A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
Michael Moore's view on what happened to the United States after September 11; and how the Bush Administration allegedly used the tragic event to push forward its agenda for unjust wars in Afghanistan and Iraq.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Director Davis Guggenheim eloquently weaves the science of global warming with Mr. Gore's personal history and lifelong commitment to reversing the effects of global climate change. A longtime advocate for the environment, Gore presents a wide array of facts and information in a thoughtful and compelling way. "Al Gore strips his presentations of politics, laying out the facts for the audience to draw their own conclusions in a charming, funny and engaging style, and by the end has everyone on the edge of their seats, gripped by his haunting message," said Guggenheim. An Inconvenient Truth is not a story of despair but rather a rallying cry to protect the one earth we all share. "It is now clear that we face a deepening global climate crisis that requires us to act boldly, quickly, and wisely," said Gore. Written by
This is the first carbon-neutral documentary. NativeEnergy, which works with individuals and organizations to help them compensate for their contributions to global warming, calculated the "carbon footprint" from producing the film, including all travel, office, and accommodations related emissions. The company then offset emissions through renewable energy credits or "green tags from new renewable energy projects. Paramount Classics and Participant will split the cost of these tags; the funds will go towards helping build new Native American, Alaskan Native Village, and farmer-owned renewable energy projects, creating sustainable economies for communities in need and diversifying our energy supply. As Participant founder Jeff Skoll explains: "It would be ironic, not to mention wrong, if we added to the global warming that Al Gore warns about in his film. Plus, these renewable energy projects offer options that will decrease our demand for fossil fuels and otherwise would likely not happen without these kinds of investments." Participant, NativeEnergy and Warner Bros. partnered in a similar way on Stephen Gaghan's film, Syriana (2005), where 100% of the carbon dioxide emissions generated by the production were translated into investments into renewable energy. This follows on from the first "carbon neutral" film The Day After Tomorrow (2004), which director Roland Emmerich paid for out of his own pocket. See more »
When Al Gore shows the slide of the ice core graph at the beginning of the movie (about 20 minutes in), the numbers on the y-axis are wrong - the average is at 0.5, and the negative numbers are flipped. This graph is correct in the book; the slide is wrong and therefore misleading. See more »
You look at that river gently flowing by. You notice the leaves rustling with the wind. You hear the birds; you hear the tree frogs. In the distance you hear a cow. You feel the grass. The mud gives a little bit on the river bank. It's quiet; it's peaceful. And all of a sudden, it's a gear shift inside you. And it's like taking a deep breath and going, "Oh yeah, I forgot about this."
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The very last credit says: An Inconvenient Truth - A carbon neutral production See more »
Fact-laden, straightforward documentary with some comic insertions
This is an aspect of Environmental Science 101 that everyone should learn. If you aren't big into charts and graphs, you may have a hard time sitting still by the end of the film, but that's the point. Cold, hard facts.
Overall, a documentary worth seeing. The bits of animation are cute and eye-catching, and Gore's humor is appropriately dispersed throughout. I could have done without the Melissa Etheridge song at the end.
This isn't some platform Gore picked up in the last few years; this is something he has been fighting for his whole life, which gives him a credible and reliable voice in this issue and documentary. The best thing about Gore in this film is that he's straightforward without being blatantly alarmist, which is a welcome change from Moore.
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