Caché (2005)

User Rating:

7.2/10   

Director:

Michael Haneke

Writer:

Michael Haneke (screenplay)

Release Date:

5 October 2005 (France)

Genre:

Drama | Mystery | Thriller

Plot:

A married couple is terrorized by a series of videotapes planted on its front porch that may be the direct result from an event from years ago.

Plot Keywords:

Drawing | Police | Friend | Videotape | Dinner

Awards:

21 wins & 22 nominations

Cast

Daniel Auteuil	...	Georges Laurent
Juliette Binoche	...	Anne Laurent
Maurice Bénichou	...	Majid
Annie Girardot	...	Georges's Mom
Bernard Le Coq	...	Georges's Editor-In-Chief
Walid Afkir	...	Majid's Son
Lester Makedonsky	...	Pierrot Laurent
Daniel Duval	...	Pierre
Nathalie Richard	...	Mathilde
Denis Podalydès	...	Yvon
Aïssa Maïga	...	Chantal
Caroline Baehr	...	Nurse
Christian Benedetti	...	Georges's Father
Philippe Besson	...	TV Guest
Loic Brabant	...	Police Officer No. 2 (as Loïc Brabant)

Also Known As:

Hidden (International: English title) (UK)
Niente da nascondere (Italy)

MPAA:

Rated R for brief strong violence.

Runtime:

117 min

Country:

France | Austria | Germany | Italy | USA

Language:

French

Color:

Color

Aspect Ratio:

1.78 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Sweden:15 | Brazil:16 | UK:15 | Czech Republic:15 | Norway:15 | Ireland:16 | Portugal:M/16 | Finland:K-15 | Canada:14A (Ontario) | Netherlands:16 | Singapore:NC-16 | Germany:12 | Malaysia:(Banned) | Argentina:13 | Japan:PG-12 | Australia:MA | Hungary:16 | Hong Kong:IIB | Italy:T | Iceland:16 | South Korea:15 | New Zealand:R16 | USA:R

Filming Locations:

Paris, France

Company:

Les Films du Losange

Trivia:

In Pierrot's bedroom there are movie posters for Lost in Space (1998), The Matrix Reloaded (2003), The Chronicles of Riddick (2004), Van Helsing (2004) and In Hell (2003).

Goofs:

Continuity: In the opening scene we see the Laurent residence from a stationary camera. Three roses are visible in a window box on the left. In the same setting late in the film after much passage of time, the roses are unchanged and in the same positions.

Movie Connections:

References Lost Highway (1997)

A thriller about social responsibility: Haneke in top form

The title of this engrossing and disturbing new Haneke film is ironic. At the end of the film, Georges Laurent (Daniel Auteuil) tells his wife Anne (Juliette Binoche) that he will be "caché," hidden, and he takes off his clothes, closes the curtains, and buries himself in bed. It's afternoon. But he will be exposed, as before. "Caché" is about how you can't hide. Auteuil, an actor who naturally looks worried and put-upon, and Binoche, who has a vulnerable and frightened look, play a privileged couple whose son Pierrot (Lester Makedonsky) at twelve is a star swimmer. Georges has a literary TV program (like "Le Bouillon de la Culture"), which, in France, makes him a star. They have a beautiful house in an elegant suburb of Paris. (His childhood home, we learn, was a substantial farm.) Beyond all that are the poor outskirts on the periphery of the French capital, the slums, the projects, the "banlieux," with their Arabs and blacks, French society's underprivileged and mistreated, unemployed and ignored, a population ready to explode into revolt -- as it very dramatically did in November 2005.

Like Haneke's previous "Code Unknown," "Caché" is primarily about alienation and connection. This sounds theoretical and intellectual, but the uncompromising Austrian who now makes his films in French always finds a deep emotional core in his people, in this case a core of the most infinite desperation in both perpetrator and victim. "Code Unknown" focused on chance meetings. "Caché" moves in closer to home, to this family whose peace is shattered and to another family that has never had peace. As the film begins the foreground family begins to receive increasingly menacing videos left on their doorstep that show they are being watched. Georges thinks he knows who it is.

"Caché" blends urban angst with the primal horror of Greek tragedy. What goes around comes around. For what he has explained was his starting point for the film, Haneke elliptically refers within it to the story of hundreds of Algerians the French cast into the Seine in 1961, a story recently unearthed and hitherto largely ignored. Within the film's foreground we discover that as a youth Georges himself betrayed an Algerian playmate in a way that effectively ruined his life. But the events that unfold are full of mystery and foreboding, and the relation between the Algerian, Majid (Maurice Bénichou), and Georges' current terror and disquiet largely remains uncertain. Is this a thriller? Maybe: it has a thriller's progressive unease, the suspense and pulse -- up to the end, anyway -- of a good whodunit. But Haneke, a great director in fine form here, has produced something as intellectually challenging as it is emotionally troubling. He operates without the help of surging background music, jump cuts, or snappy chases. And as the final credits roll, the closing long shot (upon which we are again voyeurs, as when the film began), shows us that nothing is resolved. A highly original artist, Haneke continues to explore.

Seen during its Paris run in October 2005. Shown first in the US at the New York and Chicago Film Festivals in October 2005. Opening in NYC and LA (US release title "Hidden") December 2005, limited US release January 2006. This is a highly visual film and should be seen if possible on a big screen.