3 user 6 critic

Boat People (1982)

Tau ban no hoi (original title)
A Japanese photojournalist revisits Vietnam after the Liberation and learns harsh truths about its regime and its "New Economic Zones".



(as Tai An-Ping Yau)
6 wins & 7 nominations. See more awards »


Add Image Add an image

Do you have any images for this title?

Learn more

People who liked this also liked... 

Comedy | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Autumn Moon (Sam Lee), a low-rent triad living in Hong Kong, struggles to find meaning in his hopelessly violent existence.

Director: Fruit Chan
Stars: Sam Lee, Neiky Hui-Chi Yim, Wenders Li
Action | Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
Director: Johnny Mak
Stars: Jing Chen, Ling Chow, Jian Huang
Tian mi mi (1996)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Two Chinese-mainlanders living in Hong Kong form a close friendship. Over the years this grows into love, but there are obstacles.

Director: Peter Ho-Sun Chan
Stars: Maggie Cheung, Leon Lai, Eric Tsang
Tou ze (2011)
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.

Director: Ann Hui
Stars: Andy Lau, Deannie Yip, Hailu Qin
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Filmed in New York, story of naive young woman from Hong Kong who goes to New York to study. Street-wise cabbie cousin takes care of her in the big city

Director: Mabel Cheung
Stars: Yun-Fat Chow, Cherie Chung, Danny Bak-Keung Chan
Center Stage (1991)
Biography | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Biopic of 1930's Chinese actress Ruan Ling Yu.

Director: Stanley Kwan
Stars: Maggie Cheung, Han Chin, Tony Ka Fai Leung
Huang tu di (1984)
Drama | Music
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

'Yellow Earth' focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns... See full summary »

Director: Kaige Chen
Stars: Xueqi Wang, Bai Xue, Quiang Liu
July Rhapsody (2002)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Yiu-Kwok is a high school teacher, having a perfect family. Good times don't last long, when a student, Choy-Nam, falls in love with him. For dealing with a relationship with Mr. Seng, a ... See full summary »

Director: Ann Hui
Stars: Jacky Cheung, Anita Mui, Kar Yan Lam
Nu ren si shi (1995)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The Suns are a typical Hong Kong family: May, forty something, works for a trading company; her husband, Bing, works as a low-grade civil servant, and Allen, their teenage son, is still at ... See full summary »

Director: Ann Hui
Stars: Josephine Siao, Allen Ting, Roy Chiao
Biography | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

The life story of Xiao Hong, one of China's most famous essayists and novelists, who reflected the progressive thinking not frequently seen during the 1930s.

Director: Ann Hui
Stars: Wei Tang, Shaofeng Feng, Zhiwen Wang
Fung gip (1979)
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7/10 X  

A real murder case which was complicated by the minage ' trois relationship of the victim and the main suspects. As different witnesses narrated their conflicting stories, the case seemed ... See full summary »

Director: Ann Hui
Stars: Sylvia Chang, Angie Chiu, Norman Chu
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.

Director: Ann Hui
Stars: Hee Ching Paw, Chun-lung Leung, Cheuk Man Au


Credited cast:
Shui-Chiu Gan
Jialing Hao
Meiying Jia
Shiomi Akutagawa
To Minh
Shujing Lin
Season Ma ...
Cam Nuong
Cora Miao ...
Nguyen's Mistress
Mengshi Qi


A Japanese reporter arrives in Vietnam hoping to capture the essence the society under the rule of the Communist Party. With the help of a vietnamese girl, he eventually opens his eyes to the painful truth of postwar Vietnam. Written by Cha <cha@hk.super.net>

Plot Summary | Add Synopsis








| |

Release Date:

13 October 1982 (Hong Kong)  »

Also Known As:

Boat People  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


No. 8 in the Hong Kong Film Awards' List of The Best 100 Chinese Motion Pictures See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

In celebration of Ann Hui's record-breaking 5th win of BEST DIRECTOR in HONG KONG FILM AWARDS!
26 April 2015 | by (Cairo, Egypt) – See all my reviews

In celebration of Ann Hui's record-breaking 5th win of BEST DIRECTOR in HONG KONG FILM AWARDS for her epic THE GOLDEN ERA (2014), which is also the eventual recipient of BEST PICTURE, it is an opportune time to track back her first win at the age of 35 for her fourth feature BOAT PEOPLE, which has established her as a pioneer in the New Wave movement of Hong Kong Cinema.

One requisite notion before watching this film is that the whole account is as fictional as in the movie where the entire Vietnamese populace including our Japanese protagonist, Shiomi Akutagawa (Lam), all speak fluent Cantonese. In fact, the script is a purely fabricated by the screenwriter Kang Chien Chiu, at a time when Hong Kong people were uncertain of their future and for fear of the social overhaul if Chinese Communist Party would eventually take over the colonised financial hub. Chiu's anti-communist slant is the elephant-in-the-room although Hui has tried to sidestep the politics-sensitive issue by emphasising that the film is more focused on personal struggle under the extreme circumstances.

Shot in Hainan island of China as a stand-in for a tropical Ho Chi Minh City, Shiomi is a Japanese photography who has been granted a license to shoot the new life of Vietnamese people under the government of Communist party after the Vietnam War. The commencing flourishing impressions are disrupted when Shiomi decides to roam the city alone without the company of the bureaucratic officials, soon, he is attracted by an impecunious girl Cam Nuong (Ma) on the street, who has two younger brothers and a sick mother (Hao) to raise. Slowly Shiomi realises all his previous photo-shooting visits are the front arranged with the government to give a grand veneer for foreigners, the harsh reality stuns Shiomi, he witnesses extreme poverty, the utter disregard for human life and death can happen anytime anywhere, no one cares, the poor refuses to be relocate to the so-called "new economic district" because young men are violently man-handled to manually remove land mines under cruel administration from the authorities. Disillusioned and unsettled by the darkness and savagery, Shiomi decides to help Cam Nuong and his younger brother flee from this country, but the sacrifice might exceed his expectation.

The film doesn't recoil at the blood-letting casualties, and the intensity of waiting for a land- mine to explode at any moment is excruciatingly taxing, although Hui doesn't intend to let those scenes to be too startling with long cues as a ballast. The murky and repressing air engulfs lives without hope, except fro Cam Nuong, she is precocious but has yet been contaminated by the vice around her, sincere laughters can still burst out between her and Shiomi, Season Ma injects a spirited purity and spunky pizazz into Cam Nuong in her career-debut performance. George Lam exhibits an affable persona as an outsider involuntarily elevated to be a true hero with unyielding ethical virtues.

This is also Andy Lau's screen-debut too, the subplot around him can evoke quite a harrowing weep. Cora Miao, who play's a 40-year-old mistress using her body as the leverage of survival under the tumultuous situation, configures a mesmerising presence with intriguing back-stories left unfinished. Mengshi Qi is Nguyen, the bureaucrat who finds a camaraderie in Shiomi, represents both the executioner and the victim of the government, his poetic reflection "The revolution of Vietnamese is successful, but my own revolution fails" - narrated beautifully with a golden sunset in the background.

The production looks a bit dated by today's standards, and certain editing hiccups are rather noticeable but if we can be impartial to the story's pejorative nature regarding to the Communist regime, the film is a well-considered ode to humanity and altruism when it is urgently needed, also more remarkably, it would be an impossible task for Ann Hui to get a green light under today's cinematic weather neither in mainland China nor in Hong Kong.

0 of 0 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: