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Moonrise Kingdom (2012)

 -  Comedy | Drama | Romance  -  29 June 2012 (USA)
7.8
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Ratings: 7.8/10 from 181,162 users   Metascore: 84/100
Reviews: 346 user | 452 critic | 43 from Metacritic.com

A pair of young lovers flee their New England town, which causes a local search party to fan out and find them.

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Nominated for 1 Oscar. Another 42 wins & 80 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sam
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The Narrator
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Andreas Sheikh ...
Chandler Frantz ...
Rob H. Campbell ...
Deluca (as Rob Campbell)
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Plot Keywords:

search | storm | new england | island | running | See more »

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

29 June 2012 (USA)  »

Also Known As:

Moonrise Kingdom - Un reino bajo la luna  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$522,996 (USA) (25 May 2012)

Gross:

$45,507,053 (USA) (26 October 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

During the closing credits, the voice of a young person introduces various instruments as they join in playing a song - an obvious reference to the records played in the Hayward home. This method of spoken introduction has however also been used outside of education recordings, such as in the obscure 1967 song "Intro and Outro" by the Bonzo Dog (Doo-Dah) Band where atypical and strange instruments are introduced as played by unusual and unlikely musicians (such as John Wayne and Adolf Hitler), and in Mike Oldfield's seminal 1973 work "Tubular Bells" where Part One is concluded by Vivian Stanshall as "Master of Ceremonies" crediting one by one the instruments used earlier in the piece. Co-incidentally, tubular bells are listed as part of the deconstruction of the Desplat piece. See more »

Goofs

As Scout Master Ward is going to Sam's tent, the hole Sam has made is not visible from the outside. See more »

Quotes

Cousin Ben: [walking briskly] Is this him?
Sam: Field Mate Sam Shakusky, Troop 55, resigned.
Cousin Ben: [dramatically] He's hot. Almost too hot. What's in the can?
Redford: $76, but it's mostly in nickels.
Cousin Ben: Give it to me.
[to Sam]
Cousin Ben: Your badge in seamanship?
Sam: Yes, sir.
Cousin Ben: Good. There's a cold water crabber moored off Broken Rock. The skipper owes me an IOU. We'll see if he can take you on as a claw cracker. It won't be an easy life, but it's better than shock therapy.
Sam: Thank you, sir. By the way, where's the chapel tent?
[...]
See more »

Connections

Featured in 70th Golden Globe Awards (2013) See more »

Soundtracks

Playful Pizzicato, from Simple Symphony, Op. 4
Composed by Benjamin Britten
(1933-1934)
Performed by English Chamber Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Anderson's finest yet?

In the past, Anderson has whirled us from melancholy dreamscapes set deep below the Pacific to tales of inter-generation betrayals in the name of love, from doomed romances in Paris hotels to deliriously bizarre animal revolutions in the English countryside. But for all the retro-stylings his films so proudly wear, Moonrise Kingdom is Anderson's first period piece - a tender love story set in the sepia-soaked sixties of Anderson's youth that have worked their influence into every one of his movies. It is fitting that this film is his most childlike - not in any way any simpler than his other films (as anyone with an accurate memory of childhood will remember all it's complexities; the way each trivial thing became a nest of thorns), but an accurate and deeply heartfelt depiction of childhood. It is not aiming to be as crushingly dramatic as Life Aquatic or as deeply tragic as Hotel Chevalier, because that wouldn't be appropriate for the story it's trying to tell. Instead, while still bearing Anderson's still surprising streak of black humour (some acts of violence really catch you off-guard; then again, children are violent so hats off Wes), it is largely concerned with the dramas and tragedies of youth. Yes, it is less ambitious than say The Life Aquatic but it also has none of the flaws that that film does (and believe me, I am a massive Steve Zissou fan). Instead, it is perfectly executed, wonderfully acted poignant beauty, with fantastic performances across the board (especially from newcomers Gilman and Hayward). This, while not his most ambitious, is certainly Anderson's most perfect work so far. You owe it to yourself to see this movie.


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