Paramount+ in France has acquired “French Roulette – A Mother’s Ordeal,” Vincent Garenq’s (“Guilty”) limited series set in the 1970s.
Under the deal, Paramount+ will have exclusive first-window rights in France to the series, which is represented internationally by France TV Distribution, and will premiere it on Dec. 1.
Produced by Paris-based banners La Dame de Coeur and Effervescence Fiction, the miniseries is set in the French Riviera and inspired by the true story of Renée Le Roux, a former top model and fierce businesswoman who ran the city’s historical casino and stood alone against the mafia. After her daughter Agnès went missing, Le Roux embarked on a perilous 40-year battle to uncover the truth. The well-known French actress Michèle Laroque plays Le Roux, and stars opposite Yannick Choirat and Marie Zabukovec. The series was penned by Nicolas Jean, Isabelle Dubernet and Olivier Eloy.
“We are proud to present...
Under the deal, Paramount+ will have exclusive first-window rights in France to the series, which is represented internationally by France TV Distribution, and will premiere it on Dec. 1.
Produced by Paris-based banners La Dame de Coeur and Effervescence Fiction, the miniseries is set in the French Riviera and inspired by the true story of Renée Le Roux, a former top model and fierce businesswoman who ran the city’s historical casino and stood alone against the mafia. After her daughter Agnès went missing, Le Roux embarked on a perilous 40-year battle to uncover the truth. The well-known French actress Michèle Laroque plays Le Roux, and stars opposite Yannick Choirat and Marie Zabukovec. The series was penned by Nicolas Jean, Isabelle Dubernet and Olivier Eloy.
“We are proud to present...
- 10/24/2023
- by Elsa Keslassy
- Variety Film + TV
On set: Vincent Garenq (right) directs Daniel Auteuil in Kalinka Photo: Unifrance
It is based on an extraordinary real-life case involving a father’s enduring love for his daughter. Vincent Garenq’s Kalinka (known in France as Au Nom De Ma Fille) finds André Bamberski waving goodbye to his 14-year-old daughter at the airport. She is going to spend the summer of 1982 in Germany with her mother and stepfather, a seemingly caring doctor, Daniel Krombach. Bamberski never sees her alive again. When Bamberski finally receives a translation of her autopsy, it suggests she might well have been raped and murdered. What follows is a 27-year legal battle as Bamberski seeks to bring to justice Krombach, the man he’s convinced killed his daughter. Bamberski’s efforts are incredible: he fights through the courts with a stoic resolve. Richard Mowe met director Vince Garenq ahead of his visit to present the...
It is based on an extraordinary real-life case involving a father’s enduring love for his daughter. Vincent Garenq’s Kalinka (known in France as Au Nom De Ma Fille) finds André Bamberski waving goodbye to his 14-year-old daughter at the airport. She is going to spend the summer of 1982 in Germany with her mother and stepfather, a seemingly caring doctor, Daniel Krombach. Bamberski never sees her alive again. When Bamberski finally receives a translation of her autopsy, it suggests she might well have been raped and murdered. What follows is a 27-year legal battle as Bamberski seeks to bring to justice Krombach, the man he’s convinced killed his daughter. Bamberski’s efforts are incredible: he fights through the courts with a stoic resolve. Richard Mowe met director Vince Garenq ahead of his visit to present the...
- 6/21/2016
- by Richard Mowe
- eyeforfilm.co.uk
Director discusses new crime-drama starring Daniel Auteuil, his passion for true stories and future projects
French director Vincent Garenq’s new film Kalinka, starring Daniel Auteuil as real-life French accountant André Bamberski who spent 30-years battling to put the German doctor who raped and killed his teenage daughter behind bars, was one of the buzz titles of this year’s Unifrance Rendez-vous with French Cinema in Paris over the weekend (Jan 14-18).
The film is based on Bamberski’s autobiographical Pour Que Justice Te Soit Rendue (So That You See Justice Done) detailing his fight for justice which began in July 1982 after his teenage daughter Kalinka was found dead in bed while on holiday with her mother Danielle and her second husband, a German doctor called Dieter Krombach.
A detail in the post-mortem that there were signs of injury to the girl’s genitals convinced Bamberski that his daughter had been raped before her death and that...
French director Vincent Garenq’s new film Kalinka, starring Daniel Auteuil as real-life French accountant André Bamberski who spent 30-years battling to put the German doctor who raped and killed his teenage daughter behind bars, was one of the buzz titles of this year’s Unifrance Rendez-vous with French Cinema in Paris over the weekend (Jan 14-18).
The film is based on Bamberski’s autobiographical Pour Que Justice Te Soit Rendue (So That You See Justice Done) detailing his fight for justice which began in July 1982 after his teenage daughter Kalinka was found dead in bed while on holiday with her mother Danielle and her second husband, a German doctor called Dieter Krombach.
A detail in the post-mortem that there were signs of injury to the girl’s genitals convinced Bamberski that his daughter had been raped before her death and that...
- 1/21/2016
- ScreenDaily
Market sets scene for Berlin and Cannes but few deals sealed.
