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The Savages (2007)

R  |   |  Comedy, Drama  |  17 January 2008 (Singapore)
7.2
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Ratings: 7.2/10 from 30,585 users   Metascore: 85/100
Reviews: 122 user | 197 critic | 37 from Metacritic.com

A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.

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Nominated for 2 Oscars. Another 18 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Larry
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Eduardo
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Jimmy
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Kasia
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Ms. Robinson
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Bill Lachman
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Nancy Lachman
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Doris Metzger
Hal Blankenship ...
Burt
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Lizzie
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Real Estate Agent (as Laura Palmer)
Salem Ludwig ...
Mr. Sperry
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Storyline

Jon and Wendy Savage are two siblings who have spent their adult years trying to recover from the abuse of their abusive father, Lenny Savage. Suddenly, a call comes in that his girlfriend has died, he cannot care for himself with his dementia and her family is dumping him on his children. Despite the fact Jon and Wendy have not spoken to Lenny for twenty years and he is even more loathsome than ever, the Savage siblings feel obliged to take care of him. Now together, brother and sister must come to terms with the new and painful responsibilities with their father now affecting their lives even as they struggle with their own personal demons Lenny helped create. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality and language | See all certifications »

Parents Guide:

 »
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Details

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Language:

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Release Date:

17 January 2008 (Singapore)  »

Also Known As:

La famille Savage  »

Filming Locations:

 »

Box Office

Opening Weekend:

$151,859 (USA) (30 November 2007)

Gross:

$6,610,326 (USA) (25 April 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Tamara Jenkins contacted Carter Burwell to score the movie. Burwell had already committed himself to score No Country for Old Men (2007), so he refused, but recommended Stephen Trask to Jenkins. See more »

Goofs

When John is teaching his class, he receives a phone call, a student raises her hand and calls him Mr. Savage. However, earlier in the film it is learned that he has a PhD, therefore she should have referred to him as Dr. Savage. See more »

Quotes

Wendy Savage: Dad has been writing on the walls with his shit!
Jon Savage: [half asleep] Wen, what the fuck are you talking about?
See more »

Connections

Featured in Inside the Actors Studio: Laura Linney (2009) See more »

Soundtracks

Soldadi
Written by Rudolphe Gromis and Barthelemy Attisso
Performed by Orchestra Baobab (as Orchestra Baobob)
Courtesy of Nonesuch Records / World Circuit
By Arrangement with Warner Music Group Film & TV licensing
See more »

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User Reviews

 
A humane film about human experiences.
12 November 2007 | by (United States) – See all my reviews

To put it simply, "The Savages" is the most human look at life I've seen in theaters this year. It's incredibly easy to relate to if you have ever ever seen some relative or family friend of yours get old and then forget who you are due to some sort of elder person's disease. It features three of the year's finest performances from Laura Linney, Philip Seymour Hoffman, and Phillip Brosco, all of whom radiate on the screen as real, ordinary but complex, people. Linney and Hoffman play brother and sister, two writers who have an argumentative but loving way of getting along. Brosco plays their father, who has done something really, well, "dirty," and has drawn the attention of the family that had been caring for him, who no longer wish to do so.

From there, Linney and Hoffman's characters meet up with the father whom they haven't seen in years, and who was never very compassionate towards them. However, their father has dementia, and slowly begins to forget who they are. Instead of their main concern being whether or not he's kind to them, the kids are afraid they won't be able to communicate with him at all. The way Tamara Jenkins handles this, from both the perspective of the kids and the perspective of the father, is brilliant. She really understands the way family relations work, as her film is spot-on in that aspect.

The three performances are all great for their own reasons. Linney plays a woman who is really confused with her life: she's having an affair with a married man who's ten years older than her, she lies to everyone she knows about things that aren't worth it, and she is having a lot of trouble getting produced as a writer. Hoffman, her older brother, has a really relaxed humanistic side to him, always countering Linney's loud worrisome actions with a calm, mind-processing technique. The chemistry between this brother-sister duo - probably the only opposite-sex-adult-aged-duo that doesn't have any romantic elements (for obvious reasons) - is one of the most realistic works of chemistry you'll find in a theater this year. Throw in Phillip Brosco - who absolutely conquers the dementia that his character has (my aunt has dementia, so I see her all the time and know that his face and way of talking and mannerisms are all spot on) - and you've got three characters who are so strong alone that they're enough reason to see this movie, funny-touching script and story aside.

While all three performances were incredible, I'd have to say that my favorite performance came from Hoffman. Linney played the confused-wreck card very well, but it's not like she's the first actress to confront or conquer that territory. Brosco was astoundingly realistic as a man with dementia, but his role doesn't carry very far beyond that. Hoffman's performance, while not "loud" in any way, is simply the best portrayal of an ordinary human being I've seen in years, if that makes any sense. Everything, from the way he reacts to what people say, to the way he talks, to the way he expresses emotion when he's feeling it - all of it is executed so well that I can't believe that he was actually acting.

The ending of the film is very humane. It doesn't have any major twists or bangs, but it doesn't end on a nothing-note either. It teaches us that the lessons we learn from one experience can help us deal with the next, and it's the many small messages like this and the very life-like feel of the film's craft that make it one of the most special films I had the experience of seeing at a theater this year.


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