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Caché (Hidden) (2005)
"Caché" (original title)

R  |   |  Drama, Mystery, Thriller  |  17 February 2006 (USA)
7.3
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Ratings: 7.3/10 from 48,146 users   Metascore: 83/100
Reviews: 347 user | 229 critic | 37 from Metacritic.com

A married couple is terrorized by a series of surveillance videotapes left on their front porch.

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Cast

Cast overview, first billed only:
...
...
Maurice Bénichou ...
Majid
...
Georges's Mom
Bernard Le Coq ...
Georges's Editor-In-Chief
Walid Afkir ...
Majid's Son
Lester Makedonsky ...
Pierrot Laurent
Daniel Duval ...
Pierre
Nathalie Richard ...
Mathilde
Denis Podalydès ...
Yvon
...
Chantal
Caroline Baehr ...
Nurse
Christian Benedetti ...
Georges's Father
Philippe Besson ...
TV Guest
Loic Brabant ...
Police Officer No. 2 (as Loïc Brabant)
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Storyline

Georges, who hosts a TV literary review, receives packages containing videos of himself with his family--shot secretly from the street--and alarming drawings whose meaning is obscure. He has no idea who may be sending them. Gradually, the footage on the tapes becomes more personal, suggesting that the sender has known Georges for some time. Georges feels a sense of menace hanging over him and his family but, as no direct threat has been made, the police refuse to help.... Written by Simon John

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for brief strong violence | See all certifications »

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Details

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Release Date:

17 February 2006 (USA)  »

Also Known As:

Caché (Hidden)  »

Box Office

Budget:

€8,000,000 (estimated)

Opening Weekend:

$925,023 (France) (7 October 2005)

Gross:

$36,151 (Chile) (15 September 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

There is no music, save for the theme on George's show, and background music at Anne's publishing party. See more »

Goofs

During the tape where Georges pulls up in his car and parks at night the headlights clearly cast a huge distinct shadow of the camera on the wall. See more »

Quotes

Georges Laurent: Isn't it lonely, if you can't go out?
Georges's Mom: Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.
See more »

Crazy Credits

Silent credits. See more »

Connections

References In Hell (2003) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
When hiding can be revealing -- one of the top films of the 2000s
15 May 2006 | by (Rio de Janeiro, Brazil) – See all my reviews

If you've just seen "Cachê" and are still (understandably) in shock, not knowing whether you really liked it or not, let me ask you a few questions. Now, when was the last time a film:

a) had you glued to your seat as in "Caché", your eyes and neurones required to work in full gear from beginning to end, making it impossible to erase it out of your mind (instead of the instantly forgettable films you see every week), and actually making a second viewing almost compulsory?

b) posed such complex, multi-layered questions -- socio-political ones (the shameful, violent legacy of past and present imperialist nations, the manipulation of "reality" by the State and the media), existential ones (the racial, class and social prejudices that we all carry and have to fight within ourselves), and more prosaic ones, like trying to solve a complicated thriller? When were they so masterly interwoven?

c) made you aware that your explanation for the movie's most immediate, "practical" question (who's sending the tapes to Georges) will be influenced by your own background and prejudices?

d) had such a controversial and rich ending? (I could think of at least five possible denouements, even considering that I DID see the two boys -- q.v. the multiple theories about the ending in "Caché"'s message boards here in IMDb).

"Caché" is one of the few real masterpieces of the 2000s. The mix of socio-political comment with the thriller genre is not new, of course (you can go back at least to great German silent films by Lang, Murnau, Dieterle, Pabst). In 2005 alone, Cronenberg made the half-successful "A History of Violence", Spielberg the underachieved "Munich", Stephen Gaghan the overwrought "Syriana", Paul Haggis the soap-operatic "Crash". But Haneke asks us and gives us much more: he demands our ability to fill in the many important historical and political gaps, messes with our prejudices but respects our intelligence, and knows that a good part of us viewers are bored to death of being spoon-fed with one-digit I.Q. plots in mechanical thrillers inhabited by tired, phony "archetypes" of good x evil characters.

"Caché" is a monumental proof of Haneke's COMPLETE command of his craft. Artistic achievements like this are now SO rare in films that "Caché" feels like a happening -- a work of art that is mind-boggling, hypnotic and physically unnerving, ethically and esthetically disturbing, combining the sense of revelation and discomfort you get with the best political films with the braincells workout you get with the best thrillers.

As I left the theater, three masterpieces immediately came to my mind: Clouzot's "Le Corbeau" (a political statement disguised as a thriller and a probable inspiration for "Caché"), Antonioni's "The Passenger" (ditto, and also for the long, breathtaking, "open-meaning" last shot) and Resnais' "Marienbad" (the seminal film of multi-layered possible interpretations of "reality"). "Caché" stands tall on its own, reaffirming Haneke as one the top-5 working directors of the 2000s. Can't wait for his next film -- but while I do, I'll watch "Caché" one more time, and understand that hiding (Georges hiding his past and his feelings, nations hiding shameful parts of their history, Haneke hiding evidence, explanations and conclusions) can be a form of powerful revelation...and self-revelation.


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Message Boards

Recent Posts
Ebert's Smoking Gun - Observation I Haven't Read Anywhere Else Yet westywales
Who do you think send the tapes? rustynail925
Do the French have trouble apologizing for colonialism? Homer_Mandrill
Devastating, heartbreaking, and the title is ironic Keely
What a lousy movie ! loyolite
fans of haneke are intelligent people bertdockx
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