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Moonrise Kingdom (2012)

 -  Comedy | Drama | Romance  -  29 June 2012 (USA)
7.8
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Ratings: 7.8/10 from 164,406 users   Metascore: 84/100
Reviews: 337 user | 442 critic | 43 from Metacritic.com

A pair of young lovers flee their New England town, which causes a local search party to fan out and find them.

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Title: Moonrise Kingdom (2012)

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Nominated for 1 Oscar. Another 29 wins & 56 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sam
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The Narrator
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Charlie Kilgore ...
Andreas Sheikh ...
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Rob H. Campbell ...
Deluca (as Rob Campbell)
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down -- which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Plot Keywords:

search | new england | island | storm | camp | See more »

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

29 June 2012 (USA)  »

Also Known As:

Moonrise Kingdom  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$522,996 (USA) (25 May 2012)

Gross:

$45,507,053 (USA) (26 October 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Suzy is reading "Disappearance of the Sixth Grade" at the Mile 3.25 Tidal Inlet campground and continues onto "Part Two" after Sam says to read on, it is just about the exact midway point of the film: the spoken words occur at 46:59, with 46:56 left in the movie. This moment also marks the transition of the film's plot, of course, so Suzy's "reading" also informs the audience of the shift in the movie's tone and direction. See more »

Goofs

When the audience is hearing the broadcast over the transistor radio, the close-up shot on the radio reveals that it is turned off. See more »

Quotes

Laura Bishop: I'm sorry Walt.
Walt Bishop: It's not your fault... Which injuries are you apologizing for? Specifically.
Laura Bishop: Specifically? Whichever ones still hurt.
Walt Bishop: Half of those were self-inflicted... I hope the roof flies off, and I get sucked up into space. You'll be better off without me.
Laura Bishop: Stop feeling sorry for yourself.
Walt Bishop: Why?
Laura Bishop: We're all they've got, Walt.
Walt Bishop: That's not enough.
See more »

Connections

References Badlands (1973) See more »

Soundtracks

Take These Chains From My Heart
Written by Fred Rose and Hy Heath
Performed by Hank Williams
Courtesy of Mercury Nashville Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An ambitious film which for the most part delivers spectacularly
18 May 2012 | by (Bulgaria) – See all my reviews

Saw this just now in a small indie cinema in Heidelberg, Germany and I have to say, it was a romp. In my humble opinion this film manages to be both Wes Anderson's funniest picture so far and his most melancholic. The utter uncompromising stylishness of his other work is also present here, perhaps even heightened, but in contrast to The Life Aquatic (and to a certain degree The Darjeeling Limited), the emphasis here is firmly on plot. The brave and often odd visuals never overwhelm the story and the audience never feels like they are not quite in on the joke, like in The Life Aquatic. The tone does tend to become a bit erratic, especially in the last third of the film when Anderson seems to want to pack so much into every frame that the film becomes a bit cartoonish at times (hence the not-perfect score from me). All in all, though, the plot is very balanced and the pacing is great. The two young leads are superb and the brave move by Anderson to place unknown actors front and centre pays off beautifully. The rest of the cast is on paper even more star-studded than The Royal Tenenbaums and yet Anderson never steers into unnecessary character development just to accommodate his stars. A touch here and a touch there are more than enough to paint a picture of a group of people who are eerily similar in their dissatisfaction with their lives and yet react quite differently to the two young lovers' dash (literally) for happiness. In conclusion, a must-see for Anderson fans and highly recommended for everyone else.


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