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The Blair Witch Project (1999)

R  |   |  Horror  |  30 July 1999 (USA)
6.4
Your rating:
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Ratings: 6.4/10 from 173,752 users   Metascore: 81/100
Reviews: 3,387 user | 354 critic | 33 from Metacritic.com

Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.

Directors:

, (as Eduardo Sanchez)

Writers:

, (as Eduardo Sanchez)
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Cast

Complete credited cast:
...
...
...
Michael 'Mike' Williams (as Michael Williams)
Bob Griffin ...
Jim King ...
Sandra Sánchez ...
Waitress (as Sandra Sanchez)
Ed Swanson ...
Patricia DeCou ...
Mark Mason ...
Jackie Hallex ...
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Storyline

Three film students travel to Maryland to make a student film about a local urban legend... The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video was found in the woods. The footage was compiled and made into a movie. The Blair Witch Project. Written by Kevin Overstreet <GrndZero23@aol.com>

Plot Summary | Plot Synopsis

Taglines:

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary...A year later their footage was found. See more »

Genres:

Horror

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

Language:

Release Date:

30 July 1999 (USA)  »

Also Known As:

El proyecto de la bruja de Blair  »

Box Office

Budget:

$60,000 (estimated)

Opening Weekend:

$1,512,054 (USA) (16 July 1999)

Gross:

£14,901,157 (UK) (3 December 1999)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

In the initial draft, Josh was intended to have a strong romantic interest in Heather. In several of the scene instructions given to the actors on the callback auditions, it was instructed that Josh take note of how attractive Heather was, and how dejected he should be that she seemed oblivious to this. Eventually the idea was scrapped as fear the movie would become too cliché. See more »

Goofs

In the house a red light flash (from a camera) can be seen though an open window. See more »

Quotes

Michael Williams: [screaming sadly to himself] ... but I'm not gonna see it 'cause I'm in the woods!
See more »

Crazy Credits

The beginning and end credits are designed in the style of a documentary, e.g. jumping slightly, static instead of rolling credits. See more »

Connections

Referenced in I-See-You.Com (2006) See more »

Soundtracks

America The Beautiful
Lyrics by Katharine Lee Bates (as Katherine Lee Bates)
Music by Samuel A. Ward
Sung a cappella by Joshua Leonard
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Not your average horror film
21 June 2000 | by (Sydney Australia) – See all my reviews

A film which fell foul of its own publicity machine, `The Blair Witch Project' was abhorred and derided by the mainstream film-going public which it became unfortunately directed at due to its extraordinary and outlandish marketing campaign. `The Blair Witch Project' is not a typical film that the typical cinema-going public would normally be exposed to. The camera-work is jerky, the dialogue repetitive and inane and the action virtually non-existent. At times confusing, annoying, irritating and tedious, this film is nonetheless a brilliant piece of arthouse experimental film-making. This movie is virtually all style-there's hardly any plot, no real action, no semblance of a real script-and one that works on a deeper psychological level than the standard mainstream horror film. Indeed, only the very last image in the film is truly frightening, and only if it can be correlated to an incident at the very beginning. The rest of it only becomes scary afterwards, when the audience has had time to consider what they've seen. It is groundbreaking, manipulative cinema made without a script, with an amateur cast and with little or no post-production values. This is a remarkable film which can only really be appreciated, if the accompanying hype is overlooked, as a unique, avant-garde art film and not the regular Hollywood stock it was presented as to the public.


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