The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
A disfigured concentration-camp survivor (Nina Hoss), unrecognizable after facial reconstruction surgery, searches ravaged postwar Berlin for the husband (Ronald Zehrfeld) who might have betrayed her to the Nazis.
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing.
A poster for Brian De Palma's "Dressed to Kill" (1980) is visible in Tony's room. After directing "Mistress America" (2015), Noah Baumbach went on to direct De Palma (2015), a documentary about the filmmaker. See more »
When Brooke's former high school classmate Anna Wheeler approaches Brooke and Tracy in the bar, Anna mentions that she and her husband have recently seen the play Other Desert Cities, which began previews at the Booth Theatre on October 12, 2011 and closed on June 17, 2012. If the film occurs during Tracy's first semester of college and culminates with Thanksgiving dinner with Brooke at Veselka, then the film would occur in fall 2011. However, when the would-be stepsisters walk through Times Square, a marquee for the revival of Annie is visible. The most recent Broadway revival ran at the Palace Theatre from October 3, 2012 (first preview) to January 5, 2014. See more »
I'm so impressed by you and so worried for you at the same time.
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Tracy is a freshman student with no friends and a superiority complex (do we have a correlation here?), who's disillusioned that her lack of popularity isn't suddenly transformed when she moves to New York and starts college. It obviously didn't occur to her that wherever she goes she'll still be herself. It is also a rude awakening for her to find that once at college her assumed genius does not set her above those around her now she's in a more competitive peer group - in short she's not only dull but decidedly average as well.
Feeling particularly low she latches on to her "older" step sister to be Lola, a Bohemian human twitter feed who sprouts a constant diatribe about anything and everything, has no discernible talent, who seems to think her "popularity" will somehow equate to success, and yet somehow has made it to 30 without having to face the reality that it won't.
Of course Tracy recognises that Lola is a long overdue car crash waiting to happen but cynically hops on for the ride as a source of material for her writing. So both physically and metaphorically they set off on a journey that allows Lola to realise her short-comings forces for Tracy's to hold up a mirror to her own life, though neither seem to do much with this new found self-knowledge.
Because college students in films are invariable played by actresses and actors in their mid-20's the actual age gap between the "sisters" is somewhat less than it's supposed to be so the pair look more like contemporaries than big and little sister which gives an air of unbelievably to their relationship. Not a lot happens in the film, there's no great character arcs, both the characters and dialogue are unbelievable - it comes across as a pseudo-sophisticated Woody Allen stage play that's inexplicably been put on the big screen. It's not terrible, there are some laughs, but like Tracy it comes across as both mediocre and ultimately forgettable. At least at less than 90 minutes it's short enough not to overstay it's welcome. Perhaps it will say more to Americans or more specifically New Yorkers, given the importance of the location to the narrative.
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