In 1989, a breakthrough in advanced parasitic research on Cuttyhunk Island, gave scientists a jump in human evolution. Initial tests proved promising as subjects were experiencing ... See full summary »
The thirty and something years old psychiatrist Dr. Samantha Goodman has an incurable brain tumor that has just started to grow. Felling totally stressed, she decides to spend the weekend ... See full summary »
It's the end of yet another night at Hastings Supermarket, an idyllic family grocery store in Buck Lake, Arizona. But the normal monotony of rounding up shopping carts and settling out the ... See full summary »
Mathew St. Patrick,
A scientific research team investigates and documents the supernatural phenomena surrounding the disappearance of a cattle ranchers 10 year old son. Inspired by true events that shocked the paranormal community around the world.
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
Syd March is an employee at a clinic that sells injections of live viruses harvested from sick celebrities to obsessed fans. Biological communion - for a price. Syd also supplies illegal samples of these viruses to piracy groups, smuggling them from the clinic in his own body. When he becomes infected with the disease that kills super sensation Hannah Geist, Syd becomes a target for collectors and rabid fans. He must unravel the mystery surrounding her death before he suffers the same fate. Written by
Almost half of the content of the film was shot during pre-production. This includes the vast amount of playback footage and the many stills needed to decorate the sets and to be used with props. See more »
Before Syd puts the virus into Edward Porris's lip, we see the plunger of the syringe has been pulled back a bit, as it would be had Syd filled it with the virus. However, in the close up of the needle piercing the skin, you can see the plunger is all the way down, so when it was stuck into Edward's lip there was nothing in it. See more »
Is Cronenberg finally back to the body-horror genre? Yep, in a re-birth through his son, Brandon. What David hasn't done in the last 10 years is done here by Brandon. Dad's influence is obvious from the very first shot up to the last shot of the film. I found connections, clues, winks and homages to David's old films throughout the entire movie - I'm not sure whether they were intentional or just my intuition, but I recalled Videodrome, Shivers, The Fly, eXistenZ, Naked Lunch and Crash. If you were missing the old Cronenberg style, you're gonna love this movie.
The script is very original and contains some interesting ideas. The lead actor does a pretty decent job in his role; I wouldn't go as far as saying it's Oscar material, but it's good enough for this part. The production design is pretty good and interesting, although minimalist. So is the cinematography, which is "minimalist" in the sense of being static (or close to that) almost the entire film, with very few exceptions here and there; I guess it worked okay for the film, yet it was enough for me to be distracted by it more than once - I myself would have preferred to see a more dynamic camera-work.
The movie is not perfect. It gave me the feeling of "something is missing here" at times - including in its ending - but all in all it was pretty impressive as a first feature-film for Brandon, both as a writer and a director (although if I compare it to Duncan Jones' Moon, the latter wins big time). I'll definitely look forward to his next film - much more than to David's next film, sadly.
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