This year’s Sundance Film Festival kicked off on Thursday night in Park City, Utah with its traditionally packed opening night offerings on full display — four double features playing at different venues around the festival — but the hottest ticket was unquestionably the world premiere of Bonni Cohen and Jon Shenk’s “An Inconvenient Sequel: Truth to Power,” which bowed at the Eccles Theatre to a packed crowd, picking up a standing ovation at its conclusion.
The late surprise entry to the festival picks up a ten years after Davis Guggenheim’s Oscar-winning “An Inconvenient Truth,” which saw former U.S. vice president Al Gore getting brutally honest with audiences, aided by photos, charts and scores of of data that illuminated the impacts of the global climate crisis, the sequel finds a mostly upbeat Gore continuing to work on his mission to spread information about the issue.
Read More: Sundance...
The late surprise entry to the festival picks up a ten years after Davis Guggenheim’s Oscar-winning “An Inconvenient Truth,” which saw former U.S. vice president Al Gore getting brutally honest with audiences, aided by photos, charts and scores of of data that illuminated the impacts of the global climate crisis, the sequel finds a mostly upbeat Gore continuing to work on his mission to spread information about the issue.
Read More: Sundance...
- 1/20/2017
- by Kate Erbland
- Indiewire
It’s hard to imagine “An Inconvenient Sequel: Truth to Power” having a happy ending. The follow-up to 2006’s Oscar-winning climate change documentary “An Inconvenient Truth” includes Donald Trump’s victory over Hillary Clinton in the U.S. presidential election, a result that some environmentalists view as disastrous for the future of the planet.
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
But 10 years after former U.S. vice president Al Gore frightened audiences with his slideshow of photos, charts and reams of data bluntly displaying the impacts of the global climate crisis, “An Inconvenient Sequel” finds a surprisingly optimistic Gore working tirelessly on his mission of spreading awareness about both the impacts of global warming and the concrete solutions humans can take to avert disaster.
“It’s just astounding how both absolutely devastating it is in terms of where we are with the environment,...
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
But 10 years after former U.S. vice president Al Gore frightened audiences with his slideshow of photos, charts and reams of data bluntly displaying the impacts of the global climate crisis, “An Inconvenient Sequel” finds a surprisingly optimistic Gore working tirelessly on his mission of spreading awareness about both the impacts of global warming and the concrete solutions humans can take to avert disaster.
“It’s just astounding how both absolutely devastating it is in terms of where we are with the environment,...
- 1/20/2017
- by Graham Winfrey
- Indiewire
Former vice-president fires a shot across the bows of climate sceptics on the eve of Donald Trump’s inauguration.
Former vice-president Al Gore fired a shot across the bows of climate sceptics on the eve of Donald Trump’s inauguration when he told an opening night Sundance crowd that “no one person” could stop the environmental movement.
Gore was in bullish form as he took to the Eccles Theatre stage following Thursday evening’s world premiere of An Inconvenient Sequel: Truth To Power, a more personal film than the ground-breaking jeremiad he fronted in Sundance 2006 premiere An Inconvenient Truth.
“This movie gives me an extra burst of hope,” he said, adding later: “We have the capacity to rise above our limitations and whether or not Donald Trump on his inauguration tomorrow will change the kind of approach that continues this progress we will have to see.
“But let me repeat, no one person...
Former vice-president Al Gore fired a shot across the bows of climate sceptics on the eve of Donald Trump’s inauguration when he told an opening night Sundance crowd that “no one person” could stop the environmental movement.
Gore was in bullish form as he took to the Eccles Theatre stage following Thursday evening’s world premiere of An Inconvenient Sequel: Truth To Power, a more personal film than the ground-breaking jeremiad he fronted in Sundance 2006 premiere An Inconvenient Truth.
“This movie gives me an extra burst of hope,” he said, adding later: “We have the capacity to rise above our limitations and whether or not Donald Trump on his inauguration tomorrow will change the kind of approach that continues this progress we will have to see.
“But let me repeat, no one person...
- 1/19/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The former vice-president fired a shot across the bows of climate sceptics on the eve of Donald Trump’s inauguration when he told an opening night Sundance crowd that “no one person” could stop the environmental movement.
Gore was in bullish form as he took to the Eccles Theatre stage following the world premiere of An Inconvenient Sequel, a more personal film than the ground-breaking jeremiad he fronted in Sundance 2006 premiere An Inconvenient Truth.
