Out of work and with no place to live, a fired nanny and a struggling comedian are stuck house-sitting together. To get back on their feet, this odd couple reluctantly helps each other ... See full summary »
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. Written by
Ellar Coltrane, who plays the boy of the title, was 7 years old when the movie started filming and 19 when it finished. See more »
When married to the professor, the span between marriage and separation is approximately 3 years (20 questions game 2004- date written on check to liquor store 2007) The house looks the same but the front door is different. When they come home from the honeymoon the door is a light oak. In the scene where Mason has to go to school with the new haircut it's a dark oak and the glass design in the door is an obvious Texas star. Pictures to the right are the same with both doors except in the last scene when she leaves Bill. The picture on the right side of the door is different. See more »
Top of volume two, first four tracks. You've got "Band on the Run" into "My Sweet Lord" into "Jealous Guy" into "Photograph." Come on! It's like the perfect segue. You've got Paul who takes you to the party, George who talks to you about God, John is just "No, it's about love and pain" and then Ringo who just says "Hey, can't we enjoy what we have while we have it?"
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It's true: Linklater took 12 years to develop his family of characters. While I was intimidated by the 3 hour run time, I have to admit, there was not a moment of this film I could have done without.
This is more than a coming of age story; the title "Family" or "Motherhood" would be just as appropriate. Set in Texas, the screenplay is natural and reminiscent of plenty of Linklater's other work: a film that begins with dialog unlike any other Linklater films evolves into thoughtful, poignant discourse not unlike that from the "Before" series. One character in a late-night nacho scene was perhaps a callback to the heady "Waking Life." With that said, this absolutely is not a mere think piece. What makes this film truly fantastic is how accessible the material is, given its scope. Without giving any narrative away, I'll say that the story itself is absolutely engaging and not without surprises. I watched many films at Sundance 2014 (including comedies), and this was the first that had the audience reacting throughout: we laughed, gasped, covered our eyes, and I am sure more than a few of us wept.
The characters are well developed. Don't be fooled by the title --- the spirit of Boyhood is alive here, but the female characters are thoroughly developed, distinct, and alive. Unfortunately, though it's 2014, this is a rarity in cinema.
Like in "Waking Life" and "A Scanner Darkly", Linklater has again delivered true visual innovation. This time, however, his set-up is simple: shooting on film, Linklater replaced rotoscoping with time lapse. Has a single film ever intentionally traced a character over such a span of time? Linklater wisely chose to reveal the main character to us subtly. Despite this, the effect is riveting.
I am not exaggerating when I say that after I watched this film I sold all of my other tickets to Sundance films. Viewing Boyhood for the first time was such a joyful experience that I didn't want to tarnish the experience by any comparison. Everyone in the Eccles theater shared a special few hours together. Though this only premiered a few days ago, I am confident that this will go down as one of the most ambitious and rewarding film projects of our time.
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