Sellers reported a slow start to the year at UniFrance’s annual Rendez-vous with French Cinema in Paris over the weekend (Dec 14-18) in terms of sealed deals but said the event had set the stage for sales at Berlin and even Cannes.
“Buyers are getting pickier. They want titles they’re 100% sure will work in their territories. You get the sense things are tougher for them and that they’re not prepared to take risks. They’re looking for the next La Famille Bélier or Serial (Bad) Weddings,” commented Olivier Albou of Other Angle Pictures, referring to two of France’s top comedy exports of the last 18 months.
Albou said there was strong interest for Other Angle titles The Roommates Party (Le Grand Partage), Full Speed (A Fond), by Babysitting director Nicolas Benamou, and A Mighty Team (La Dream Team), which opened the event on Thursday...
Sellers reported a slow start to the year at UniFrance’s annual Rendez-vous with French Cinema in Paris over the weekend (Dec 14-18) in terms of sealed deals but said the event had set the stage for sales at Berlin and even Cannes.
“Buyers are getting pickier. They want titles they’re 100% sure will work in their territories. You get the sense things are tougher for them and that they’re not prepared to take risks. They’re looking for the next La Famille Bélier or Serial (Bad) Weddings,” commented Olivier Albou of Other Angle Pictures, referring to two of France’s top comedy exports of the last 18 months.
Albou said there was strong interest for Other Angle titles The Roommates Party (Le Grand Partage), Full Speed (A Fond), by Babysitting director Nicolas Benamou, and A Mighty Team (La Dream Team), which opened the event on Thursday...
- 1/20/2016
- ScreenDaily
It’s become a great breaking in the new year traditional here at Ioncinema.com. We begin our countdown to the our most anticipated foreign films (anything outside the U.S.) with our own Nicholas Bell curating the best bets for 2016. Here are the titles and filmmakers that didn’t make our final Top 100 cut, but are nonetheless “radar” worthy.
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
101. El Rey del Once – Daniel Burman
102. The Dancer – Stephanie Di Giusto
103. Le Cancre – Paul Vecchiali
104. While the Women are Sleeping – Wayne Wang
105. Tomorrow – Martha Pinson
106. Spring Again – Gael Morel
107. Crowhurst – Simon Rumley
108. Le Garcon – Philippe Lioret *
109. Marie and the Misfits – Sebastien Betbeder
110. Le Caravage – Alain Chevalier
111. Night Song – Raphael Nadjari
112. Réparer les vivants – Katell Quillevere *
113. Project Lazarus – Mateo Gil
114. Afterimages – Andrzej Wajda
115. Don’t Knock Twice – Caradog James
116. Detour – Christopher Smith
117. The Bride of Rip Van Winkle – Shunji Iwai
118. Three on the Road – Johnnie To
119. Le Vin et le Vent...
- 1/4/2016
- by Eric Lavallee
- IONCINEMA.com
They didn’t make our final Top 100 cut, but here is a list of foreign film titles that are on our radar for 2015. We being with…
