Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists. Meanwhile, a nightclub/restaurant prepares its opening night, but it's still under construction.
British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
Once a year the fair comes for one day to the little town 'Sainte-Severe-sur-Indre'. All inhabitants are scoffing at Francois, the postman, what he seems not to recognize. The rising of the... See full summary »
Captured French Resistance fighter Lieutenant Fontaine awaits a certain death sentence for espionage in a stark Nazi prison. Facing malnourishment and paralyzing fear, he must engineer an ... See full summary »
Charles Le Clainche,
Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Although this was released in 1967, there was reportedly no public showings of the film in the United States until the 1972 San Francisco International Film Festival. See more »
The escalator handrails aren't moving in the fist department store scene. You can see the actors skimming their hands along, pretending it's moving when you can see by reflections of its surface, it is indeed not. See more »
The title isn't shown until the end of the opening credits. Additionally, there are no end credits. The final shot simply fades out and there is about a minute of exit music. See more »
This is the right movie for anyone who is tired of "modern" comedies. Aside from its stunning visuals and extremely clever use of sound effects (the film has nearly no dialogue), its humour is highly intelligent, not always obvious, and i must say that i was delighted to see a film that did not try to be funny all the time. This is to say, most other comedies put gag after gag after gag, but to do so they usually stretch one gag for too long. Playtime (and nearly all other works by Tati, which are all must-sees), on the other hand, has long sequences with no reason to laugh, and then it hits the audience with a gag (or, in this film`s case, rather an anecdote) - which is only a few seconds long. So its not for fans of Austin Powers or Dumb & Dumber, but nonetheless very, very funny. 9/10
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