A senior at an elite college, already under severe pressure to complete her thesis and land a prestigious job, must confront the sudden reappearance of her old boyfriend, after his two year... See full summary »
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
In a very poor zone of New York, April Burns and her boyfriend, the Afro-American Bobby, are preparing to receive April's family for thanksgiving dinner. While Bobby tries to borrow a suit for himself, April realizes that her stove is broken. She tries desperately to find a neighbor that can let her cook the turkey, since she does not want to fail (again) with her family. Meanwhile, in a suburb of Pennsylvania, her dysfunctional family is preparing to travel to New York. While driving, the relationship between the Burns and their black-sheep April is disclosed through the conversations between her father Jim, her resented mother Joy, her brother, her sister and her grandmother. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Shot in just 16 days on a budget of $100,000. Costs were kept this low by the film company InDigEnt cutting a deal with the unions. This meant that Peter Hedges was paid $10 to direct the film, and another $10 to write it. All the actors worked for $248 a day. See more »
At the end of the film, when the snapshots are shown of April and her mother hugging, April is wearing a pink sweater. In the very next shot of Joy's face April is not wearing the sweater. See more »
I'm giving you a choice. You can either let me study the map, or you can rely on my uncanny sense of direction. Which will it be?
Uncanny sense of direction!
Where are we?
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Special thanks to ... The Cata Family, ... Elan, Scott, Ira and all the tenants of 176 Suffolk Street. See more »
I recommend the film for its true contribution to the American version of 'kitchen-sink' realism.
My family Thanksgiving dinner is latent with chaos, a breath away from murder, on the edge of total misunderstanding. But we survive it and return another year because we don't know any better, or amnesia sets in, or these are the only people who will feast with us. Tim Hedges catches my family and others I am sure in 'Pieces of April,' a comedy in which Goth girl April and her black boyfriend invite her family from Jersey to their Manhattan apartment for Thanksgiving dinner.
Mom, played by the current middle-age rage, Patricia Clarkson ('Station Agent'), is dying from cancer, which allows her on the tumultuous ride with hubby and two other children to indulge in sardonic observations about her daughter's inability to do anything right, much less pull off a dinner, to comments about her lovers, including long-suffering dad (Oliver Platt), who patiently waits in horror for his wife to die.
Katie Holmes' April flies to almost every other apartment to find a working stove, but what she finds is a menagerie of tenants, most of whom like her don't know their way around a dinner, much less Thanksgiving. As she figures out how to cut an onion or carry a turkey, each one of us can remember the first time we learned those tricks, often when the family could enjoy the humiliation.
The HD filming adds a home-movie touch to the proceedings, which are all predictable because we have all been there. I recommend the film for its true contribution to the American version of 'kitchen-sink' realism and its evocation of thankfulness in all of us that our Thanksgivings were never this disastrous, just by a hair though!
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