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Four year old Marla Olmstead from Binghamton, New York became the sensation of the art world for her abstract artwork, which have sold for thousands of dollars per piece. The showing of her work started off as a lark, but when the paintings sold without the buyers knowing who the artist was, the media began to run with the story. Through it all, Marla's parents, Mark Olmstead and Laura Olmstead, want to be grounded in what is best for their daughter while exposing her to whatever positive may come from the experience. But some negative and big name media also surfaces, some questioning whether Marla is the real artist behind the work, and some questioning exposing a four year old to such infamy. Regardless, the fact of this art selling brings up the legitimacy of abstract art being quantified as "quality", especially if a four year old can produce it but can't express the emotions or rationale behind its creation. Or is art truly in the eyes of the beholder? Regardless, money, in the ... Written by
Watching this documentary is like sitting on a jury. You have to decide if there is a reasonable doubt, as you may never know the full truth.
Amir Bar-Lev does a good job of presenting the facts to the jury. He is assisted by a "60 Minutes" piece on the same subject. Did this four-year-old really paint these pictures, or was she helped by daddy or, as one person suggested, by the gallery owner? One has to look at the father and make a judgment, as the little girl cannot really tell us what we want to know. he does appear shifty and one has to believe that he is certainly capable of doing the enhancements. There are certain things in the paintings themselves that indicate that they were not done by a four-year-old.
The mother appears to know, but is protecting her family. I think she wishes it would have never started.
It is an interesting work and each person has to sit in the jury box themselves and give a verdict.
4 of 7 people found this review helpful.
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