200. Remember – Dir. Atom Egoyan
199. Suffragette – Dir. Sarah Gavron
198. Kills on Wheels – Dir. Attila Till
197. Crouching Tiger, Hidden Dragon: The Green Legend – Dir. Yuen Woo-ping
196. The Go-Between – Dir. Pete Travis
195. Peur de Rien Dir. Danielle Arbid
194. Regular Boy – Dir. Michele Civetta
193. Flaskepost – Dir. Nikolaj Arcel
192. The Lady in the Van – Dir. Nicolas Hytner
191. Zoom – Dir. Pedro Morelli
190. Away from the Sea – Dir. Imanol Uribe
189. Tulip Fever – Dir. Justin Chadwick
188. Ulrike’s Brain – Dir. Bruce La Bruce
187. Tsunami – Dir. Jacques Deschamps
186. And Your Sister? – Dir. Marion Vernoux
185. There Was Las Vegas – Dir. Alexandre Castas
184. Prejudice – Dir. Antoine Cuypers
183. Stepne – Dir. Maryna Vroda
182. Irreplaceable – Dir. Olivier Masset-Depasse
181. Histoire de Judas Iscariot – Dir. Rabah Ameur-Zaimeche
180. The First, the Last – Dir. Bouli Lanners
179. Selection Officielle – Dir. Jacques Richard
178. Desierto – Dir.
200. Remember – Dir. Atom Egoyan
199. Suffragette – Dir. Sarah Gavron
198. Kills on Wheels – Dir. Attila Till
197. Crouching Tiger, Hidden Dragon: The Green Legend – Dir. Yuen Woo-ping
196. The Go-Between – Dir. Pete Travis
195. Peur de Rien Dir. Danielle Arbid
194. Regular Boy – Dir. Michele Civetta
193. Flaskepost – Dir. Nikolaj Arcel
192. The Lady in the Van – Dir. Nicolas Hytner
191. Zoom – Dir. Pedro Morelli
190. Away from the Sea – Dir. Imanol Uribe
189. Tulip Fever – Dir. Justin Chadwick
188. Ulrike’s Brain – Dir. Bruce La Bruce
187. Tsunami – Dir. Jacques Deschamps
186. And Your Sister? – Dir. Marion Vernoux
185. There Was Las Vegas – Dir. Alexandre Castas
184. Prejudice – Dir. Antoine Cuypers
183. Stepne – Dir. Maryna Vroda
182. Irreplaceable – Dir. Olivier Masset-Depasse
181. Histoire de Judas Iscariot – Dir. Rabah Ameur-Zaimeche
180. The First, the Last – Dir. Bouli Lanners
179. Selection Officielle – Dir. Jacques Richard
178. Desierto – Dir.
- 1/5/2015
- by Nicholas Bell
- IONCINEMA.com
North of Hell
Director: Anthony Burns
Writer(s): Carlo Allen, Ted Elrick, Tom Lavagnino
Producer(s): Burns, A.J. Buckley, Jeff Culotta and Darko Ent.’s Sean McKittrick
U.S. Distributor: Rights Available
Cast: Katherine Heigl, Jordana Brewster, Patrick Wilson
2010′s Skateland, a Sundance Dramatic Comp entry played well in Park City and it found tlc support but the coming-of-ager didn’t find it’s audience when released theatrically so we’re hoping that Anthony Burns’ North of Hell (a dramedy with a little more acting clout) retains some of the filmmaker’s atmospheric prowess.
Gist: Based on a story by Carlo Allen, Ted Elrick and Tom Lavagnino, and scripted by Anthony Burns, this is about a seductive and scheming new hire causes dangerous problems for a businessman who is married to a bi-polar, obsessive-compulsive woman.
Release Date: With Sundance out of the equation, we now think this could land at Tribeca or Tiff.
Director: Anthony Burns
Writer(s): Carlo Allen, Ted Elrick, Tom Lavagnino
Producer(s): Burns, A.J. Buckley, Jeff Culotta and Darko Ent.’s Sean McKittrick
U.S. Distributor: Rights Available
Cast: Katherine Heigl, Jordana Brewster, Patrick Wilson
2010′s Skateland, a Sundance Dramatic Comp entry played well in Park City and it found tlc support but the coming-of-ager didn’t find it’s audience when released theatrically so we’re hoping that Anthony Burns’ North of Hell (a dramedy with a little more acting clout) retains some of the filmmaker’s atmospheric prowess.
Gist: Based on a story by Carlo Allen, Ted Elrick and Tom Lavagnino, and scripted by Anthony Burns, this is about a seductive and scheming new hire causes dangerous problems for a businessman who is married to a bi-polar, obsessive-compulsive woman.
Release Date: With Sundance out of the equation, we now think this could land at Tribeca or Tiff.
- 2/4/2014
- by Eric Lavallee
- IONCINEMA.com
Justice or Chaos
Director: Vincent Gaenq
Writer: Vincent Garenq
Producers: Nord Ouest Films’ Christophe Rossignon and Philip Boëffard
U.S. Distributor: Rights Available
Cast: Gilles Lelouche, Charles Berling, Florence Loiret Caille
His 2011 sophomore feature Guilty made the pedophilic accusations of The Hunt seem like a cake walk (and is also based on a true story). The acclaimed reception of that film sees him returning to real life injustice, snagging more French notables like Lelouche and Berling to head his cast. If it’s anything like his last film, look forward to a distraught and distressing reenactment.
Gist: A look at the Clearstream case, a politico-financial conspiracy that shook the French Republic in the years 2000.
Release Date: Filming took place last August, so we’re assuming that due to the attention his last film received as well as the subject matter should see this as a prime candidate for a Cannes sidebar,...
Director: Vincent Gaenq
Writer: Vincent Garenq
Producers: Nord Ouest Films’ Christophe Rossignon and Philip Boëffard
U.S. Distributor: Rights Available
Cast: Gilles Lelouche, Charles Berling, Florence Loiret Caille
His 2011 sophomore feature Guilty made the pedophilic accusations of The Hunt seem like a cake walk (and is also based on a true story). The acclaimed reception of that film sees him returning to real life injustice, snagging more French notables like Lelouche and Berling to head his cast. If it’s anything like his last film, look forward to a distraught and distressing reenactment.
Gist: A look at the Clearstream case, a politico-financial conspiracy that shook the French Republic in the years 2000.
Release Date: Filming took place last August, so we’re assuming that due to the attention his last film received as well as the subject matter should see this as a prime candidate for a Cannes sidebar,...
- 2/4/2014
- by Nicholas Bell
- IONCINEMA.com
The Trial
Director: Ronit & Shlomi Elkabetz
Writers: Ronit & Shlomi Elkabetz
Producers: Elzevir & Cie’s Sandrine Brauer, Marie Masmonteil, Denis Carot, Riva film’s Michael Eckelt & Dbg Films’ Schlomi Elkabetz
U.S. Distributor: Rights available
Cast: Simon Abkarian, Ronit Elkabetz, Sasson Gabai
Brother and sister duo Ronit and Shlomi Elkabetz complete the film trilogy they began back in 2004 with To Take a Wife, followed by 2008′s 7 Days, where we follow the relationship of Viviane and Eliahou. The third installment’s borrowing of Kafka’s most famed novel appears to be on purpose. If you’re unfamiliar with the previous titles, Ronit Elkabetz is one of Israel’s most famed actresses and many know her for an award winning turn in 2004′s Or, which won the Critics Week Grand Prize and Golden Camera at Cannes (but it’s a good time to catch up on the first two if you haven’t seen them).
