There Will Be Blood (2007)

User Rating:

8.2/10   

Director:

Paul Thomas Anderson

Writers (WGA):

Paul Thomas Anderson (screenplay)
Upton Sinclair (novel)

Release Date:

11 January 2008 (USA)

Genre:

Drama | Thriller

Tagline:

When Ambition Meets Faith

Plot:

A story about family, greed, religion, and oil, centered around a turn-of-the-century prospector in the early days of the business.

Plot Keywords:

Oil | Land | California | Prospector | Greed

Awards:

Won 2 Oscars. Another 55 wins & 51 nominations

Cast

Daniel Day-Lewis	...	Daniel Plainview
Martin Stringer	...	Silver Assay Worker
Matthew Braden Stringer	...	Silver Assay Worker
Jacob Stringer	...	Silver Assay Worker
Joseph Mussey	...	Silver Assay Worker
Barry Del Sherman	...	H.B. Ailman
Harrison Taylor	...	Baby H.W. Plainview
Stockton Taylor	...	Baby H.W. Plainview
Paul F. Tompkins	...	Prescott
Dillon Freasier	...	Young H.W. Plainview
Kevin Breznahan	...	Signal Hill Man
Jim Meskimen	...	Signal Hill Married Man
Erica Sullivan	...	Signal Hill Woman
Randall Carver	...	Mr. Bankside
Coco Leigh	...	Mrs. Bankside

Also Known As:

Oil! (USA) (working title)

MPAA:

Rated R for some violence.

Runtime:

158 min

Country:

USA

Language:

English | American Sign Language

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

Ireland:15A | Finland:K-13 | Singapore:PG | Canada:13+ (Québec) | Canada:14A (Manitoba) | Germany:12 (f) | Netherlands:16 | South Africa:16LV | USA:R (certificate #43414) | Brazil:14 | Australia:M | UK:12A (original rating) | UK:15 (re-rating on appeal) | Norway:15 | Czech Republic:15 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Philippines:R-13 (MTRCB) | New Zealand:R13 | Sweden:15 | Denmark:15 | Canada:PG (Alberta/British Columbia/Ontario) | South Korea:15 | Hong Kong:IIA | Malaysia:U | Argentina:13 | Taiwan:R-12 | Greece:K-13 | France:U (with warning) | Portugal:M/12 (Qualidade) | Austria:16

Filming Locations:

El Mirage Dry Lake, California, USA

Company:

Ghoulardi Film Company

Trivia:

The film was originally given a 12A rating in the UK for cinema exhibition, meaning that children of any age could see it, with adult supervision if they were younger than 12. In a curious move, the distributors subsequently appealed to the British Board of Film Classification to consider raising the certificate. The BBFC agreed, and the film was subsequently uprated to a more restrictive 15, preventing anyone under that age from being admitted to screenings regardless of parental supervision.

Goofs:

Anachronisms: A bright modern warning light is visible under the dash of one of the cars when a door is opened early in the movie. Several vehicles also display number-plates incorrect for the period.

Quotes:

Plainview: I'm gonna bury you underground, Eli.

Movie Connections:

References The Treasure of the Sierra Madre (1948)

Soundtrack:

Smear

Remember Those Hollywood Studio Epics? Me Either. But We're Covered.

The year I was born was the same year Predator and Robocop came out. When I was finally old enough to appreciate films, Little Nicky was in theaters. I know, believe me, I know; rocky start. And often I would watch older films, or specials on older films, and be dazzled. You know the ones. Remember when they made Spartacus? Remember sitting in the movies and watching Gregory Peck play Atticus Finch in To Kill A Mockingbird? Remember the first time you heard "I could've been a contender" through theater speakers? Well I sure as hell don't. But I'll tell you what, now I feel somewhat caught up. Let's begin with the obvious. Daniel Day Lewis. No one's arguing about this. The man is a veritable God among ants on the screen. He takes his role by the reigns and I don't doubt him for a second. In fact, at times, I was downright afraid of the man. Lewis gives what is easily, EASILY the best performance of the past five years. But let's get serious about it. Lewis' Daniel Plainview is the most convincing, awe-inspiring, and downright mortifying character to take the big screen that I can remember. Here, perfectly in his element and at his best, Lewis could go toe to toe with Brando and Kinski, playing a part that oozes enough skill and pathos to earn him a place among Hollywood's, and perhaps the world's, greatest performances of all time. He gives those of us who missed out on the craft, depth of character, and technique of classic cinema a chance to admire a tour de force portrayal of a memorable, identifiable, and completely despicable character, and it's so damned refreshing that I can't stop singing the man's praises. Paul Dano has been taking a lot of fire for this whole thing. People continue to spout their disapproval of the film's casting, saying that Dano has no business rivaling the seasoned Lewis on the screen. Listen, lay down your swords a minute and consider the obvious. The guy was cast opposite the performance of the decade, he's not going to outshine Lewis and you'd be crazy to expect him to. In fact, I think that he and Lewis' back-and-forths are the films highlights, as we see the juxtaposition not only in the characters themselves, but also in their acting techniques. And the cinematography? Welcome to the old days of film. The glory days of Hollywood. Anderson gives us one of the most beautifully shot and directed films in recent memory, truly at the top of his craft on this one. Every moment feels more epic than the last, until the film becomes such a towering cinematic spectacle that the end leaves the viewer exhausted. It's truly an experience not to be missed. Yeah, we missed out on A Street Car Named Desire. And Casablanca isn't gonna be in theaters again any time soon. But in the meantime, There Will Be Blood is just about as good, and will likely haunt our generation as much as the Hollywood studio epics of the past...