“This movie gives me an extra burst of hope,” he said, adding later: “We have the capacity to rise above our limitations and whether or not Donald Trump on his inauguration tomorrow will change the kind of approach that continues this progress we will have to see.
“But let me repeat, no one person can stop this – it’s too big now.”
Earlier Gore said. “Over the years there have been people who started out as [climate] deniers and changed over time. Whether or not...
Gore was in bullish form as he took to the Eccles Theatre stage following the world premiere of An Inconvenient Sequel, a more personal film than the ground-breaking jeremiad he fronted in Sundance 2006 premiere An Inconvenient Truth.
“This movie gives me an extra burst of hope,” he said, adding later: “We have the capacity to rise above our limitations and whether or not Donald Trump on his inauguration tomorrow will change the kind of approach that continues this progress we will have to see.
“But let me repeat, no one person can stop this – it’s too big now.”
Earlier Gore said. “Over the years there have been people who started out as [climate] deniers and changed over time. Whether or not...
- 1/19/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Al Gore’s follow-up to 2006’s “An Inconvenient Truth” now has an official title: “An Inconvenient Sequel: Truth to Power.” Participant Media had yet to settle on a final title upon announcing the movie’s inclusion in the Sundance Film Festival line up last month.
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
“An Inconvenient Sequel” is one of the very first screenings at Sundance this year, showing at 5:30 on Thursday, January 19 with the former Vice President scheduled to attend.
Like the original film, which won the Oscar for Best Documentary and was directed by Davis Guggenhiem, the documentary will focus on the climate crisis, but instead of relying heavily on Gore’s slide presentation, the film follows Gore as he travels the world to discuss climate change. Paramount Pictures is distributing the film.
The sequel is directed by Bonni Cohen and Jon Shenk,...
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
“An Inconvenient Sequel” is one of the very first screenings at Sundance this year, showing at 5:30 on Thursday, January 19 with the former Vice President scheduled to attend.
Like the original film, which won the Oscar for Best Documentary and was directed by Davis Guggenhiem, the documentary will focus on the climate crisis, but instead of relying heavily on Gore’s slide presentation, the film follows Gore as he travels the world to discuss climate change. Paramount Pictures is distributing the film.
The sequel is directed by Bonni Cohen and Jon Shenk,...
- 1/11/2017
- by Graham Winfrey
- Indiewire
Paramount will release the eco doc that reunites former Us vice president Al Gore with Participant Media and will premiere on the festival’s opening night under inaugural programme The New Climate.
The announcement is timely, coming 11 years after Gore’s ground-breaking film premiered in Park City and one day after president-elect Donald Trump nominated climate skeptic Scott Pruitt to head the Environmental Protection Agency.
Bonni Cohen and Jon Shenk direct The Follow-Up To An Inconvenient Truth, which follows Gore around the globe as he continues his fight to build a more sustainable future for the planet.
Richard Berge and Participant Media’s Diane Weyermann served as producers and Participant Media founder and CEO Jeff Skoll is executive producer alongside Davis Guggenheim (who directed An Inconvenient Truth), Lawrence Bender, Laurie David, Scott Z. Burns, and Lesley Chilcott.
An Inconvenient Truth opened through Paramount Vantage in 2006 and won Oscars for best documentary feature and best original song. Paramount...
The announcement is timely, coming 11 years after Gore’s ground-breaking film premiered in Park City and one day after president-elect Donald Trump nominated climate skeptic Scott Pruitt to head the Environmental Protection Agency.
Bonni Cohen and Jon Shenk direct The Follow-Up To An Inconvenient Truth, which follows Gore around the globe as he continues his fight to build a more sustainable future for the planet.
Richard Berge and Participant Media’s Diane Weyermann served as producers and Participant Media founder and CEO Jeff Skoll is executive producer alongside Davis Guggenheim (who directed An Inconvenient Truth), Lawrence Bender, Laurie David, Scott Z. Burns, and Lesley Chilcott.
An Inconvenient Truth opened through Paramount Vantage in 2006 and won Oscars for best documentary feature and best original song. Paramount...
- 12/10/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Among the opening night films for Sundance 2017: a sequel to “An Inconvenient Truth,” former Vice President Al Gore’s two-time Oscar-winning documentary about the climate crisis.
