Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist ... See full summary »
Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabiters are scoffing at Francois, the postman, what he seems not to recognize. The rising of the ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Production took place from October 1964 to October 1967. Filming began in April 1965 primarily on a set dubbed "Tativille", where 100 construction workers built two buildings using 11,700 square feet of glass, 38,700 square feet of plastic, 31,500 square feet of timber, and 486,000 square feet of concrete. See more »
Peace in our time: the past and the future embrace
Where 'Mon oncle' was Tati's initial statement on the modern and its collision with the old, here in 'Playtime' he reaches his conclusion. They can unite - there is beauty in the new, as well. Yes, what is new and alienating now, will soon be the old familiar tradition. Everything changes, but the spirit of things remain.
This he manages to show in a series of beautiful scenes, brilliant observations, in a Paris which has been rebuilt to the extent, where the old Frenchman doesn't find his way around it, anymore, and the Eiffel tower can only be found in reflections on shiny glass or steel surfaces of modern buildings.
This is a film language all of its own, and driven to a razor sharp perfection. Through Tati's eyes, we can see exactly what he both worries about and marvels at, and of course we feel the same. The love he does in all his movies show for people, no matter how silly they might be, he also shows the city itself, and its megalomaniac constructions. It's all crazy, he tells us, but isn't it great fun, too? Yes, Jacques, it is, indeed.
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