends more harshly than expected for this American abroad, he vows to his contact Pavel that his next assignment will be his last. Jack reports to the Italian countryside, where he holes up in a small town and relishes being away from death for a spell. The assignment, as specified by a Belgian woman, Mathilde, is in the offing as a weapon is constructed. Surprising himself, Jack seeks out the friendship of local priest Father Benedetto and pursues romance with local woman Clara. But by stepping out of the shadows, Jack may be tempting fate. Written by
Being a celebrated stills photographer, Anton Corbijn was constantly taking pictures during the shoot. These were all ultimately presented in his book "Inside The American". See more »
When Mathilde first fires the rifle she shoots about a foot to the left of her metal sunflower target. To correct this she should have taken the SIDE cap off the telescopic sight and turned the 'windage' screw half a turn clockwise moving the point of impact to the right. Instead she removed the TOP cap and adjusted the 'elevation'. This adjusts the up and down point of impact. Her second burst should have still missed the target from the same aiming point. See more »
You know, I thought I maybe drive into town. You want something?
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The credits at the end are in order of appearance. However, the 3 hookers are listed in the order: Hooker #2, Hooker #3 and Hooker #1, which logically doesn't make sense. See more »
The cinematography is breath taking, but with top photographer Anton Corbijn at the helm, you wouldn't expect anything less. There's very little dialogue in this film, about 500 lines in total, which emphasizes the acting and the visual spectacle. Don't expect any CGI or amazing action scenes. It's just not that kind of film. It's a homage to C'era una volta il West by Sergio Leone, to The Day of the Jackal (the original!) by Fred Zinnemann and writer Frederick Forsyth, to Italy and in a way to Clooney. The deliberate slow pace will put a lot of people off. The movie is about professionalism, betrayal, loneliness, revenge and love. How good "bad" people can be. A wonderful film, that will not be valued by the average Hollywood loving movie goers, but a must see for people who love movies and for whom movie-making is an art.
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