Gist: In Israel,...
Director: Ronit & Shlomi Elkabetz
Writers: Ronit & Shlomi Elkabetz
Producers: Elzevir & Cie’s Sandrine Brauer, Marie Masmonteil, Denis Carot, Riva film’s Michael Eckelt & Dbg Films’ Schlomi Elkabetz
U.S. Distributor: Rights available
Cast: Simon Abkarian, Ronit Elkabetz, Sasson Gabai
Brother and sister duo Ronit and Shlomi Elkabetz complete the film trilogy they began back in 2004 with To Take a Wife, followed by 2008′s 7 Days, where we follow the relationship of Viviane and Eliahou. The third installment’s borrowing of Kafka’s most famed novel appears to be on purpose. If you’re unfamiliar with the previous titles, Ronit Elkabetz is one of Israel’s most famed actresses and many know her for an award winning turn in 2004′s Or, which won the Critics Week Grand Prize and Golden Camera at Cannes (but it’s a good time to catch up on the first two if you haven’t seen them).
Gist: In Israel,...
- 2/4/2014
- by Nicholas Bell
- IONCINEMA.com
A little bit of coin news from Europe’s Eurimages Fund (support of 13 projects) in the same token drops a couple of hints on where we might be at with some of our favorite European auteurs – topping the list and making our mouths water for Cannes 2014 is a listing for Nuri Bilge Ceylan’s next feature film entitled Winter Sleep – a Turkish-German-France co-production. Further digging tells us that Ceylan actually began filming in late January in the unique backdrop of Cappadocia, Turkey with actors Haluk Bilginer (The Reluctant Fundamentalist), Demet Akbag, Melisa Sözen on board. Swedish auteur Ruben Ostlund (whose Play is mysteriously still without a U.S Distributor) is inches away from filming Tourist – which will be ready for a Croisette 2014 showing as well. Jasmila Zbanic who won big in Berlin back in 2006 with Grbavica: The Land of My Dreams, is funding her latest Love Island and feel...
- 3/20/2013
- by Eric Lavallee
- IONCINEMA.com
The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
- 11/2/2012
- by NewsDesk
- DearCinema.com
I can't remember a time I went to the Seattle International Film Festival (Siff) press launch and looked over the list of films and saw so many I was interested in seeing. The claim to fame for over the years is to call it the largest and most-highly attended festival in the United States. This is a fact I've often taken issue with as I don't equate quantity with quality. Granted, there has been a large number of quality features to play the fest over the years, including Golden Space Needle (Best Film) winners such as Kiss of the Spider Woman (1985), My Life as a Dog (1987), Trainspotting (1996), Run Lola Run (1999), Whale Rider (2003) and even recent Best Director winner, Michel Hazanavicius's Oss 117: Nest of Spies in 2006. That said, looking over this year's crop of films I see a lot of films I will be doing my absolute best to see.
- 4/27/2012
- by Brad Brevet
- Rope of Silicon
The 55th San Francisco International Film Festival (site), opening tomorrow and running through May 3, "will seem comfortingly the same" to many in the Bay Area, writes G Allen Johnson in the Chronicle:
[A] lavish opening-night film and party, a rocking closing-night film and, in the two weeks between, 172 more films from 45 countries and tributes to distinguished celebrities... But behind the scenes, it's been the most challenging year in the festival's history. Two executive directors of the San Francisco Film Society have died — Graham Leggat, who lost a battle to cancer in August at 51; and his replacement, independent film maestro Bingham Ray, who had two strokes and died at 57 while attending the Sundance Film Festival in January. He had been on the job only 10 weeks.
"It sounds like a line, but it's actually true that for me personally it was a relief that I had something I could throw myself into that...
[A] lavish opening-night film and party, a rocking closing-night film and, in the two weeks between, 172 more films from 45 countries and tributes to distinguished celebrities... But behind the scenes, it's been the most challenging year in the festival's history. Two executive directors of the San Francisco Film Society have died — Graham Leggat, who lost a battle to cancer in August at 51; and his replacement, independent film maestro Bingham Ray, who had two strokes and died at 57 while attending the Sundance Film Festival in January. He had been on the job only 10 weeks.
"It sounds like a line, but it's actually true that for me personally it was a relief that I had something I could throw myself into that...
- 4/18/2012
- MUBI
The 16th Annual City of Lights, City of Angels (Col•Coa) film festival will run April 16-23 in Los Angeles . Sponsored by The Franco-American Cultural Fund (Facf), the festival will present 34 features and 21 shorts, including 10 North American and U.S. Premieres, and 14 West Coast Premieres. “The historic triumph of The Artist (Isa:Wild Bunch) reflects a remarkable year for French cinema and we are glad to introduce a broad spectrum of new films to Hollywood that reveal both the quality and diversity of recent French productions,” stated François Truffart, Col•Coa Executive Director and Artistic Director.
