Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink, in the Bathtub, a southern Delta community at the edge of the world. Wink's tough love prepares her for the unraveling of the universe; for a time when he's no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack, temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink's health fading, Hushpuppy goes in search of her lost mother. Written by
Sundance Film Festival
Shares many thematic connections to Court 13's earlier short film Glory at Sea (2008). Both deal with a ravaged community beset by storms. Both reference Greek myths, including "Elysian Fields", and contain fantastic elements in an otherwise very "real" narrative, otherwise known as magic realism. Also, the character of Sergeant Major, played by Jimmy Lee Moore, appears in both films in a significant role. See more »
Hushpuppy is sharing food with her dad, but she has crumbs on the corners of her lips already. See more »
All the time, everywhere, everything's hearts are beating and squirting, and talking to each other the ways I can't understand. Most of the time they probably be saying: I'm hungry, or I gotta poop.
[listening to bird's heartbeat]
But sometimes they be talkin' in codes.
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I can understand how most people view this film within the context of Hurricane Katrina. But even as a former denizen of the Gulf coast who sat out Alicia, Claudette, Allen, Rita, and Ike, I view this film in a much, much larger context. It goes beyond stereotype and into archetype -- the denizens of the Bathtub aren't poor drunks at the mercy of the environment, they are The People of the world they inhabit. Hushpuppy doesn't have a drunk father, she has a Father, with many of the faults and strengths of the immortal epic heroes -- anger, pride, genuine love and concern. Hushpuppy herself isn't just a little girl, she is The Child -- the purveyor of a magic which is real, intimately connected with her world, imaginatively linked with All Things. The outside world is a place of Things and Machines, of paperwork and rules -- and is never actually named, you see, because that would diminish it. Everything in this film exists within the realm of archetype, and if you watch it with that in mind, its multiple messages take on cosmic significance. Beautifully shot, beautifully acted -- it's going to take a few more days for the entire thing to completely sink in. Outstanding!
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