Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A documentary on the threat that climate change poses to the Earth - it's causes, effects and history and potential solutions to it. Presented by Al Gore through a lecture that he has given to audiences across the globe, plus through more introspective moments. Written by
The slide-show that is shown throughout the film is made in Keynote, Apple's presentation program. Al Gore sits on Apple's board of directors. See more »
When Al Gore shows the slide of the ice core graph at the beginning of the movie (about 20 minutes in), the numbers on the y-axis are wrong - the average is at 0.5, and the negative numbers are flipped. This graph is correct in the book; the slide is wrong and therefore misleading. See more »
You look at that river gently flowing by. You notice the leaves rustling with the wind. You hear the birds; you hear the tree frogs. In the distance you hear a cow. You feel the grass. The mud gives a little bit on the river bank. It's quiet; it's peaceful. And all of a sudden, it's a gear shift inside you. And it's like taking a deep breath and going, "Oh yeah, I forgot about this."
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The very last credit says: An Inconvenient Truth - A carbon neutral production See more »
... If you do not, and you have grandchildren, you should explain to them why you decided not to." - Roger Ebert
After the closing credits to An Inconvenient Truth rolled, I walked out to my car in the theater's parking lot. LA's infamous haze hung low, crimson in the twilight. In the foreground a solitary grasshopper pump drew up oil that had laid dormant for hundreds of millions of years. If Supersize Me made the prospect of a Big Mac and fries a little less appealing, imagine the feeling of slipping into a six cylinder car for a three mile trip home.
Just the same, An Inconvenient Truth is not about blame. It's also not only about the problems that global warming poses. Instead, it sets aside the matter of "who's fault is it" and leaves the viewer with the desire to ask and answer the question of "what can I do?" The film (and companion website) does not fail to deliver: both offer practicable steps to take regarding the literal sea change facing the planet.
The movie presents evidence that, to me, was quite compelling. Is it incontrovertible? Not being an environmental scientist, I couldn't say. But it's telling that out of almost 1000 peer reviewed scientific journals the film examines on the topic of global warming, the matter was not questioned by one (though doubted in more than half of the popular literature written during the same time). It's also worth mentioning that while Al Gore hosts the film, this movie is not about him. And while he may have showed up for some six years ago as stiff and stodgy, in this context he is masterful in blending the informative with the entertaining.
Go see the film for yourself. Bring a friend. Trust me, you'll be glad to have carpooled.
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