Col•Coa will open with the North American Premiere of My Way (CloClo) (Isa:lgm), a biopic about French pop star icon Claude François, directed by Florent-Emilio Siri, co-written by Siri and Julien Rappeneau and starring Jérémie Renier. Recently released in France , My Way is already a critical and commercial success.
Several U.S. distributors will present their films at Col•Coa before their U.S. release: Cinema Guild – Step up to the Plate (Isa:Jour2Fete); The Cohen Media Group – Farewell My Queen (Isa:Elle Driver): Kino Lorber –The Well Digger’s Daughter (Isa:Pathe); Mpi Media – Americano (Isa:Bac Films); Sundance Selects – Goodbye First Love! (Isa:Films Distribution) and Polisse (Isa:Wild Bunch); Strand Releasing - 17 Girls (Isa:Films Distribution); The Weinstein Company – The Intouchables (Isa:Gaumont), A Gang Story (Isa:Gaumont) and War of the Buttons (Isa:Wild Bunch); and Screen Media for A Happy Event (Isa:Gaumont) from co-writer-director Remi Bezançon, also in competition at Col·Coa for his animated feature Zarafa (Isa:Pathe).
Closing film on Sunday, April 22nd will be a special presentation, in association with The Weinstein Company, of the already third most successful French box office success: The Intouchables (Isa:Gaumont) Starring François Cluzet and César winner for Best Actor Omar Sy, this hit comedy marks the fourth film from writer-directors Olivier Nakache and Eric Toledano presented at Col•Coa Cannes Jury Special Prize winner and 13 César-nominated drama, Polisse (Isa:Wild Bunch) co-written and directed by Maïwenn, will be presented at Col•Coa, one day after its U.S. Premiere at Tribeca. Berlin International Film Festival opening film, Farewell My Queen (Isa:Elle Driver) co-written and directed by Col·Coa 2011 Critics Award-winner Benoit Jacquot, will have a special presentation at Col·Coa before opening the San Francisco International Film Festival. Other highlights include César multi-nominated and critically acclaimed film, The Minister (Isa:Doc & Film Interntional), written and directed by Pierre Schoeller; the 3D presentation in English of A Monster in Paris (Isa:EuropaCorp), an animated feature co-written and directed by Bibo Bergeron, starring Sean Lennon and Vanessa Paradis, and produced by Luc Besson; the anticipated thriller, 38 Witnesses (Isa:Films Distrubution), written and directed by Lucas Belvaux; as well as The Art of Love (Isa:Kinology), the new comedy from writer-director Emmanuel Mouret.
Several French high-profile titles will also be introduced in the U.S, such as Early One Morning, (Isa:Les Films Du Losange) written and directed by Jean-Marc Moutout; Cesar winner for Best Documentary Leadersheep (Isa:MK2 S.A.) by writer-director Christian Rouaud Silence of Joan, from writer-director Philippe Ramos; as well as the North American Premiere of Another Woman’s Life (Isa:Kinology), co-written and directed by Sylvie Testud and starring Juliette Binoche.
The program will feature several directorial debut films, including the North American Premieres of Love Lasts Three Years (Isa:Eurocorp), co-written and directed by novelist Frédéric Beigbeder; The Adopted (Isa:Studio Canal), co-written and directed by actress and freshman filmmaker Mélanie Laurent; Freeway (Isa:Sesame), co-written and directed by Christopher Sahr; the West Coast Premiere of Louise Wimmer (Isa:Films Distribution), written and directed by Cyril Mennegun; and Americano (Isa:Bac Films), starring Salma Hayek and co-starring writer-director Mathieu Demy, the son of Agnes Varda and Jacques Demy.
Five popular series will return in 2012, Col•Coa docs will include Michel Petrucciani (Isa:Wild Bunch) written and directed by Michael Radford. After 10 will highlight Best Adaptation César winner Guilty (Isa:Films Distribution), co-written and directed by Vincent Garenq. Col•Coa Classics will pay tribute to actor Yves Montand with a rare presentation of the restored Call me Savage from co-writer-director Jean-Paul Rappeneau. For this year’s Carte Blanche program, writer-director Alexander Payne selected Hotel du Nord directed by Marcel Carné, screenplay by Jean Aurenche and Henri Jeanson. The Film Noir series will include the West Coast Premiere of Paris by Night (Isa:TF1), co-written and directed by Philippe Lefebvre. The Focus on a Filmmaker, this year honoring actress writer-director Julie Delpy, will take place on Thursday, April 19th and will include her new film, Le SkyLab (Isa:Films Distribution).
Col•Coa Educational Program will offer four High School Screenings, one student screening and one Master Class in association with Elma (European Languages and Movies in America). The program will host 3,500 students from over 70 high schools, colleges and universities in California .
To celebrate the announcement and recipients of the 2012 Col•Coa Awards, the festival will close on Monday, April 23rd with the screening of two winning features and two winning shorts.
City of Lights, City of Angels is funded by the Facf, a unique partnership of the Directors Guild of America, the Motion Picture Association, France’s Society of Authors, Composers and Publishers of Music and the Writers Guild of America, West with the vital support of L’Arp (France’s Association of Authors, Directors and Producers), the Los Angeles Film and TV Office of the French Embassy, and Unifrance.
