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Moonrise Kingdom (2012)

PG-13 | | Adventure, Comedy, Drama | 29 June 2012 (USA)
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A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

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Nominated for 1 Oscar. Another 37 wins & 116 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sam
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The Narrator
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Andreas Sheikh ...
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Rob H. Campbell ...
Deluca (as Rob Campbell)
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

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Details

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Release Date:

29 June 2012 (USA)  »

Also Known As:

Moonrise Kingdom - Un reino bajo la luna  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$522,996 (USA) (25 May 2012)

Gross:

$45,507,053 (USA) (26 October 2012)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During the closing credits, the voice of a young person introduces various instruments as they join in playing a song - an obvious reference to the records played in the Hayward home. This method of spoken introduction has however also been used outside of education recordings, such as in the obscure 1967 song "Intro and Outro" by The Bonzo Dog Doo-Dah Band where atypical and strange instruments are introduced as played by unusual and unlikely musicians (such as John Wayne and Adolf Hitler), and in Mike Oldfield's seminal 1973 work "Tubular Bells" where Part One is concluded by Vivian Stanshall as "Master of Ceremonies" crediting one by one the instruments used earlier in the piece. Also, tubular bells are listed as part of the deconstruction of the Alexandre Desplat piece. See more »

Goofs

Captian Sharp's trailer is shown from the outside at night and the window curtains are closed, but from inside the curtains are open. See more »

Quotes

Cousin Ben: [walking briskly] Is this him?
Sam: Field Mate Sam Shakusky, Troop 55, resigned.
Cousin Ben: [dramatically] He's hot. Almost too hot. What's in the can?
Redford: $76, but it's mostly in nickels.
Cousin Ben: Give it to me.
[to Sam]
Cousin Ben: Your badge in seamanship?
Sam: Yes, sir.
Cousin Ben: Good. There's a cold water crabber moored off Broken Rock. The skipper owes me an IOU. We'll see if he can take you on as a claw cracker. It won't be an easy life, but it's better than shock therapy.
Sam: Thank you, sir. By the way, where's the chapel tent?
[...]
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Crazy Credits

When the credits for the book cover artists appear on screen, they are also accompanied by the book covers they drew for the film. See more »

Connections

Referenced in Four Kinds of Love (2014) See more »

Soundtracks

Aquarium, from Le Carnaval des animaux
Composed by Camille Saint-Saëns
Performed by New York Philharmonic
Conducted by Leonard Bernstein
Narrated by Leonard Bernstein (uncredited)
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Frequently Asked Questions

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User Reviews

 
Contrived Pretentious Lifeless Style over Substance
27 June 2012 | by (Budapest Hungary) – See all my reviews

Moonrise Kingdom is charming, quirky, cute, affable, well-composed, sentimental, nostalgic and pragmatic; and I HATED IT. When it comes to Wes Anderson films, there are three guarantees: children will act like adults, girls will carry around suitcases, and parents will not understand - Moonrise Kingdom cashes in on the Anderson promises with much aplomb. If you have never seen a Wes Anderson film you might find Moonrise Kingdom to be magical and unique. If you have seen Bottle Rocket, Rushmore, The Royal Tennenbaums, Life Aquatic, and Darjeeling Limited, you will find Moonrise Kingdom to be a tired regurgitation of a one-trick-pony director who will forever try to recreate the popular and artistic success of The Royal Tennenbaums, his truly benchmark work. Anderson is a very creative artist, who freely steals from French New Wave and Italian Neo-surrealism, to craft highly choreographed and visually intricate films that specifically show the audience exactly what Anderson likes and how he likes to show these things; he is an artist who works exclusively in a personal space and so far hasn't compromised his personal artistic vision. And there is also the rub! Anderson is incapable of working outside his space; where he once filmed "outside the box"...he now is trapped in this box and ironically appears no longer able to think outside that box - he is a hostage of the aesthetics and style that define him. A tale set in the 1965 about two pre-teens who fall in love and escape into a boy-scout fantasy of an adventure, Moonrise Kingdom, while displaying the very artistic template that made him a favorite of cinematophiles, is also incredibly lifeless, pretentious, contrived and frankly, poorly written. A stand-out cast featuring Edward Norton, Bill Murray, Bruce Willis, and Frances McDormand are wasted on underwritten cardboard cutout characters that are weighed down by hackneyed clichés and insipid dialog. I do give kudos to the main two leads - the children - they give the film its only signs of life; Kara Hayward would not look out of place in a Goddard or Fellini piece. While the story is mainly about unhappiness, disenfranchisement, and the ubiquitousness of love vs. duty, it also provides no real substance regarding these themes, meandering along until its trite conclusion. Moonrise Kingdom is a film that suffers the failure of style over substance - in so much as Wes Anderson's signature moves such as tracking from perfectly composed room to perfectly composed room, are now too obvious and no longer meld in the wholeness of the cinematic aesthetic, but instead point out, too glaringly, that you are watching a Wes Anderson film. There is a difference between suddenly seeing a Stanley Kubrick image and saying "oh yeah, this must be a Kubrick film" to watching a Wes Anderson film and throughout the entire film you are drubbed to oblivion with the fact that you are watching a Wes Anderson film. Within 10 minutes of the opening, I was tired of seeing what I was watching - it was so contrived and such a shameless display of idiosyncrasy that the film became a quest to find something new and fresh in it, and unfortunately there is none to be found. With a script that is full of humor but none of it funny, full of quirky characters but none of them interesting, and full of pretty visuals that add nothing to the story, Moonrise Kingdom seems like the death knell of the prototypical Wes Anderson film. But I doubt this will ever stop him - I applaud his artistic integrity and refusal to compromise with mainstream Hollywood, but ultimately he is becoming Quentin Tarantino - a one-note carnivalist forever trying to recreate the success of his early work (Reservoir Dogs is still by far Tarantino's best work and all subsequent films are the recyclage of Pulp Fiction, the film where QT blew his entire artistic wad, just like Anderson did with The Tennenbaums) by insisting on a personal style that is adored by many but offers nothing new to the medium through which the artist tries to communicate. Like Bill Murray's character, when told to stop feeling sorry for himself, I ask... "why?"


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