A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Jackie works as a CCTV operator. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, a man she thought she would never see again, a man she never wanted to see again. Now she has no choice, she is compelled to confront him.
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
Georges, who hosts a TV literary review, receives packages containing videos of himself with his family--shot secretly from the street--and alarming drawings whose meaning is obscure. He has no idea who may be sending them. Gradually, the footage on the tapes becomes more personal, suggesting that the sender has known Georges for some time. Georges feels a sense of menace hanging over him and his family but, as no direct threat has been made, the police refuse to help.... Written by
During the tape where Georges pulls up in his car and parks at night the headlights clearly cast a huge distinct shadow of the camera on the wall. See more »
Isn't it lonely, if you can't go out?
Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.
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The opening credits appear over a shot of the husband and wife's house, but they appear one by one and in rows. By the time the credits are over they are all shown together, much like they would on a poster or in the credits section of a movie trailer. See more »
I just watched Cache this rainy Independence Day. It is b-a-d! Having blown two hours already, I don't want to spend a lot of effort explaining why the movie is so pointless (notwithstanding whatever it wants to say about colonialism, racism, imperialism, etc.) and boring. Checking the glowing IMDb ratings afterward, however, I feel compelled to alert others not to waste their time and money. If this is, as one reviewer claims, the director's "most accessible and purely entertaining" film to date, then consider yourself warned against seeing any of his work. I'm not some knuckle-dragging multiplex habitué who doesn't appreciate foreign and independent films. I've seen lots of good ones, but this isn't among them. If you're a pretentious euro-phony who delights in obscurity masquerading as profundity, then by all means see Cache. Otherwise avoid it unless you've got a bad case of insomnia.
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