All screenings are in French with English subtitles or, in the case of the family-oriented animated films, dubbed in English. Tickets are available for advance purchase online at www.colcoa.org (cash or checks only). Please visit www.colcoa.org for box office hours. Ticket prices are $10 for adults; $7 tickets for seniors (62+), disabled, and members of American Cinematheque, Asc, Icg, Film Independent, Lacma, SAG or Women in Film; $3 for students and under 21. Tickets are complimentary for DGA and Wgaw guild members. The Happy Hour Talks are free on a first come, first served basis.
For film and press information, including hi-res photos, log onto www.colcoa.org. For public information, call (310) 289-5346.
City of Lights, City of Angels (Col•Coa) was created in 1996 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by l’Association des Auteurs-réalisateurs-Producteurs (Arp), the Film and TV Office of the French Embassy in Los Angeles and Unifrance.
Col•Coa is committed to promoting new French films in the U.S. and to showcasing the vitality and the diversity of French cinema in Hollywood: comedies and dramas, box office hits in France and specialty films, first features and films from established writer-directors, art house movies as well as mainstream films.
In 15 years, 231 new feature films and 140 new shorts have been selected. Col•Coa has constantly developed to become a showcase of at least 50 films, with a capacity of 20,000 in 2011 and an occupancy rate of 88%.
Its exclusive program has made of Col•Coa an anticipated date in the industry calendar and one of the largest French film festivals in the world. Scheduled a few weeks after the Academy Awards® and one month before the Cannes Film Festival, Col•Coa has become a prestigious event in Los Angeles.
Since 2004, the selection is exclusively composed of premieres. Several high-profile features are presented at Col•Coa for the first time in North America or in the U.S. Col•Coa is also known for presenting successful films a year before their commercial release in the U.S., raising the event’s profile among U.S. distributors who now use the event as a platform to launch and promote their film in Hollywood.
Col•Coa has substantial representation by leading industry professionals, including distributors, exhibitors, directors, writers, producers, Academy members, agents, press members or public filmgoers, as part and parcel to the festival is the cultural exchange involved, as well as the introduction of films that may not have been available to the industry. Col•Coa has developed partnerships with organizations like Ifta, The Cannes Film Market, Film Independent, Women in Film, The American Cinematheque, SAG, and since 2008, the Hollywood Foreign Press Association and the Los Angeles Film Critics Association. Col•Coa “A Week Of French Film Premieres In Hollywood”
Col•Coa is more than a film industry event. Many screenings are reserved early due to the festival’s reputation and increased visibility.In 2008, an educational program was also launched to promote foreign films among young American audiences in association with E.L.M.A (European Languages & Movies in America). Close to 7,500 high school students and 70 high schools in Los Angeles County have participated in the program since 2008. In 2010, a master class was introduced for colleges, film schools and universities.
More than 100 French writers, directors and producers have presented their film(s) at Col•Coa. Among them are Costa-Gavras, Alain Corneau, Claire Denis, Michel Hazanavicius, Claude Lelouch, Claude Miller, Bertrand Tavernier, Olivier Assayas, Laurent Cantet, Arnaud Desplechin, Anne Fontaine, Bertrand Blier and Mathieu Kassovitz.
Whereas Col•Coa is not a celebrity-driven event, many artists attend as it is a showcase for their work, a chance to mingle with other artists in a professional, yet relaxed and cordial environment, the true basis of cultural exchange. Among past Col•Coa guests are actors and actresses Rosanna Arquette, Nathalie Baye, Bérénice Bejo, Marion Cotillard, Julie Delpy, Jimmy Jean Louis, Helen Mirren, Gena Rowlands, Sharon Stone, Charlize Theron and Lambert Wilson, as well as prominent American writers and directors: Wes Craven, Taylor Hackford, John Landis, Michael Mann and Alexander Payne.
Col•Coa will open with the North American Premiere of My Way (CloClo) (Isa:lgm), a biopic about French pop star icon Claude François, directed by Florent-Emilio Siri, co-written by Siri and Julien Rappeneau and starring Jérémie Renier. Recently released in France , My Way is already a critical and commercial success.
Several U.S. distributors will present their films at Col•Coa before their U.S. release: Cinema Guild – Step up to the Plate (Isa:Jour2Fete); The Cohen Media Group – Farewell My Queen (Isa:Elle Driver): Kino Lorber –The Well Digger’s Daughter (Isa:Pathe); Mpi Media – Americano (Isa:Bac Films); Sundance Selects – Goodbye First Love! (Isa:Films Distribution) and Polisse (Isa:Wild Bunch); Strand Releasing - 17 Girls (Isa:Films Distribution); The Weinstein Company – The Intouchables (Isa:Gaumont), A Gang Story (Isa:Gaumont) and War of the Buttons (Isa:Wild Bunch); and Screen Media for A Happy Event (Isa:Gaumont) from co-writer-director Remi Bezançon, also in competition at Col·Coa for his animated feature Zarafa (Isa:Pathe).
