On the outskirts of Rio de Janeiro is Jardim Gramacho, the world's largest landfill, where men and women sift through garbage for a living. Artist Vik Muniz produces portraits of the workers and learns about their lives.
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
Where are we humans going? A film poem inspired by the Peruvian poet César Vallejo. We meet people in the city. People trying to communicate, searching compassion and get the connection of small and large things.
Bengt C.W. Carlsson
After An Inconvenient Truth, War/Dance is the most important film I've watched this year.
Much like Gore's film, War/Dance is a great cinematic contribution to the world. Bold statement. This film has less urgency and less catastrophe than Gore's but still, it must be watched. I really like the style of storytelling: they allowed the three main subjects--three children: Rose, Nancy, & Dominic--to do all of the storytelling (without any provided narration). The result is three intimate and soul-wrenching revelations of turmoil and perseverance, and most importantly, of hope. Children can be very profound; these three definitely are. They have that look of war veterans in their eyes. Amazingly captured in the cinematography. The shots, presentation of political & social subject matter, emotional content--all excellent. You will walk away informed & attached, and wanting to take action; you don't feel like you've just read yesterday's newspaper or received some second or third-generation information. This film is moving in so many ways. Go.
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