The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Out of work and with no place to live, a fired nanny and a struggling comedian are stuck house-sitting together. To get back on their feet, this odd couple reluctantly helps each other ... See full summary »
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. Written by
Scenes that take place within Pedernales Falls State Park (Johnson City, TX) were shot illegally. Permission was granted to shoot, but no filming fees were ever paid and the portion of the river in which the actors are seen swimming has been closed to the public for swimming since 1977 (due to approximately 25 drownings that occurred in that area between 1971 and 1977). See more »
When the kids are eating with their father at the bowling alley, their dad puts a cigarette in the holder and reaches into his back pocket to pull out his wallet. The camera angle shifts over his shoulder as he slides a bill across the table and the cigarette is no longer in the holder. When the camera angle shifts back again as Samantha takes the dollar, the cigarette is right back in the holder. See more »
[frustrated with the monosyllabic answers Mason Jr. and Samantha are giving him]
No, no, no. I'm not gonna be *that* guy. You know, the "biological father, who I see on the weekends, and I make small talk with him while he drives me places and buys me shit." No.
Dad, these questions are kind of hard to answer.
What's so hard to answer about "what sculpture are you making"?
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By some miracle, the run time of this movie has proved to be the exact same length as that of the forth installment of the Transformers franchise. Having slogged through nearly three hours of robots hitting robots shot from a camera permanently fixed between the thighs of our lead female protagonist a week earlier, Richard Linklater's latest contribution to modern cinema was a more than welcome reminder that visionary filmmakers still exist, and that the actual run time compared to how long the run time feels speaks much of film quality.
Boyhood documents the early life of a boy called Mason, beginning at six, then continuing all the way through middle-school, high school and eventually his move to college at eighteen years of age. Although the story line is fairly simplistic and one might argue, unadventurous, the sheer ambition of the director is reason enough to hand your money over; shot over twelve years with the same group of actors, audiences can experience the true evolution of a character like never before.
However as Linklater said himself, if the audience see this merely as an experiment, then he has failed at his task. The movie has its own story to tell. The aforementioned criticism of an overly simplistic plot is what makes the story so identifiable not just for young people, but for adults as well; the film could easily be called 'adulthood' or 'parenthood' or even take a more generalised title of 'Life' - Linklater understands people, and is therefore one of the few modern filmmakers who understands the importance of well-rounded, interesting and relatable characters to tell a story.
When watching Boyhood, you don't think of the ramifications, the possible pitfalls and how difficult it must have been to make. You instead choose to enjoy it at surface level, only truly appreciating the sheer brilliance of what has been achieved after the film. This really is a once-in-a-lifetime film and therefore a once-in-a-lifetime experience for anyone watching it. Soon to be a modern classic, this is a picture that will be looked back on as one of the greatest ever made.
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