Closing film on Sunday, April 22nd will be a special presentation, in association with The Weinstein Company, of the already third most successful French box office success: The Intouchables (Isa:Gaumont) Starring François Cluzet and César winner for Best Actor Omar Sy, this hit comedy marks the fourth film from writer-directors Olivier Nakache and Eric Toledano presented at Col•Coa Cannes Jury Special Prize winner and 13 César-nominated drama, Polisse (Isa:Wild Bunch) co-written and directed by Maïwenn, will be presented at Col•Coa, one day after its U.S. Premiere at Tribeca. Berlin International Film Festival opening film, Farewell My Queen (Isa:Elle Driver) co-written and directed by Col·Coa 2011 Critics Award-winner Benoit Jacquot, will have a special presentation at Col·Coa before opening the San Francisco International Film Festival. Other highlights include César multi-nominated and critically acclaimed film, The Minister (Isa:Doc & Film Interntional), written and directed by Pierre Schoeller; the 3D presentation in English of A Monster in Paris (Isa:EuropaCorp), an animated feature co-written and directed by Bibo Bergeron, starring Sean Lennon and Vanessa Paradis, and produced by Luc Besson; the anticipated thriller, 38 Witnesses (Isa:Films Distrubution), written and directed by Lucas Belvaux; as well as The Art of Love (Isa:Kinology), the new comedy from writer-director Emmanuel Mouret.
Several French high-profile titles will also be introduced in the U.S, such as Early One Morning, (Isa:Les Films Du Losange) written and directed by Jean-Marc Moutout; Cesar winner for Best Documentary Leadersheep (Isa:MK2 S.A.) by writer-director Christian Rouaud Silence of Joan, from writer-director Philippe Ramos; as well as the North American Premiere of Another Woman’s Life (Isa:Kinology), co-written and directed by Sylvie Testud and starring Juliette Binoche.
The program will feature several directorial debut films, including the North American Premieres of Love Lasts Three Years (Isa:Eurocorp), co-written and directed by novelist Frédéric Beigbeder; The Adopted (Isa:Studio Canal), co-written and directed by actress and freshman filmmaker Mélanie Laurent; Freeway (Isa:Sesame), co-written and directed by Christopher Sahr; the West Coast Premiere of Louise Wimmer (Isa:Films Distribution), written and directed by Cyril Mennegun; and Americano (Isa:Bac Films), starring Salma Hayek and co-starring writer-director Mathieu Demy, the son of Agnes Varda and Jacques Demy.
Five popular series will return in 2012, Col•Coa docs will include Michel Petrucciani (Isa:Wild Bunch) written and directed by Michael Radford. After 10 will highlight Best Adaptation César winner Guilty (Isa:Films Distribution), co-written and directed by Vincent Garenq. Col•Coa Classics will pay tribute to actor Yves Montand with a rare presentation of the restored Call me Savage from co-writer-director Jean-Paul Rappeneau. For this year’s Carte Blanche program, writer-director Alexander Payne selected Hotel du Nord directed by Marcel Carné, screenplay by Jean Aurenche and Henri Jeanson. The Film Noir series will include the West Coast Premiere of Paris by Night (Isa:TF1), co-written and directed by Philippe Lefebvre. The Focus on a Filmmaker, this year honoring actress writer-director Julie Delpy, will take place on Thursday, April 19th and will include her new film, Le SkyLab (Isa:Films Distribution).
Col•Coa Educational Program will offer four High School Screenings, one student screening and one Master Class in association with Elma (European Languages and Movies in America). The program will host 3,500 students from over 70 high schools, colleges and universities in California .
To celebrate the announcement and recipients of the 2012 Col•Coa Awards, the festival will close on Monday, April 23rd with the screening of two winning features and two winning shorts.
City of Lights, City of Angels is funded by the Facf, a unique partnership of the Directors Guild of America, the Motion Picture Association, France’s Society of Authors, Composers and Publishers of Music and the Writers Guild of America, West with the vital support of L’Arp (France’s Association of Authors, Directors and Producers), the Los Angeles Film and TV Office of the French Embassy, and Unifrance.
All screenings are in French with English subtitles or, in the case of the family-oriented animated films, dubbed in English. Tickets are available for advance purchase online at www.colcoa.org (cash or checks only). Please visit www.colcoa.org for box office hours. Ticket prices are $10 for adults; $7 tickets for seniors (62+), disabled, and members of American Cinematheque, Asc, Icg, Film Independent, Lacma, SAG or Women in Film; $3 for students and under 21. Tickets are complimentary for DGA and Wgaw guild members. The Happy Hour Talks are free on a first come, first served basis.
For film and press information, including hi-res photos, log onto www.colcoa.org. For public information, call (310) 289-5346.
City of Lights, City of Angels (Col•Coa) was created in 1996 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by l’Association des Auteurs-réalisateurs-Producteurs (Arp), the Film and TV Office of the French Embassy in Los Angeles and Unifrance.
Col•Coa is committed to promoting new French films in the U.S. and to showcasing the vitality and the diversity of French cinema in Hollywood: comedies and dramas, box office hits in France and specialty films, first features and films from established writer-directors, art house movies as well as mainstream films.
