With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by
During filming, Wes Anderson rented an old mansion in Newport, Rhode Island for himself, editor Andrew Weisblum, and director of cinematography Robert D. Yeoman, in which they had a room set up for editing the film. It had been arranged for the cast to stay in a nearby hotel called The Vanderbilt Grace, but eventually some of the actors also decided to stay at the mansion, including Edward Norton and Jason Schwartzman. Murray later joked that the theory was to have everyone close by so that they could all work "ungodly art-movie hours." See more »
The pilot of the plane incorrectly says the word "five" as "fiver". In standard radio phonetics, the number "nine" is pronounced "niner", to distinguish it from "five", which is not changed or pronounced "fife". See more »
Those sons of bitches, they got him right through the neck.
Was he a good dog?
Who's to say? But he didn't deserve to die.
See more »
An ambitious film which for the most part delivers spectacularly
Saw this just now in a small indie cinema in Heidelberg, Germany and I have to say, it was a romp. In my humble opinion this film manages to be both Wes Anderson's funniest picture so far and his most melancholic. The utter uncompromising stylishness of his other work is also present here, perhaps even heightened, but in contrast to The Life Aquatic (and to a certain degree The Darjeeling Limited), the emphasis here is firmly on plot. The brave and often odd visuals never overwhelm the story and the audience never feels like they are not quite in on the joke, like in The Life Aquatic. The tone does tend to become a bit erratic, especially in the last third of the film when Anderson seems to want to pack so much into every frame that the film becomes a bit cartoonish at times (hence the not-perfect score from me). All in all, though, the plot is very balanced and the pacing is great. The two young leads are superb and the brave move by Anderson to place unknown actors front and centre pays off beautifully. The rest of the cast is on paper even more star-studded than The Royal Tenenbaums and yet Anderson never steers into unnecessary character development just to accommodate his stars. A touch here and a touch there are more than enough to paint a picture of a group of people who are eerily similar in their dissatisfaction with their lives and yet react quite differently to the two young lovers' dash (literally) for happiness. In conclusion, a must-see for Anderson fans and highly recommended for everyone else.
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