Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. Written by
Sundance Film Festival
The film was a 2009 June Screenwriters and Directors Lab participant, a 2010 Sundance/NHK International Filmmakers Award winner, and was officially selected for the US and World Cinema Dramatic and Documentary Competitions of the 2012 Sundance Film Festival. See more »
Hushpuppy's father, Wink, is removed from "The Bathtub" and taken to a medical clinic after the storm. While at the clinic, he is obviously sick, and told he must undergo medical treatment to live. Wink refuses the treatment, and is physically restrained by the staff. Later, he is administered painkillers or sedatives to calm him down, which he rejects. In the United States, where this film takes place, an adult citizen has the right to refuse medical treatment. No American doctor or nurse in his or her right mind would ever physically restrain a patient after being informed the patient has declined medical attention. Wink has every right to decline treatment and walk out of the clinic. He also has every right to sue the medical staff for 10 million dollars for the medical treatment he has refused, not to mention assault, and he would almost certainly win that case. See more »
All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
But sometimes they be talkin' in codes.
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Over-rated, over-hyped, formless, plot less, trite .. and I still liked it
As I said, I thought the film is over-rated, over-hyped, formless, basically plot less, and trite. The father is a mean drunk (who still loves his kid), and the kid is a solemn and wise six year-old. Two stereotypes, wouldn't you say? They live in The Bathtub, a shattered but colorful community on the gulf side of the levee. The community is comprised of other drunk people who also love and care about Hushpuppy, the young girl. Hushpuppy is quite precocious, interested in things that don't usually concern girls of her age: the after-life, ecology, such eternal questions as the meaning of life. She of course loves her mean drunk father and all the furred and feathered creatures that live in their little farmlet. There is an air about the film that is surreal. The characters in their madness are a bit like the characters in Mad Max. They are all over-sized and eminently watchable in their enthusiastic inebriation. But I wished for a few moments of lucidity, where people just talk to each other without ranting and raving. The overall impression that I got is one of sadness. There is very little joy -- other than that which comes from the bottle -- in their lives. This said, I enjoyed the movie. It is very watchable, but in a guilty sort of way. Their lives are painful. It is set in a part of the world that we don't normally see, with people we would generally avoid. Technically it is very well done. The visuals are great. I would recommend seeing it but not attending too much to the surrounding hype.
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