1,152 user 414 critic

There Will Be Blood (2007)

R | | Drama | 25 January 2008 (USA)
2:13 | Trailer

Watch Now

With Prime Video

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.


(written for the screen by), (novel)
311 ( 106)
Top Rated Movies #162 | Won 2 Oscars. Another 106 wins & 136 nominations. See more awards »



Learn more

People who liked this also liked... 

Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

Directors: Ethan Coen, Joel Coen
Stars: Tommy Lee Jones, Javier Bardem, Josh Brolin
The Master (2012)
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

Director: Paul Thomas Anderson
Stars: Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

Director: Martin Scorsese
Stars: Leonardo DiCaprio, Cameron Diaz, Daniel Day-Lewis
Boogie Nights (1997)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The story of a young man's adventures in the Californian pornography industry of the late 1970s and early 1980s.

Director: Paul Thomas Anderson
Stars: Mark Wahlberg, Julianne Moore, Burt Reynolds
Fargo (1996)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.

Directors: Joel Coen, Ethan Coen
Stars: William H. Macy, Frances McDormand, Steve Buscemi
Magnolia (1999)
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.

Director: Paul Thomas Anderson
Stars: Tom Cruise, Jason Robards, Julianne Moore
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

"The Dude" Lebowski, mistaken for a millionaire Lebowski, seeks restitution for his ruined rug and enlists his bowling buddies to help get it.

Directors: Joel Coen, Ethan Coen
Stars: Jeff Bridges, John Goodman, Julianne Moore
Gran Torino (2008)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

Disgruntled Korean War veteran Walt Kowalski sets out to reform his neighbor, a Hmong teenager who tried to steal Kowalski's prized possession: a 1972 Gran Torino.

Director: Clint Eastwood
Stars: Clint Eastwood, Bee Vang, Christopher Carley
Taxi Driver (1976)
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.

Director: Martin Scorsese
Stars: Robert De Niro, Jodie Foster, Cybill Shepherd
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.

Director: Paul Thomas Anderson
Stars: Adam Sandler, Emily Watson, Philip Seymour Hoffman
Drama | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A boy who communicates with spirits seeks the help of a disheartened child psychologist.

Director: M. Night Shyamalan
Stars: Bruce Willis, Haley Joel Osment, Toni Collette
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  

After a simple jewelry heist goes terribly wrong, the surviving criminals begin to suspect that one of them is a police informant.

Director: Quentin Tarantino
Stars: Harvey Keitel, Tim Roth, Michael Madsen


Cast overview, first billed only:
Martin Stringer ...
Silver Assay Worker
Matthew Braden Stringer ...
Silver Assay Worker
Jacob Stringer ...
Silver Assay Worker
Joseph Mussey ...
Silver Assay Worker
H.B. Ailman
Harrison Taylor ...
Stockton Taylor ...
Baby HW
Signal Hill Man
Signal Hill Married Man
Erica Sullivan ...
Signal Hill Woman
Coco Leigh ...


The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by Huggo / edited by statmanjeff

Plot Summary | Plot Synopsis


There Will Be Greed. There Will Be Vengeance. See more »



Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:



Official Sites:



Release Date:

25 January 2008 (USA)  »

Also Known As:

Oil!  »

Filming Locations:



Box Office


$25,000,000 (estimated)

Opening Weekend USA:

$302,845, 30 December 2007, Limited Release

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.39 : 1
See  »

Did You Know?


Along with his win in 1989, Daniel Day-Lewis became only the Eighth actor to win the Academy Award for Best Actor twice; the others are Fredric March (1932, 1946), Jack Nicholson (1975, 1997), Marlon Brando (1954, 1972), Gary Cooper (1941, 1952), Tom Hanks (1993, 1994), Dustin Hoffman (1979, 1988) and Spencer Tracy (1937, 1938). Sean Penn (2003, 2008) later became the ninth member of this club. See more »


During the tracking shot from the train tracks that follows the car of Daniel Plainview, you can see the dolly track for a moment when the camera pulls back, just before the camera pans to the right. See more »


Eli Sunday: How is all the work coming?
Plainview: Everything's good.
Eli Sunday: All the men are provided for?
Plainview: Of course.
Eli Sunday: Spirits seem high. Is there... anything that you need from me? Anything the church can do for you?
Plainview: I don't believe so, no. Thank you.
Eli Sunday: I understand you've asked the people to gather round and watch the well begin tomorrow, is that right?
Plainview: That's right.
Eli Sunday: I will bless the well. Before you begin, you should introduce me. You'll see me walk up towards the oil well, and...
Plainview: The derrick.
See more »

Crazy Credits

There are no opening credits, except for the title See more »


Referenced in Poker Night at the Inventory (2010) See more »