Paramount Pictures will release the film, which was directed by Bonni Cohen and Jon Shenk, and produced through Participant Media. It does not yet have an official title, and is being referred to as “The Follow-Up to ‘An Inconvenient Truth.’”
Participant also backed the original film, which Davis Guggenheim directed.
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
While the first movie focused on Gore’s slide presentation, the new film has Gore traveling the world to discuss climate change. Producers are Richard Berge and Diane Weyermann, and it’s executive produced by Jeff Skoll, Guggenheim, Lawrence Bender, Laurie David, Scott Z. Burns, and Lesley Chilcott.
The film will also be the centerpiece of Sundance’s The New Climate program,...
Paramount Pictures will release the film, which was directed by Bonni Cohen and Jon Shenk, and produced through Participant Media. It does not yet have an official title, and is being referred to as “The Follow-Up to ‘An Inconvenient Truth.’”
Participant also backed the original film, which Davis Guggenheim directed.
Read More: Sundance 2017: Check Out the Full Lineup, Including Competition Titles, Premieres and Shorts
While the first movie focused on Gore’s slide presentation, the new film has Gore traveling the world to discuss climate change. Producers are Richard Berge and Diane Weyermann, and it’s executive produced by Jeff Skoll, Guggenheim, Lawrence Bender, Laurie David, Scott Z. Burns, and Lesley Chilcott.
The film will also be the centerpiece of Sundance’s The New Climate program,...
- 12/10/2016
- by Dana Harris
- Indiewire
Paramount Pictures will debut a sequel to Al Gore’s Oscar-winning climate change documentary “An Inconvenient Truth” on the opening night of the 2017 Sundance Film Festival. The film follows the former vice president as he travels the world and tells a more optimistic story about how the earth is adapting to climate change. The film, from Participant Media, was directed by Bonni Cohen and Jon Shenk. Richard Berge and Diane Weyermann produced the film, with Jeff Skoll, Davis Guggenheim, Lawrence Bender, Laurie David, Scott Z. Burns and Lesley Chilcott as executive producers. Also Read: Al Gore's 'An Inconvenient Truth...
- 12/10/2016
- by Matt Pressberg
- The Wrap
Academy invitee Eddie Redmayne in 'The Theory of Everything.' Academy invites 322 new members: 'More diverse and inclusive list of filmmakers and artists than ever before' The Academy of Motion Picture Arts and Sciences has offered membership to 322 individuals "who have distinguished themselves by their contributions to theatrical motion pictures." According to the Academy's press release, "those who accept the invitations will be the only additions to the Academy's membership in 2015." In case all 322 potential new members say an enthusiastic Yes, that means an injection of new blood representing about 5 percent of the Academy's current membership. In the words of Academy President Cheryl Boone Isaacs (as quoted in the press release), in 2015 "our branches have recognized a more diverse and inclusive list of filmmakers and artists than ever before, and we look forward to adding their creativity, ideas and experience to our organization." In recent years, the Academy membership has...
- 7/1/2015
- by Anna Robinson
- Alt Film Guide
©Renzo Piano Building Workshop/©Studio Pali Fekete architects/©A.M.P.A.S.
The Academy of Motion Picture Arts and Sciences announced this week that the Los Angeles City Council, in a unanimous vote, approved plans for the Academy Museum of Motion Pictures. Construction will begin this summer, and ceremonial groundbreaking festivities will occur this fall.
“I am thrilled that Los Angeles is gaining another architectural and cultural icon,” said Mayor Eric Garcetti. “My office of economic development has worked directly with the museum’s development team to ensure that the Academy Museum of Motion Pictures will create jobs, support tourism, and pay homage to the industry that helped define our identity as the creative capital of the world.”
“We are grateful to our incredible community of supporters who have helped make this museum a reality,” said Dawn Hudson, the Academy’s CEO. “Building this museum has been an Academy...
The Academy of Motion Picture Arts and Sciences announced this week that the Los Angeles City Council, in a unanimous vote, approved plans for the Academy Museum of Motion Pictures. Construction will begin this summer, and ceremonial groundbreaking festivities will occur this fall.
“I am thrilled that Los Angeles is gaining another architectural and cultural icon,” said Mayor Eric Garcetti. “My office of economic development has worked directly with the museum’s development team to ensure that the Academy Museum of Motion Pictures will create jobs, support tourism, and pay homage to the industry that helped define our identity as the creative capital of the world.”
