Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. Written by
Sundance Film Festival
Dwight Henry, who plays Wink, owned and operated the bakery across the street from the space from which the crew was working and casting. Director Benh Zeitlin posted a casting flyer with tearaway numbers in Dwight's bakery and, after several weeks, invited Dwight over for a read. Two days later, Dwight moved his shop to a larger space, and when the crew went looking for him to ask for a call back, no one could figure out where he went. Two months later, they located him, but he turned down the offer, as he was investing all his time in the new bakery. Finally, every single person involved with the film at that point showed up at his bakery at the same time and told him he had to do the movie. Dwight agreed, as long as they rehearsed with him during his midnight baker's hours. See more »
When Hushpuppy's dad poured drinks for him and Hushpuppy, he placed the plastic container cup in front of him and a cup with handle for Hushpuppy. Hushpuppy is seen drinking from the cup with handle, but the next shot her dad is drinking from Hushpuppy's cup, and then the next shot is the plastic container cup, then the one with handle again. See more »
All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
But sometimes they be talkin' in codes.
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"When it all goes quiet behind my eyes, I see everything that made me flying around in invisible pieces."
What can I say about Beasts of the Southern Wild, that hasn't already been said. It's the most magical and imaginative film of the year, so far. In Benh Zeitlin's Beasts of the Southern Wild, the wild things are in a place known as the Bathtub, a remote stretch of the Louisiana bayou profoundly cut off from the rest of modern civilization. Beasts of Southern Wild is an unique vision that sweeps viewers away with energy, attitude and a full, vibrant, sense of life. Containing outstanding performances, great cinematography, and a fantastic score, the film is just so engrossing.
Hushpuppy feels her connection not only to nature and animals, but also to the prehistoric era, represented throughout the film by her interest in cave drawings andmore fancifullyprehistoric beasts called aurochs that have been released from the ice caps and make their way toward the Bathtub at least in Hushpuppy's mind. The difference between what's real and what lives in the imagination of our six-year-old heroine is not always clear, but it's all delivered with a beautifully assured sense of wonder.
Beasts of the Southern Wild unfolds through Hushpuppy's eyes, and it's a sight to behold: sometimes wondrous, often disordered and dysfunctional. It's hard not to see the film through a political lens even if you're apolitical. But there's no stridency here: Fantastical moments and a fantastic script manage to juggle so much with grace. As Hushpuppy says, "The entire world depends on everything fitting together just right." But her world is one where wealth and squalor co-exist all too easily, the discrepancy painfully obvious (even though we don't really see the other world), the puzzle pieces not equal in weight or importance. Yet the hardscrabble people of Bathtub still find a way to channel their joy, even though they've been forgotten.
It's all the more impressive that such a confident and resourceful film comes from a first-timer; writer-director Benh Zeitlin previously impressed Sundance audiences with the Hurricane Katrina inspired short "Glory at Sea." He collaborated on the screenplay for "Beasts" with Lucy Alibar and worked with a cast and crew of mostly non-professionals (both Wallis and Henry make genuinely astonishing screen debuts). That freshness may very well be key to the film's creative success. There's a feeling of genuine enthusiasm and ingenuity in their work here, as if everyone involved was truly discovering the power and potential of filmmaking for the first time.
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