A senior at an elite college, already under severe pressure to complete her thesis and land a prestigious job, must confront the sudden reappearance of her old boyfriend, after his two year... See full summary »
In a very poor zone of New York, April Burns and her boyfriend, the Afro-American Bobby, are preparing to receive April's family for thanksgiving dinner. While Bobby tries to borrow a suit for himself, April realizes that her stove is broken. She tries desperately to find a neighbor that can let her cook the turkey, since she does not want to fail (again) with her family. Meanwhile, in a suburb of Pennsylvania, her dysfunctional family is preparing to travel to New York. While driving, the relationship between the Burns and their black-sheep April is disclosed through the conversations between her father Jim, her resented mother Joy, her brother, her sister and her grandmother. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Bobby goes out, April is shown with a bandage on her finger long before she actually cuts it. See more »
I keep waiting for a good time to tell you, but there's really no good time. I need everyone to listen.
I don't know how to say this.
We need to discuss how each of you, Oh God...
It's OK, sweetie.
[everyone assumes that Joy is trying to discuss her imminent death from cancer]
How each of you is going to handle
discarding food without letting our hostess know.
[...] See more »
Special thanks to ... The Cata Family, ... Elan, Scott, Ira and all the tenants of 176 Suffolk Street. See more »
From the initial scene of the ordeal of getting April up in the morning to the final shots, this was one of the most enjoyable movies I've seen in a long time. And it's enjoyable on many different levels -- it's funny, charming, weird, intelligent, and it has a real honest heart to it that isn't nearly sentimental or gushing. The psychological depth of this movie is astounding; and the characters, though there are many of them, are well realized. It is very clear that this film was made with a lot of care and compassion. With the possible exception of Wayne (overdone by a miscast Sean Hayes, reminiscent of the cringe-inducing Mickey Rooney in Breakfast at Tiffany's), you felt real emotion from every character. Katie Holmes is great as the disaffected daughter and Patricia Clarkson is just fantastic in a very complicated role. Well made and well acted. Highly recommended.
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