“We are grateful to our incredible community of supporters who have helped make this museum a reality,” said Dawn Hudson, the Academy’s CEO. “Building this museum has been an Academy...
- 6/27/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Strangely dropping a press release on a historic day where the nation's attention is elsewhere, the Academy of Motion Picture Arts and Sciences revealed their annual list of new member invitees this morning. For those who criticize the makeup of the Academy there was some good news and the stark realization the organization still has a long way to go. The Academy has spent the last eight to 10 years attempting to diversify its membership and this year's class mostly reflects that. There are significantly more invitees of Asian and African-American descent, but the male to female disparity is still depressing. Out of the 25 potential new members of the Actor's Branch only seven are women. And, no, there isn't really an acceptable way for the Academy to spin that sad fact. Additionally, It's important to realize the 322 people noted in the release have only been invited to join Hollywood's most exclusive club.
- 6/26/2015
- by Gregory Ellwood
- Hitfix
Tonight the Producers Guild of America (PGA) announced this year’s winning motion picture and television productions at the 24th Annual Producers Guild Awards ceremony held at the Beverly Hilton Hotel in Los Angeles. In addition to the competitive awards, the PGA recognized several producers with honorary awards including Bob and Harvey Weinstein (Milestone Award), Tim Bevan and Eric Fellner (David O. Selznick Achievement Award in Theatrical Motion Pictures), J.J. Abrams (Norman Lear Achievement Award in Television), Russell Simmons (Visionary Award), and Bully (Stanley Kramer Award). The 2013 Producers Guild Awards were chaired by Michael De Luca. The 2013 Producers Guild nominated films and television programs are listed below in alphabetical order by category, along with producers. The producers’ names for each nominated production are listed in alphabetical order and may not reflect the order of screen credits. The winners are indicated in bold and with an asterisk (*). The theatrical motion picture...
- 1/27/2013
- by vmblog@hollywoodnews.com (Vitale Morum)
- Hollywoodnews.com
Vol. I Issue 6
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/17/2013
- by Mitchell Block
- Sydney's Buzz
The Producers Guild of America has revealed the 10 films Wednesday nominated for the Darryl F. Zanuck producer of the year award for theatrical motion pictures.
From A to Z – literally, from Argo to Zero Dark Thirty, the nominees include the year final contenders Lincoln, Life of Pi, Les Miserables and Django Unchained as well as the producers of Beasts of the Southern Wild, Moonrise Kingdom, Silver Linings Playbook and Skyfall, the 23rd and most successful James Bond movie.
Skyfall is also the first James Bond movie that has earned a nomination.
In the animated film producer’s category are the producers of Brave, Frankenweenie, ParaNorman, Rise of the Guardians and Wreck-It-Ralph.
The Producers Guild Awards will be handed out at a ceremony in Los Angeles on January 26th and will be a closely watched indicator of Oscar sentiment. Eight of the movies are also in the running for best picture...
From A to Z – literally, from Argo to Zero Dark Thirty, the nominees include the year final contenders Lincoln, Life of Pi, Les Miserables and Django Unchained as well as the producers of Beasts of the Southern Wild, Moonrise Kingdom, Silver Linings Playbook and Skyfall, the 23rd and most successful James Bond movie.
Skyfall is also the first James Bond movie that has earned a nomination.
In the animated film producer’s category are the producers of Brave, Frankenweenie, ParaNorman, Rise of the Guardians and Wreck-It-Ralph.
The Producers Guild Awards will be handed out at a ceremony in Los Angeles on January 26th and will be a closely watched indicator of Oscar sentiment. Eight of the movies are also in the running for best picture...
- 1/3/2013
- by Nick Martin
- Filmofilia
Daniel Craig's third outing as James Bond nominated for prize traditionally regarded as Academy Awards signpost
The latest James Bond film, Skyfall, could be making a late run for recognition at this year's Oscars after being named among the top 10 films of 2012 by the Producers Guild of America (PGA).
The guild also named awards season frontrunners Argo, Les Miserables, Lincoln and Silver Linings Playbook in its list of nominees for the Darryl F Zanuck award for outstanding producer of theatrical motion pictures.
