In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel. Written by
Was the only movie at the Oscars in 2008 to receive more than one acting nomination - it received three. See more »
When Clayton is in Arthur's loft and he picks up the red book from the coffee table, you can clearly see the folded slip of paper sticking out from the bottom. A moment later, as he's flipping through the book, he almost doesn't see the paper because it's all the way inside. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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I just fall in love with this movie, I didn't see a Thriller like this for long time, this movie is really good, I think George Clooney did a terrific job, so as the cost .
This legal thriller was a pleasant surprise. I always expect to enjoy George Clooney's presence in a film. In this case, Clooney's excellent work is in evidence, but also watch for an Oscar-worthy turn from Tom Wilkinson, and a powerful, edgy performance by Tilda Swinton.
Michael Clayton is perfectly paced, and complex without being confusing. The director, Tony Gilroy, chooses lingering and steady shots over in the jumbled, shaky hand-held style that is currently so in vogue -- and his choice works well as the tension and drama build to a climactic, and terrific, final act.
In my opinion, if George Clooney keeps himself in the right direction he will definitely take another Oscar.
Overall Score: 9.5/10
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