Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
A shy student trying to reach his family in Ohio, and a gun-toting tough guy trying to find the Last Twinkie and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
In the town of Blithe Hollow, Norman Babcock is a boy who can speak to the dead, but no one besides his eccentric new friend, Neil, believes his ability is real. One day, Norman's estranged eccentric uncle tells him of an important annual ritual he must take up to protect the town from a curse cast by a witch it condemned centuries ago. Eventually, Norman decides to cooperate, but things don't go according to plan. Now, a magic storm of the witch threatens Blithe Hollow as the accursed dead rise. Together with unexpected new companions, Norman struggles to save his town, only to discover the horrific truth of the curse. With that insight, Norman must resolve the crisis for good as only he can. Written by
Kenneth Chisholm (email@example.com)
Save for Judge Hopkins, the seven cursed zombies are not referred to by name, but they did have names: the aforementioned Judge Hopkins, Eben Hardwick, Thaddeus Blackton, Lemuel Spalding, Amelia Wilcot, Goodie Temper, and Wile London. See more »
Mrs. Henscher witnesses the zombies entering the town hall through a side door, yet doesn't lead the angry mob in that way to get them. See more »
What's happening now?
Well, the zombie is eating her head, Grandma.
That's not very nice. What's he doing that for?
Because he's a zombie. That's what they do.
He's gonna ruin his dinner. I'm sure if they just bothered to sit down and talk it through, it would be a different story.
See more »
After the credits, a short featurette shows a time-lapse video of the creation and modeling of the Norman figure used for filming. See more »
Written by Jack White
Peppermint Stripe Music
Performed by The White Stripes
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Limited
www.xlrecordings.com See more »
Packed with wit, imagination and thoughtfulness, this lovingly rendered stop-motion animation is one of the best of the year
A word of caution for parents with younger tots 'Paranorman' might not go down too well for the faint of heart. But its deliberately mature- skewing approach is also the reason why this is one of the most unique animated movies we've seen this year, the latest feat of stop-motion animation from the same Laika studio artists who had conjured up the similarly bewitching 'Coraline'.
Both have at their heart titular characters who are outcasts in their social circle. For Norman, his ability to see ghosts have made him a pariah among his schoolmates and the worst of the lot is a pea-brained nose-picking bully named Alvin (Christopher Mintz-Plasse). Home is not much better. His dad (Jeff Garlin) is none too pleased he claims to be speaking to his dead grandmother, his mother (Leslie Mann) dismisses it as a phase, and his bimbotic teenage sister Courtney (Anna Kendrick) just can't be bothered.
The film's writer is Chris Butler - a storyboard artist who honed his skills on Tim Burton's 'Corpse Bride' and Henry Selick's 'Coraline' - and his experience with the contemporaries in quirky animation has served him well in creating a lovable adolescent misfit in Norman. Before Norman is even confronted with the challenge you know will turn him into the unlikely hero, you've already fallen in love with this sweet unassuming kid with the rectangular quizzical eyebrows and a head of vertical brown hair.
Instead of sugar-coating the reality of Norman's social life, Butler states the truth as it is 'You can't stop bullying it's part of human nature," says Norman's chubby buddy Neil (Tucker Albrizzi), similarly ostracised in school on account of his size. The honesty is refreshing, and so is the plot that follows, involving a 300-year old witch's curse that invokes half-dozen zombies to rise from their graves and terrorise the local townsfolk of Blithe's Hollow.
A twist late into the tale on the witch's identity makes this an unexpectedly moving and thoughtful parable on acceptance and empathy, two morals which tie in beautifully with Norman's own story of rejection. Along the way to the surprisingly intense finale, Butler and his co-director Sam Fell inject a veritable sense of fun into the proceedings which unfold like a roller-coaster ride into a haunted house of terrors, made all the more enjoyable by Norman's motley crew comprising of Alvin, Courtney, Neil and Neil's jockish older brother Mitch (Casey Affleck).
While distracting the younger ones with a cornucopia of visual gags, Butler packs bits of surprises for the adults in the audience. You'll chuckle along with the bits of deadpan humour "Do you think they'll eat our brains?" Alvin screams in fear. "Yeah, you'll be safe," Norman replies as well as the 'blink and you'll miss' tributes to horror classics from 'Halloween' to 'Friday the 13th'. These will be lost on the kids, but what parents should really take time to explain is Butler's message of embracing those who are different from us, a lesson all too precious in today's increasingly xenophobic world.
The same attention to story and character has also gone into the lovingly-detailed animation while at first sight cruder looking than today's more commonly seen computer-generated visuals, the distinctive stop-motion rendering is nothing short of gorgeous, and one truly marvels at the amount of effort that has gone into the individual action-oriented sequences that have so much going on at the same time. The technique has also allowed the animators to sculpt finer detail into each of the characters, which come to life in a certain pop-up fashion that fits perfectly in 3D.
Using the traditional narrative of a misfit turned unlikely hero, 'Paranorman' weaves a fantastically dazzling, consistently engaging and surprisingly touching story that qualifies it as one of the most original and certainly one of the best animated movies of the year. Yes, it isn't as family-friendly as something you might expect from the usual Disney or Dreamworks fare, but you'll appreciate the level of maturity and wit that has gone into this impressive stop-motion animation.
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