Most of the other contenders have also been feted by various critics' groups in the runup to the Academy Awards at the Dolby theatre in Hollywood, Los Angeles, on 24 February. Quentin Tarantino's blood-spattered spaghetti western homage, Django Unchained, is starting to look a good bet for Oscar nominations after picking up another nod in the wake of its five Golden Globe nominations last month.
Ang Lee's...
The latest James Bond film, Skyfall, could be making a late run for recognition at this year's Oscars after being named among the top 10 films of 2012 by the Producers Guild of America (PGA).
The guild also named awards season frontrunners Argo, Les Miserables, Lincoln and Silver Linings Playbook in its list of nominees for the Darryl F Zanuck award for outstanding producer of theatrical motion pictures.
Most of the other contenders have also been feted by various critics' groups in the runup to the Academy Awards at the Dolby theatre in Hollywood, Los Angeles, on 24 February. Quentin Tarantino's blood-spattered spaghetti western homage, Django Unchained, is starting to look a good bet for Oscar nominations after picking up another nod in the wake of its five Golden Globe nominations last month.
Ang Lee's...
- 1/3/2013
- by Ben Child
- The Guardian - Film News
One of my favorite documentaries this year, "Searching for Sugar Man," received top honors at the 2012 Ida Documentary Awards winning the Best Feature prize. The documentary about the search for the elusive musician, Rodriguez, is truly a brilliant film illuminating failed dreams and eventual redemption.
Here's the complete winners list of the 2012 Ida Documentary Awards:
Career Achievement Award
Arnold Shapiro
Jacqueline Donnet Emerging Documentary Filmmaker Award
David France
Pioneer Award
Sundance Institute Documentary Film Program And Fund
Best Feature Award
Searching For Sugar Man
Director/Producer/Writer: Malik Bendjelloul
Producer: Simon Chinn
Executive Producer: John Battsek
Red Box Films, Sony Pictures Classics
Best Short Award
Saving Face
Director: Daniel Junge, Sharmeen Obaid-Chinoy
Producers: David Coombe, Daniel Junge, Alison Greenberg, Sharmeen Obaid-Chinoy, Sabiha Sumar
Co-Producers: Aaron Kopp, Fazeelat Aslam
Senior Producer: Lisa Heller (HBO)
Executive Producer: Sheila Nevins (HBO)
HBO Documentary Films, Milkhaus, LLC, and JungeFilm, LLC
Best Limited Series Award...
Here's the complete winners list of the 2012 Ida Documentary Awards:
Career Achievement Award
Arnold Shapiro
Jacqueline Donnet Emerging Documentary Filmmaker Award
David France
Pioneer Award
Sundance Institute Documentary Film Program And Fund
Best Feature Award
Searching For Sugar Man
Director/Producer/Writer: Malik Bendjelloul
Producer: Simon Chinn
Executive Producer: John Battsek
Red Box Films, Sony Pictures Classics
Best Short Award
Saving Face
Director: Daniel Junge, Sharmeen Obaid-Chinoy
Producers: David Coombe, Daniel Junge, Alison Greenberg, Sharmeen Obaid-Chinoy, Sabiha Sumar
Co-Producers: Aaron Kopp, Fazeelat Aslam
Senior Producer: Lisa Heller (HBO)
Executive Producer: Sheila Nevins (HBO)
HBO Documentary Films, Milkhaus, LLC, and JungeFilm, LLC
Best Limited Series Award...
- 12/8/2012
- by Manny
- Manny the Movie Guy
The Producers Guild of America has nominated five documentary motion pictures. The documentary field is large and competitive this year, so any spotlight will help Oscar voters make tough choices. Never have so many worthy docs been produced and released into the indie marketplace. The Academy doc branch has already submitted their Oscar short list of 15 which should be announced shortly. The International Documentary Association awards will be announced on December 7 (stay tuned for our report). This week's Oscar Talk podcast delves into the doc race. The PGA nominees are: "A People Uncounted" (Director Aaron Yeger; Producers Yeger, Tom Rasky, Marc Swenker, Stephen Chandler Whitehead), "The Gatekeepers" (Dror Moreh; Moreh, Estelle Fialon, Philippa Kowarsky), "The Island President" (Jon Shenk; Richard Berge, Bonni Cohen), "The Other Dream Team" (Marius Markevicius; Markevicius, Jon Weinbach) and "Searching for Sugar Man"...
