In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. Is it any wonder that so many of our heroes are on performance enhancing ... See full summary »
What if you were a Hollywood movie star with an obsession for cars and racing? You would probably read every script with even the tiniest link to the subject matter, in the hope that you ... See full summary »
In the early 1980s, legendary Billy Mitchell set a Donkey Kong record that stood for almost 25 years. This documentary follows the assault on the record by Steve Wiebe, an earnest teacher from Washington who took up the game while unemployed. The top scores are monitored by a cadre of players and fans associated with Walter Day, an Iowan who runs Funspot, an annual tournament. Wiebe breaks Mitchell's record in public at Funspot, and Mitchell promptly mails a controversial video tape of himself setting a new record. So Wiebe travels to Florida hoping Mitchell will face him for the 2007 Guinness World Records. Will the mind-game-playing Mitchell engage; who will end up holding the record? Written by
Several of those depicted in the documentary, including Wiebe and Mitchell themselves, claim that it does not accurately depict events. For example, Wiebe and Mitchell were, and still are, on much friendlier terms than is suggested, and another player's record was in place during some of the events but is omitted. The director has conceded to many of these claims in statements, arguing that the fictionalized account is more entertaining. See more »
The Donkey Kong cabinet that Steve Wiebe installs in his garage is a combo Donkey Kong/Donkey Kong Jr. cabinet, however the markings on the cabinet are those of a stand-alone Donkey Kong Jr. cabinet. Wiebe specially purchases and installs the "brains" (PCB) of the combo game into his Donkey Kong Jr. cabinet in the course of the movie. See more »
Written by Leonard Cohen & Sharon Robinson
Published by Sony ATV Music Publishing o/b/o Sony/ATV Songs LLC (BMI) and Universal - Geffen Music o/b/o itself and Robinhill Music (ASCAP)
Performed by Leonard Cohen
Courtesy of Columbia Records
by arrangement with Sony BMG Music Entertainment See more »
Though this geeky arcade fighting flick may remain an acquired taste, The King of Kong feels like one of the more entertaining documentaries to emerge in years. Even though you would think the chief demographic of forty year old virgins and basement-ridden, antisocial, hardcore, old-school gamers would flip the bill, Kong immediately offers so much more on so many different levels of psychological and sociological intrigue that anyone not self-conscious enough to feel embarrassed for investing an emotional stake into a Donkey Kong showdown, (highlighting a bittersweet anti-climax) will find themselves deep inside a world they never thought imaginable.
The mock-epic tone, which so many supporting characters delightfully contribute to, feels seized by director Seth Gordon and infused into his charming take on good-vs-evil, letting this potentially inspiring metaphor stretch it's wings into a blossomed, well-rounded quirk-fest far more fun then it's rigorous gaming pedigree would suggest.
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