With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by
Commenting on the film's connection to the first time he fell in love, director Wes Anderson has said, "Well, what I wanted to do was re-create the feeling of that memory. The movie is kind of like a fantasy that I think I would have had at that age. When you're 11 or 12 years old, you can get so swept up in a book that you start to believe that the fantasy is reality. I think when you have a giant crush when you're in fifth grade, it becomes your whole world. It's like being underwater; everything is different." See more »
When the audience is hearing the broadcast over the transistor radio, the close-up shot on the radio reveals that it is turned off. See more »
Is this him?
Field Mate Sam Shakusky, Troop 55, resigned.
He's hot. Almost too hot. What's in the can?
$76, but it's mostly in nickels.
Give it to me.
Your badge in seamanship?
Good. There's a cold water crabber moored off Broken Rock. The skipper owes me an IOU. We'll see if he can take you on as a claw cracker. It won't be an easy life, but it's better than shock therapy.
Thank you, sir. By the way, where's the chapel tent?
[...] See more »
During the final credits, Alexandre Desplat's music is vocally decomposed, like it was for the piece of classical music during the movie. See more »
Moonrise Kingdom will leave you dreamy and smiling, with a hint of melancholy
Let's try to understand the miracle I have just witnessed. Director Wes Anderson is 12 years old, has just experienced his first love while at Summer camp, and immediately rushed to a camera to tell us, his pen pals, the story. A slightly embellished story which follows the perfect scenarios we would draw at night in our beds at this age. It has all the tiny details, the sense of adventure and the freshness of youth. How someone 43 years old in real life could do this movie is beyond me. The drawback of this miracle for the viewer is that such a jump back into the kind of idealized feelings you had in your early teens leaves you with quite some melancholy when you leave the cinema.
It could be that some people do not connect to the movie and just see it as "adorable" or "cute" and nothing more. But I suppose most people will feel connected, notably because the movie has this straight-to-the-point attitude in both the technique and the story-telling; the story is read to you, not force-fed with dramatic music and whatnot. Just like one of the characters who reads bedtime stories to the others.
You might complain about the lack of character development for some of the big names in this film (Norton, Willis, Murray - McDormand less so as she gets more detailed screen time than the others) but I suppose this is wanted: kids will see hints of the issues adults are facing, but can't understand them fully. And remember this is a movie shot by 12-year old Wes Anderson.
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