- 11/30/2012
- by Anne Thompson and Sophia Savage
- Thompson on Hollywood
Exclusive: The Island President, the film about Maldives president Mohamed Nasheed and his quest to lobby for reforms that will ease global warming, has taken on a new context for Samuel Goldwyn Films after Nasheed was forced yesterday to resign at gunpoint. The distributor acquired the film at the 2011 Toronto Film Festival, where it won the audience award. The message of the movie is all about the environment, because because the Maldives is one of the most low-lying countries in the world, and a rise of just three feet in sea level would submerge the 1200 islands surrounded by the Indian Ocean, making them uninhabitable. There is new urgency for Nasheed, who, after bringing democracy to the Maldives following 30 years of despotic rule and using his presidency as a platform for environmental reforms, is in danger. Since being forced to resign, word is that the president and his party engaged in...
- 2/9/2012
- by MIKE FLEMING
- Deadline
Samuel Goldwyn Films has picked up U.S. rights to "The Island President" and plans a February 2012 release, the company announced Monday. Jon Shenk ("Lost Boys of Sudan") directed the documentary. Richard Berge and Bonni Cohen ("The Rape of Europa") produced it. "The Island President" won the Audience Award for a documentary at the Toronto International Film Festival earlier this year. In a written statement, Samuel Goldwyn's head of acquisitions, Peter Goldwyn, said, "We are ecstatic to release this extraordinary and inspirational film. After incredibly successful screenings in Telluride and Toronto, we are...
- 11/7/2011
- by Joshua L. Weinstein
- The Wrap
Samuel Goldwyn Films acquired Us rights to The Island President, the documentary that won the Audience Award at the Toronto Film Festival. Goldwyn will release the film in February and is hopeful that it will make noise in the Oscar race. The Jon Shenk-directed film tells the story of President Mohamed Nasheed of the Maldives and his campaign to save his country. After bringing democracy to the Maldives after three decades of despotic rule, he wages a campaign against global warming. To him it is a life or death struggle: as one of the most low-lying countries in the world, a rise of three feet in sea level would put the 1200 Maldive islands underwater and render them uninhabitable. It brings him to the Copenhagen Climate Summit in 2009, where he makes his impassioned plea. Shenk directed Lost Boys of Sudan. The film’s produced by Richard Berge and Bonni Cohen...
- 11/7/2011
- by MIKE FLEMING
- Deadline
Breathe easy. This is not a lecture on art history or merely the story of some millionaire's art collection. The marketing people wisely portray the film as a caper movie, a heist thriller, and documentarian Don Argott's profits by this focus. This is not to say that "The Art of the Steal" is a sequel to Jules Dassin's "Topkapi," no, not by a long shot.
As a disclaimer, let me say that when it comes to art, I'm a philistine, a know-nothing, a guy who once looked at Andy Warhol's 1962 painting "Campbell's Soup Cans" and who, until I read the title underneath the exhibit had no idea what it was. But I do know from documentaries and, like my philosophy of art, I know what I like. (Hint: anything by Michael Moore.)
The Art Of The Steal
IFC Films/ Sundance Selects
Reviewed for Arizona Reporter by Harvey...
As a disclaimer, let me say that when it comes to art, I'm a philistine, a know-nothing, a guy who once looked at Andy Warhol's 1962 painting "Campbell's Soup Cans" and who, until I read the title underneath the exhibit had no idea what it was. But I do know from documentaries and, like my philosophy of art, I know what I like. (Hint: anything by Michael Moore.)
The Art Of The Steal
IFC Films/ Sundance Selects
Reviewed for Arizona Reporter by Harvey...
- 2/4/2010
- Arizona Reporter
The Academy of Motion Picture Arts and Sciences kicks off Part 2 of its 27th annual "Contemporary Documentaries" screening series with James Longley's "Sari's Mother" and Michael Moore's "Sicko" at 7 p.m. March 25 at the Linwood Dunn Theater in Hollywood.
A showcase for both feature-length and short documentaries drawn from among films considered for the 2007 Academy Awards, the program, for which admission is free, runs through June.
