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There Will Be Blood (2007)

R  |   |  Drama  |  25 January 2008 (USA)
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Ratings: 8.1/10 from 339,943 users   Metascore: 92/100
Reviews: 1,091 user | 392 critic | 39 from Metacritic.com

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.


(screenplay), (novel)
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Top Rated Movies #175 | Won 2 Oscars. Another 97 wins & 121 nominations. See more awards »



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Cast overview, first billed only:
Martin Stringer ...
Matthew Braden Stringer ...
Jacob Stringer ...
Joseph Mussey ...
Harrison Taylor ...
Stockton Taylor ...
Signal Hill Married Man
Erica Sullivan ...
Signal Hill Woman
Coco Leigh ...


The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ... Written by Huggo / edited by statmanjeff

Plot Summary | Plot Synopsis


There Will Be Greed. There Will Be Vengeance. See more »



Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:



Official Sites:

| |  »


Release Date:

25 January 2008 (USA)  »

Also Known As:

Oil!  »

Filming Locations:


Box Office


$25,000,000 (estimated)

Opening Weekend:

$302,845 (USA) (28 December 2007)


$40,218,903 (USA) (25 April 2008)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Several characters seen or mentioned in 'There Will Be Blood' seem to have been based on historical figures. Though his name is never spoken during the film, Plainview's business partner H. B. Ailman shares the name of an actual prospector and oil man who was active during the turn of the century and associates with oil tycoon Edward L. Doheny, on whom Daniel Plainview seems to have been partly based. The two Standard Oil representatives "H. M. Tilford" and "J. J. Carter" who meet with Plainview are based on historical oil men: Henry Morgan Tilford was once vice-president of the Standard Oil Company during the turn of the century, while John Joyce Carter's Carter Oil Company was incorporated and subsidized by Standard Oil (New Jersey) in the 1890s. At one point in the film, the name "A. C. Maude" is stated as a property holder in Little Boston; the actual A. C. Maude was a prominent community member of Bakersfield, California during the late 1800s; Bakersfield is located in Kern County, where over 80% of California's oil wells are found. The name "Redlick" is also stated as a Little Boston property holder; Joseph Redlick was also a prominent community member of Bakersfield during the early 1900s. See more »


During the final scene in the bowling alley, Eli pours drinks for himself and Daniel Plainview. Daniel refuses the drink so Eli sets Daniel's drink and an empty glass behind him. As they converse, Eli drinks from his glass until Daniel orders him to stand and say that he is a false prophet. As he stands, Eli takes one last sip of his drink without finishing it and sets it down about a quarter full besides the other two glasses. On the next shot when the glasses are visible over Eli's shoulder, we can see Daniel's untouched drink and two empty glasses whereas Eli's drink was still about a quarter full when he put it down. See more »


[last lines]
Plainview: I'm finished.
See more »

Crazy Credits

There are no opening credits, except for the title See more »


Referenced in RuPaul's Drag Race: Scream Queens (2014) See more »


Composed by Jonny Greenwood
Performed by London Sinfonietta (as The London Sinfonietta)
Conducted by Martyn Brabbins
Ondes Martenot solos by Valérie Hartmann-Claverie & Bruno Perrault
Recorded for Broadcast on BBC Radio 3 on 25th June 2005
Licensed Courtesy of BBC Worldwide
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Frequently Asked Questions

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User Reviews

Remember Those Hollywood Studio Epics? Me Either. But We're Covered.
14 January 2008 | by (Philadelphia, PA) – See all my reviews

The year I was born was the same year Predator and Robocop came out. When I was finally old enough to appreciate films, Little Nicky was in theaters. I know, believe me, I know; rocky start. And often I would watch older films, or specials on older films, and be dazzled. You know the ones. Remember when they made Spartacus? Remember sitting in the movies and watching Gregory Peck play Atticus Finch in To Kill A Mockingbird? Remember the first time you heard "I could've been a contender" through theater speakers? Well I sure as hell don't. But I'll tell you what, now I feel somewhat caught up. Let's begin with the obvious. Daniel Day Lewis. No one's arguing about this. The man is a veritable God among ants on the screen. He takes his role by the reigns and I don't doubt him for a second. In fact, at times, I was downright afraid of the man. Lewis gives what is easily, EASILY the best performance of the past five years. But let's get serious about it. Lewis' Daniel Plainview is the most convincing, awe-inspiring, and downright mortifying character to take the big screen that I can remember. Here, perfectly in his element and at his best, Lewis could go toe to toe with Brando and Kinski, playing a part that oozes enough skill and pathos to earn him a place among Hollywood's, and perhaps the world's, greatest performances of all time. He gives those of us who missed out on the craft, depth of character, and technique of classic cinema a chance to admire a tour de force portrayal of a memorable, identifiable, and completely despicable character, and it's so damned refreshing that I can't stop singing the man's praises. Paul Dano has been taking a lot of fire for this whole thing. People continue to spout their disapproval of the film's casting, saying that Dano has no business rivaling the seasoned Lewis on the screen. Listen, lay down your swords a minute and consider the obvious. The guy was cast opposite the performance of the decade, he's not going to outshine Lewis and you'd be crazy to expect him to. In fact, I think that he and Lewis' back-and-forths are the films highlights, as we see the juxtaposition not only in the characters themselves, but also in their acting techniques. And the cinematography? Welcome to the old days of film. The glory days of Hollywood. Anderson gives us one of the most beautifully shot and directed films in recent memory, truly at the top of his craft on this one. Every moment feels more epic than the last, until the film becomes such a towering cinematic spectacle that the end leaves the viewer exhausted. It's truly an experience not to be missed. Yeah, we missed out on A Street Car Named Desire. And Casablanca isn't gonna be in theaters again any time soon. But in the meantime, There Will Be Blood is just about as good, and will likely haunt our generation as much as the Hollywood studio epics of the past...

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Best Movie of the Last Century? lyfsabych
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