A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
When young Victor's pet dog Sparky (who stars in Victor's home-made monster movies) is hit by a car, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked "monster" wreaks havoc and terror in the hearts of Victor's neighbors, he has to convince them (and his parents) that despite his appearance, Sparky's still the good loyal friend he's always been. Written by
The demonstration that Mr. Rzykruski shows in class of the frog's legs twitching when given electricity is based on actual experiments in 1771 by Italian physicist Luigi Galvani, who was the first to discover that the legs of dead frogs and other dead creatures twitched and moved when sparked by electricity. This to led to the study of bio-electricity and further study of the nervous system and its functions. The study of "galvanic" effects in biology is named after Galvani, who is seen as the discoverer of bio-electricity. Several of Tim Burton's movies have played with this theme, most notably Frankenweenie and Edward Scissorhands. See more »
While the Frankenstein family is having fondue, the fondue sticks appear and disappear from the pot. See more »
Ladies and gentlemen. I think the confusion here is that you are all very ignorant. Is that right word, ignorant? I mean stupid, primitive,unenlightened. You do not understand science, so you are afraid of it. Like a dog is afraid of thunder or balloons. To you, science is magic and witchcraft because you have such small minds. I cannot make your heads bigger, but your children's heads, I can take them and crack them open. This is what I try to do, to get at their brains!
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Towards the end of the traditional theme music, the Disney logo during the opening credits turns black and white and lightning strikes around the castle. See more »
Written by Karen O (as Karen Orzolek)
Produced by J.G. Thirlwell (as Jim Thirlwell)
Performed by Karen O
Courtesy of Polydor Records,
a division of Universal Music Operations Ltd (UK)/Interscope Records (North America) See more »
If anywhere there was a braver ending needed, it's here. Kids could have learned that life is but fleeting, we all suffer heartbreak sooner or later, say goodbye to the ones we love... This is an important lesson indeed. But, no. In the interest of a few mums and dads having to tolerate some waterworks on the way home from the cinema, Burton decides to go for what is essentially a cop out. Rather cowardly, if you ask me.
The whole film has the feel of an old B movie (but is set in the present day) as it is shot entirely in black and white and contains more than one horror reference. Spookiness pervades the atmosphere, as Danny Elfman's Gothic score meanders in the background like a funeral march. Poor Victor loses his dog, and his mourning and subsequent resurrection of his pet carries real emotion weight.
This doesn't last though, as the plot stretches to Victor's classmates experimenting on other deceased creatures, turning them into freaks of nature that invade the town. This is an arresting spectacle, but a betrayal of what transpired before... turning the movie from a personal tale about a boy and his half-dead canine, into an OTT monster movie. It feels like a different film, and not one that matched up to the poignant first half.
Not for one minute would I suggest I could tell Mr Burton how to do his job. But I think less action, and more storytelling would have improved the final reel no end... As well as a more courageous conclusion. Oh well, everyone's a critic (Most don't enunciate their thoughts as well as I do, though)... ;) 6/10
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