Director Davis Guggenheim eloquently weaves the science of global warming with Al Gore's personal history and lifelong commitment to reversing the effects of global climate change in the most talked-about documentary at Sundance.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel. Written by
The film's director Tony Gilroy grew up about 65 miles north of New York City in Orange County, New York and did not forget where he came from in his directorial debut. It is mentioned that Michael Clayton attended Washingtonville Central High School; graduating in 1977. Gilroy, himself, graduated from Washingtonville High School in 1974. The home of Michael Clayton depicted in the film is actually in Blooming Grove, NY. The airport where Michael boards a private jet was filmed at Stewart International Airport in New Windsor/Newburgh, NY. And the pivotal moment of the film involving an incident with a main character's automobile was filmed at the Moodna Viaduct in Salisbury Mills, NY. All of these locales are within 7 miles of his hometown. See more »
After the bomb explodes and Clayton's car is burning, he throws his wallet, watch and personal effects into the burning car, apparently to make it evident that he was killed in the fire. But any investigator would quickly notice that no charred human remains were present and the story wouldn't hold. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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This is a well-made suspense film. It builds slowly, it features the key characters in sometimes agonising close-up, it weaves an intricate plot (a bit too intricate, in hindsight -- I'm still not sure why some events were included), and George Clooney is masterful as the morally conflicted character who does his best to hold his collapsing life together, while slowly realising that his role in life is not quite what he thought it was in any case.
There are some things this film is not. It's not an action film ... if you expect that, it will seem very slow. It's not a warm and friendly film that leaves you feeling good about the world -- it was shot in winter, just to emphasise its coldness. It's not a comedy in any way, not even through being over-the-top. It's reality rather than escapism.
If you like suspense, unflinching realism, stories of moral conflict, criticisms of corporate America, or George Clooney -- or if you're just in the mood to see that kind of film -- you'll love it. If you're in the mood for a film to wash away the cares of the day (as I was), choose something else.
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