The schedule includes:
March 25: Longley's "Sari's Mother" and Moore's "Sicko"
April 1: Jon Blair's "Ochberg's Orphans" and Richard Berge, Nicole Newnham and Bonni Cohen's "The Rape of Europa"
April 15: Theordore Braun's "Darfur Now" and Annie Sundberg and Ricki Stern's "The Devil Came on Horseback"
April 29: Neil Leifer's "Portraits of a Lady" and Peter Raymon'ts "A Promise to the Dead: The Exile Journey of Ariel Dorfman"
May 13: Richard E. Robbins' "Operation Homecoming: Writing the...
A showcase for both feature-length and short documentaries drawn from among films considered for the 2007 Academy Awards, the program, for which admission is free, runs through June.
The schedule includes:
March 25: Longley's "Sari's Mother" and Moore's "Sicko"
April 1: Jon Blair's "Ochberg's Orphans" and Richard Berge, Nicole Newnham and Bonni Cohen's "The Rape of Europa"
April 15: Theordore Braun's "Darfur Now" and Annie Sundberg and Ricki Stern's "The Devil Came on Horseback"
April 29: Neil Leifer's "Portraits of a Lady" and Peter Raymon'ts "A Promise to the Dead: The Exile Journey of Ariel Dorfman"
May 13: Richard E. Robbins' "Operation Homecoming: Writing the...
- A lingering strike haven't kept the Writers Gild of America from naming the noms for the Best Original, Adapted Screenplays and Best Documentary screenplays of the year. A quick overview of the noms below shows that studio-based indie division delivered in quantity and quality. Here are the noms below for those who create narratives on paper. Winners are announced on February 9th. Original Screenplay"Juno" - Written by Diablo Cody, Fox Searchlight"Michael Clayton" - Written by Tony Gilroy, Warner Bros. Pictures"The Savages" - Written by Tamara Jenkins, Fox Searchlight"Knocked Up" - Written by Judd Apatow, Universal Pictures"Lars and the Real Girl" - Written by Nancy Oliver, MGM Adapted Screenplay"No Country For Old Men" - Screenplay by Ethan Coen & Joel Coen, Based on the Novel by Cormac McCarthy, Miramax"There Will Be Blood" - Screenplay by Paul Thomas Anderson, Based on the Novel Oil by Upton Sinclair,
- 1/11/2008
- IONCINEMA.com
NEW YORK -- The Academy of Motion Picture Arts and Sciences on Monday unveiled the 15 films on its 2007 documentary feature Oscar shortlist.
Four ThinkFilm releases made the cut, a record for the company and one of the biggest lineups ever for any distributor. They are Tony Kaye's abortion epic Lake of Fire, Bill Guttentag and Dan Sturman's World War II expose Nanking, Alex Gibney's Iraq War study Taxi to the Dark Side and Sean Fine and Andrea Nix's look at a Ugandan musical competition War/Dance.
The biggest boxoffice hit among the bunch by far is Michael Moore's health-care expose Sicko, from the Weinstein Co., but other high-profile releases were left off the list. Jonathan Demme's Jimmy Carter: Man From Plains and Amir Bar-Lev's child prodigy study My Kid Could Paint That from Sony Pictures Classics were expected to make the cut but didn't. Other notable absentees were Ricki Stern and Anne Sundberg's look at Darfur, The Devil Came on Horseback; Picturehouse's gamers study The King of Kong: A Fistful of Quarters; and ThinkFilm's space-themed In the Shadow of the Moon.
Aside from Taxi, other films covering the Iraq War that made the list included Phil Donahue and Ellen Spiro's Body of War, Charles Ferguson's No End in Sight and Richard Robbins' Operation Homecoming: Writing the Wartime Experience.
Features about other wars made the cut, too, including Steven Okazaki's White Light/Black Rain: The Destruction of Hiroshima and Nagasaki and Richard Berge, Bonni Cohen and Nicole Newnham's World War II art study The Rape of Europa.
Virtually all films on the list were topical, including Tricia Regan's look at special-needs children, Autism: The Musical...
Four ThinkFilm releases made the cut, a record for the company and one of the biggest lineups ever for any distributor. They are Tony Kaye's abortion epic Lake of Fire, Bill Guttentag and Dan Sturman's World War II expose Nanking, Alex Gibney's Iraq War study Taxi to the Dark Side and Sean Fine and Andrea Nix's look at a Ugandan musical competition War/Dance.
