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Moonrise Kingdom (2012)

PG-13 | | Adventure, Comedy, Drama | 29 June 2012 (USA)
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A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

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Nominated for 1 Oscar. Another 37 wins & 116 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sam
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The Narrator
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Andreas Sheikh ...
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Rob H. Campbell ...
Deluca (as Rob Campbell)
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

29 June 2012 (USA)  »

Also Known As:

Moonrise Kingdom - Un reino bajo la luna  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$522,996 (USA) (25 May 2012)

Gross:

$45,507,053 (USA) (26 October 2012)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Wes Anderson: [strained marriage] The twice divorced Bill Murray plays a character that has marital issues in this movie. His character also has marital issues in several of his previous collaborations with Wes Anderson, including Rushmore (1998), The Royal Tenenbaums (2001), and The Life Aquatic with Steve Zissou (2004). His character in Fantastic Mr. Fox (2009) is happily married, however. See more »

Goofs

When Cousin Ben is talking to Sam and Suzy as they walk through the camp, a marching scout extra in the background can be seen looking and waving at the camera. See more »

Quotes

Sam: [Sniffs twice] You smell like perfume.
Suzy: Oh, it's my mother's!
Sam: Hm! Hm!
See more »

Crazy Credits

When the credits for the book cover artists appear on screen, they are also accompanied by the book covers they drew for the film. See more »

Connections

References Titanic (1997) See more »

Soundtracks

Le Coucou au Fond des Bois, from Le Carnaval des animaux
Composed by Camille Saint-Saëns
Performed by New York Philharmonic
Conducted by Leonard Bernstein
Narrated by Leonard Bernstein (uncredited)
[Played during Sam and Suzy's time at Mile 3.25 Tidal Inlet]
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Frequently Asked Questions

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User Reviews

 
Anderson's finest yet?

In the past, Anderson has whirled us from melancholy dreamscapes set deep below the Pacific to tales of inter-generation betrayals in the name of love, from doomed romances in Paris hotels to deliriously bizarre animal revolutions in the English countryside. But for all the retro-stylings his films so proudly wear, Moonrise Kingdom is Anderson's first period piece - a tender love story set in the sepia-soaked sixties of Anderson's youth that have worked their influence into every one of his movies. It is fitting that this film is his most childlike - not in any way any simpler than his other films (as anyone with an accurate memory of childhood will remember all it's complexities; the way each trivial thing became a nest of thorns), but an accurate and deeply heartfelt depiction of childhood. It is not aiming to be as crushingly dramatic as Life Aquatic or as deeply tragic as Hotel Chevalier, because that wouldn't be appropriate for the story it's trying to tell. Instead, while still bearing Anderson's still surprising streak of black humour (some acts of violence really catch you off-guard; then again, children are violent so hats off Wes), it is largely concerned with the dramas and tragedies of youth. Yes, it is less ambitious than say The Life Aquatic but it also has none of the flaws that that film does (and believe me, I am a massive Steve Zissou fan). Instead, it is perfectly executed, wonderfully acted poignant beauty, with fantastic performances across the board (especially from newcomers Gilman and Hayward). This, while not his most ambitious, is certainly Anderson's most perfect work so far. You owe it to yourself to see this movie.


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