Pärt: Fratres for Cello and Piano
Composed by Arvo Pärt (as Arvo Part)
Performed by I Fiamminghi (as I Fiamminghi, The Orchestra of Flanders)
Conducted by Rudolf Werthen
Courtesy of Telarc International Corporation
See more »

Frequently Asked Questions

See more »

User Reviews

A blood-soaked, oil-sopping epic that'll delight many, dissatisfy others…
26 February 2008 | by See all my reviews

"I'm an oil man!" Asserts Daniel Plainview (Daniel Day-Lewis) to a colony of naïve citizens of which he is astutely slipping into his trouser pocket one by one. However (in this case) the man speaks no lie for his veins do indeed run rich with plutonium oil. A crude, black substance embedded deep in the merciless heart of director Paul Thomas Anderson's gargantuan North American epic- There Will Be Blood. A perpetually steady, emotionally-draining and dark character study of an oil guzzling tycoon that vigorously chews on the themes of gluttony and deception, faith and ambition, death and revulsion. Do not be mislead by its title, though. This is not some balls-to-the-wall slasher-flick (as the "chavs" sat behind me seemed to think at the outset). It is a gruelling, drawn-out dissection of a loathsome yet sinisterly-comical individual consumed and maddened by his own persona. And it's absolutely formidable- visual and melodramatic arrestment at its bona fide best that exudes cinematic precision and awe with satire to spare. But it's also a long-winded affair. So thrill seeking, gore-craving moviegoers walk away, now. I'm afraid there will be no blood for you. Sorry. Add to that list- chic-flick, rom-com and sci-fi enthusiasts. You guys may be better off buying another ticket. Taking another ride. Those left, steady yourself for, perhaps, this year's most thought-provoking feature driven by a leading character performance fit to rival the very best.

Ushering in a near dialogue-free opening 15 minutes with a distinct fade-in, Anderson wastes no time in introducing us to the protagonist. Daniel Day-Lewis plays…no scratch that…Daniel Day-Lewis is Daniel Plainview. An ambitious, moustached miner who, while thrashing away at the crust of his motherland- at the turn of the twentieth century- strikes oil. A profitable discovery that fortuitously leads him to H.W (Dillon Freasier), a new-born infant of whom he slots forcefully under his oil sodden wing only to drag about the entire continent in search of large segments of land in which crude oil is stirring directly beneath. Soon enough, Plainview forges a blossoming "family" oil drilling corporation that soon establishes itself as a force in the industry and prospects appear even brighter when, in 1911, Plainview receives a generously eerie, yet pricey tip-off as to where there may be a sturdy supply of his beloved oil. A tip-off in which he pursues like a unwavering moth to an oil fuelled flame as he meanders ominously into Little Boston, California where the true colours of the indomitable oil baron edge disturbingly into light.

Daniel Plainview is an angry, vengeful man whose promises and loyalties to those around him are as false and as futile as his love and respect for God. He "guarantees" the people of the Little Boston ranch; food, water, schools and, to the town's radically odd preacher Eli Sunday (an inspired Paul Dano), a newly renovated church of the Third Revelation. But he cares little for the reserving of his pledges and spends little time guilt-tripping over his numerous acts of iniquity. "I look at people," he says "and I see nothing worth liking." "I have a competition in me," he continues "and I want no one else to succeed". Self-centred sociopath?…Yep, for Plainview is as putrid and as predatory as any character to ever grace the big screen. He putrefies slowly, though. The end product appearing more entity than man. Better yet: an egocentric emblem of evil that governs the screen in an implausible manner in which only an actor of Day-Lewis' calibre can. The sheer potency of his flawless portrayal actually carries the relatively toothless narrative in areas which could be further criticised for chugging along at a near crawling pace at times.

Visually and acoustically, though, TWBB is outstanding- every nuance of every aural and cinematic component work so well with one another to help give the film such power and impact. It's just a shame that no real direction or purpose bled into the screenplay for which Anderson adapted from Upton Sinclair's 1927 novel- Oil. As far as storytelling goes, Anderson has underperformed here. His narrative lacks any legitimate path or hooks and, to be honest, the lack of defining moments- bar the infamous confession and milkshake scenes- within 158 minute running length is a little disappointing. But the manner in which Day-Lewis dictates the audiences' attention more or less vanquishes any negative thoughts regarding the muscle of the plot. Which is why it comes as no surprise that everybody and their brother have duly commended the London-born method actor's impeccable, Oscar winning performance: the epitome of everything grand about Anderson's fifth but not quite finest feature yet; profound, provoking, intense, immense.

In spite of its flaws, TWBB is still an exceptionally powerful piece of cinema that'll remain etched in the minds of those who take to it for quite some time. Even if it's quality is not there for all to see, in plain view.

16 of 24 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 1,152 user reviews »

Contribute to This Page