The biggest boxoffice hit among the bunch by far is Michael Moore's health-care expose Sicko, from the Weinstein Co., but other high-profile releases were left off the list. Jonathan Demme's Jimmy Carter: Man From Plains and Amir Bar-Lev's child prodigy study My Kid Could Paint That from Sony Pictures Classics were expected to make the cut but didn't. Other notable absentees were Ricki Stern and Anne Sundberg's look at Darfur, The Devil Came on Horseback; Picturehouse's gamers study The King of Kong: A Fistful of Quarters; and ThinkFilm's space-themed In the Shadow of the Moon.
Aside from Taxi, other films covering the Iraq War that made the list included Phil Donahue and Ellen Spiro's Body of War, Charles Ferguson's No End in Sight and Richard Robbins' Operation Homecoming: Writing the Wartime Experience.
Features about other wars made the cut, too, including Steven Okazaki's White Light/Black Rain: The Destruction of Hiroshima and Nagasaki and Richard Berge, Bonni Cohen and Nicole Newnham's World War II art study The Rape of Europa.
Virtually all films on the list were topical, including Tricia Regan's look at special-needs children, Autism: The Musical...
- 11/20/2007
- The Hollywood Reporter - Movie News
Menemsha Films
NEW YORK -- A fascinating and relatively unexplored topic is examined in The Rape of Europa, detailing the Nazis' systematic pillaging of art works throughout the continent.
Based on the book by Lynn Nicholas, and written, produced and directed by Richard Berge, Bonni Cohen and Nicole Newnham, the film should secure a rightful honored place among the myriad documentaries about World War II. It is playing at New York's Paris and Angelika theaters.
The film explores the subject from many provocative angles, including the psychological one of whether Hitler's rapacious appetite for masterworks was fueled by his own frustrated artistic ambitions. More interestingly, the moral question is raised as to whether it was worth risking human lives to protect the artworks, as the U.S. military's Monuments Men, several of whom are interviewed here, were assigned to do.
The straightforward docu, narrated in elegant and unemotional tones by actress Joan Allen, presents a fairly chronological view of the struggle as the Nazis systematically looted great works of art in such cities as Paris, Florence and St. Petersburg. The film opens and closes with one case in particular, Klimt's portrait of Adele Bloch-Bauer, which eventually was returned to its rightful owners and sold for about $135 million.
It also well details the heroic efforts of ordinary citizens to protect their national heritage, from the virtual emptying of the Louvre (the brief segment concerning the difficulty of moving the famed Winged Victory statue is itself engrossing) to the curators of the Hermitage hiding themselves and their treasures in a freezing underground passage.
The extensive archival footage is at times almost comically appalling, like the footage depicting the transformation of Goering's homey, wood-paneled hunting lodge into a gaudy, overstuffed museum.
NEW YORK -- A fascinating and relatively unexplored topic is examined in The Rape of Europa, detailing the Nazis' systematic pillaging of art works throughout the continent.
Based on the book by Lynn Nicholas, and written, produced and directed by Richard Berge, Bonni Cohen and Nicole Newnham, the film should secure a rightful honored place among the myriad documentaries about World War II. It is playing at New York's Paris and Angelika theaters.
The film explores the subject from many provocative angles, including the psychological one of whether Hitler's rapacious appetite for masterworks was fueled by his own frustrated artistic ambitions. More interestingly, the moral question is raised as to whether it was worth risking human lives to protect the artworks, as the U.S. military's Monuments Men, several of whom are interviewed here, were assigned to do.
The straightforward docu, narrated in elegant and unemotional tones by actress Joan Allen, presents a fairly chronological view of the struggle as the Nazis systematically looted great works of art in such cities as Paris, Florence and St. Petersburg. The film opens and closes with one case in particular, Klimt's portrait of Adele Bloch-Bauer, which eventually was returned to its rightful owners and sold for about $135 million.
It also well details the heroic efforts of ordinary citizens to protect their national heritage, from the virtual emptying of the Louvre (the brief segment concerning the difficulty of moving the famed Winged Victory statue is itself engrossing) to the curators of the Hermitage hiding themselves and their treasures in a freezing underground passage.
The extensive archival footage is at times almost comically appalling, like the footage depicting the transformation of Goering's homey, wood-paneled hunting lodge into a gaudy, overstuffed museum.
- 10/11/2007
- The Hollywood Reporter - Movie News
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