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There Will Be Blood (2007)

 -  Drama  -  25 January 2008 (USA)
8.1
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Ratings: 8.1/10 from 286,824 users   Metascore: 92/100
Reviews: 1,070 user | 383 critic | 39 from Metacritic.com

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.

Writers:

(screenplay), (novel)
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Top 250 #184 | Won 2 Oscars. Another 102 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Martin Stringer ...
Matthew Braden Stringer ...
Jacob Stringer ...
Joseph Mussey ...
...
Harrison Taylor ...
Stockton Taylor ...
...
...
HW
...
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Signal Hill Married Man
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Signal Hill Woman
...
Coco Leigh ...
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Storyline

The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by Huggo / edited by statmanjeff

Plot Summary | Plot Synopsis

Plot Keywords:

oil | land | california | prospector | money | See more »

Taglines:

When Ambition Meets Faith See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Release Date:

25 January 2008 (USA)  »

Also Known As:

Oil!  »

Filming Locations:

 »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£215,490 (UK) (8 February 2008)

Gross:

$40,218,903 (USA) (25 April 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Paul Thomas Anderson stated that he watched The Treasure of the Sierra Madre (1948) every night before filming this movie. See more »

Goofs

At the end of the scene when Paul Sunday shows Daniel Plainview the location of the Sunday Ranch on the map, Paul picks up a hat that is quite clearly his own and not Daniel's - Daniel's hat is a dun brown "boss of the plains", while Paul's is grey and more like a wide-brimmed fedora. See more »

Quotes

Plainview: [mumbles] Abandoned my child.
Eli Sunday: Say it louder... say it louder!
Plainview: I've abandoned my child! I've abandoned my child! I've abandoned my boy!
Eli Sunday: Now beg for the blood!
Plainview: [sotto voce] Please, give me the blood, Eli. Let me get out of here.
Plainview: [aloud] Give me the blood, Lord, and let me get away!
See more »

Crazy Credits

There are no opening credits, except for the title See more »

Connections

References Lolita (1962) See more »

Soundtracks

What a Friend We Have in Jesus
Written by Joseph Scriven & Charles Converse
Performed by Church of the Third Revelation
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Stunning
27 December 2007 | by (United States) – See all my reviews

This film raises the game for everyone out there. I have loved all of Paul Thomas Anderson's work, including his greatly underrated Punch-Drunk Love, but this is a huge leap from any of the previous movies into a realm, as others have said, inhabited by classics such as Treasure of the Sierra Madre - and then some. Every element of this film is astonishing, from the opening twenty minutes, which feature virtually no dialog, to Jonny Greenwood's score, which I have heard criticized as too imposing but which seems just about perfect to me (and brings to mind the non-Blue Danube elements of 2001 at its most experimental). Daniel Day-Lewis' performance is in a league of its own: his voice, his mannerisms, his physical movement, his stunted emotions, are flesh and blood, and hauntingly so, in a way that even Tommy Lee Jones in In The Valley of Elah (which I thought was a pretty staggering performance) can't quite attain. I will watch this film again and again simply to see something so raw and so moving and so gut-wrenching. This is why I love movies; this is what made me want to make movies when I was fourteen years old.


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