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The Blair Witch Project (1999)

R  |   |  Horror  |  30 July 1999 (USA)
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Ratings: 6.4/10 from 175,600 users   Metascore: 81/100
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Three film students vanish after traveling into a Maryland forest to film a documentary on the local Blair Witch legend, leaving only their footage behind.


, (as Eduardo Sanchez)


, (as Eduardo Sanchez)
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Complete credited cast:
Michael 'Mike' Williams (as Michael Williams)
Bob Griffin ...
Jim King ...
Sandra Sánchez ...
Waitress (as Sandra Sanchez)
Ed Swanson ...
Patricia DeCou ...
Mark Mason ...
Jackie Hallex ...


Three film students travel to Maryland to make a student film about a local urban legend... The Blair Witch. The three went into the woods on a two day hike to find the Blair Witch, and never came back. One year later, the students film and video was found in the woods. The footage was compiled and made into a movie. The Blair Witch Project. Written by Kevin Overstreet <>

Plot Summary | Plot Synopsis


In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary...A year later their footage was found. See more »



Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:



Official Sites:




Release Date:

30 July 1999 (USA)  »

Also Known As:

El proyecto de la bruja de Blair  »

Box Office


$60,000 (estimated)

Opening Weekend:

$1,512,054 (USA) (16 July 1999)


£14,901,157 (UK) (3 December 1999)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.33 : 1
See  »

Did You Know?


Numerous fans were so convinced of the Blair Witch's existence that they flocked to Maryland in hopes of discovering the legend. They apparently didn't read the closing credits of the film. See more »


In Mike's reference to "The Wizard of OZ" in which he asks "Wicked Witch of the West, Wicked Witch of the East, which one was bad?" And Heather answers "Wicked Witch of the West was the bad one" Actually both Witches were bad. The Witch of the North was the good one. See more »


Michael Williams: You know what? I kicked the fu... I'm sorry it's fucked up. It's fucked up but I kicked that fucking map into the creek yesterday! It was useless! I kicked that fucker into the creek!
[laughs hysterically]
Heather Donahue: I fucking hope he's kidding.
Michael Williams: WAHOO! WOW!
Joshua Leonard: Mike...
Michael Williams: [laughing] Holy shit.
Heather Donahue: I really fucking hope he's kidding.
Joshua Leonard: Mike are you kidding?
Heather Donahue: I really fucking hope he's kidding.
Joshua Leonard: Mike, are you fucking kidding?
See more »

Crazy Credits

The beginning and end credits are designed in the style of a documentary, e.g. jumping slightly, static instead of rolling credits. See more »


Referenced in Whitney Cummings: Money Shot (2010) See more »


The Ballad of Gilligan's Isle
(The Theme From Gilligan's Island"
Written by George Wyle and Sherwood Schwartz
Courtesy of EMI U Catalog Inc.
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Frequently Asked Questions

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User Reviews

An Experiment In Fear
1 May 2001 | by (The Poppy Field, OZ 69666) – See all my reviews

Hmm. Wow. What is there left to say? I've waited for most of the hype to die down to even add my comments for this movie to IMDB, and here they are:

This is really a movie that has polarized a lot of people. Many love it and consider it the best thing since sliced bread, and plenty more absolutely hate it and call it tripe, drivel, awful, wretched, the worst ever, etc. (NOTE: as far as I'm concerned, the opinions of anyone calling any movie the best- or even more especially, the worst- movie ever are to be immediately disregarded.) Highly innovative in its way, it spawned many parodies and an interesting but inferior sort-of sequel. In the summer of Star Wars: Episode 1, this was the movie that originated several cultural symbols.

I saw this movie shortly after it opened in wide release. Sitting in a theater surrounded by my friends with popcorn in my lap and watching Mike and Heather run around some creepy old house, I felt for the first and last time in my adult life *real, creeping fear* when I myself was not in danger.

Many have complained about the shaky-cam, the cussing, how nothing 'really happens', and that it's not scary. By and large, the camera is not *that* shaky, at least to the point where you can't understand why- they're tromping through the woods and they're scared half to death. I must not get queasy very easily, as I had no problem with it. As for the cussing- the lines were ad-libbed, the actors are college-age, and all three sound exactly like every American college student I've ever known. So maybe people have a problem with young peoples' language, but what else is new? That's not a flaw of the movie- it's realism and part of why so many more young people found TBWP scary.

I think at least some of the dissention in opinions is caused by generational and cultural differences. My mother's friends told me it wasn't scary, but that 'Psycho' terrified them. 'Psycho', while interesting and a classic, is not the least bit scary to me. 'The Excorcist' has only a couple scenes that I find frightening, but my mom breaks out in goosebumps at the mere mention of it. The scariest thing I ever saw until I watched this movie was a reel in a collection of horror shorts: a woman walks into her house carrying groceries, drops her keys down her heating vent, bends down to try to get them, and something grabs her scarf. She struggles, but within a minute or two, she's drug down and strangled. The scarf goes slack, the woman is lying dead on her floor, and that's it.

TBWP is about what you *can't see*, about how your fear of the unknown is so much worse than what the unknown could probably ever be. The characters were not even necessarily likable, but they were *familiar*- Heather is the girl I sit next to in film class who thinks she has all the answers. Their mundane existence, captured in the beginning of the film, roots them in reality. What happens to them is terrifying because they are so every day, so interchangable with millions of other college kids. And, finally, you never know whether the Witch exists or not. Everything that happens can be explained away by coincidence, pranksters, bats, hunger, exhaustion and imaginations run wild with fear- or you can choose not to explain them away.

Young Americans are not scared of much- school shootings can roll off us like water, the evil human beings inflict on each other is run-of-the-mill 6 o'clock news, we are raised in a culture that claims to worship a vengeful, elitist god while almost everyone is hypocritical and uses the power of spirituality as a way to abuse others. We are in information overload from birth. What we fear is not knowing. And in the Black Hills Woods of Maryland, just beyond the flashlight's reach, something is making strange and terrible noises- but we don't know what it is.

49 of 75 people found this review helpful.  Was this review helpful to you?

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