In 15 years, 231 new feature films and 140 new shorts have been selected. Col•Coa has constantly developed to become a showcase of at least 50 films, with a capacity of 20,000 in 2011 and an occupancy rate of 88%.
Its exclusive program has made of Col•Coa an anticipated date in the industry calendar and one of the largest French film festivals in the world. Scheduled a few weeks after the Academy Awards® and one month before the Cannes Film Festival, Col•Coa has become a prestigious event in Los Angeles.
Since 2004, the selection is exclusively composed of premieres. Several high-profile features are presented at Col•Coa for the first time in North America or in the U.S. Col•Coa is also known for presenting successful films a year before their commercial release in the U.S., raising the event’s profile among U.S. distributors who now use the event as a platform to launch and promote their film in Hollywood.
Col•Coa has substantial representation by leading industry professionals, including distributors, exhibitors, directors, writers, producers, Academy members, agents, press members or public filmgoers, as part and parcel to the festival is the cultural exchange involved, as well as the introduction of films that may not have been available to the industry. Col•Coa has developed partnerships with organizations like Ifta, The Cannes Film Market, Film Independent, Women in Film, The American Cinematheque, SAG, and since 2008, the Hollywood Foreign Press Association and the Los Angeles Film Critics Association. Col•Coa “A Week Of French Film Premieres In Hollywood”
Col•Coa is more than a film industry event. Many screenings are reserved early due to the festival’s reputation and increased visibility.In 2008, an educational program was also launched to promote foreign films among young American audiences in association with E.L.M.A (European Languages & Movies in America). Close to 7,500 high school students and 70 high schools in Los Angeles County have participated in the program since 2008. In 2010, a master class was introduced for colleges, film schools and universities.
More than 100 French writers, directors and producers have presented their film(s) at Col•Coa. Among them are Costa-Gavras, Alain Corneau, Claire Denis, Michel Hazanavicius, Claude Lelouch, Claude Miller, Bertrand Tavernier, Olivier Assayas, Laurent Cantet, Arnaud Desplechin, Anne Fontaine, Bertrand Blier and Mathieu Kassovitz.
Whereas Col•Coa is not a celebrity-driven event, many artists attend as it is a showcase for their work, a chance to mingle with other artists in a professional, yet relaxed and cordial environment, the true basis of cultural exchange. Among past Col•Coa guests are actors and actresses Rosanna Arquette, Nathalie Baye, Bérénice Bejo, Marion Cotillard, Julie Delpy, Jimmy Jean Louis, Helen Mirren, Gena Rowlands, Sharon Stone, Charlize Theron and Lambert Wilson, as well as prominent American writers and directors: Wes Craven, Taylor Hackford, John Landis, Michael Mann and Alexander Payne.
- 4/6/2012
- by SydneyLevine
- Sydney's Buzz
The 16th Annual City of Lights, City of Angels (Col•Coa) film festival will run April 16-23 in Los Angeles . Sponsored by The Franco-American Cultural Fund (Facf), the festival will present 34 features and 21 shorts, including 10 North American and U.S. Premieres, and 14 West Coast Premieres. “The historic triumph of The Artist (Isa:Wild Bunch) reflects a remarkable year for French cinema and we are glad to introduce a broad spectrum of new films to Hollywood that reveal both the quality and diversity of recent French productions,” stated François Truffart, Col•Coa Executive Director and Artistic Director.
Col•Coa will open with the North American Premiere of My Way (CloClo) (Isa:lgm), a biopic about French pop star icon Claude François, directed by Florent-Emilio Siri, co-written by Siri and Julien Rappeneau and starring Jérémie Renier. Recently released in France , My Way is already a critical and commercial success.
Several U.S. distributors will present their films at Col•Coa before their U.S. release: Cinema Guild – Step up to the Plate (Isa:Jour2Fete); The Cohen Media Group – Farewell My Queen (Isa:Elle Driver): Kino Lorber –The Well Digger’s Daughter (Isa:Pathe); Mpi Media – Americano (Isa:Bac Films); Sundance Selects – Goodbye First Love! (Isa:Films Distribution) and Polisse (Isa:Wild Bunch); Strand Releasing - 17 Girls (Isa:Films Distribution); The Weinstein Company – The Intouchables (Isa:Gaumont), A Gang Story (Isa:Gaumont) and War of the Buttons (Isa:Wild Bunch); and Screen Media for A Happy Event (Isa:Gaumont) from co-writer-director Remi Bezançon, also in competition at Col·Coa for his animated feature Zarafa (Isa:Pathe).
Closing film on Sunday, April 22nd will be a special presentation, in association with The Weinstein Company, of the already third most successful French box office success: The Intouchables (Isa:Gaumont) Starring François Cluzet and César winner for Best Actor Omar Sy, this hit comedy marks the fourth film from writer-directors Olivier Nakache and Eric Toledano presented at Col•Coa Cannes Jury Special Prize winner and 13 César-nominated drama, Polisse (Isa:Wild Bunch) co-written and directed by Maïwenn, will be presented at Col•Coa, one day after its U.S. Premiere at Tribeca. Berlin International Film Festival opening film, Farewell My Queen (Isa:Elle Driver) co-written and directed by Col·Coa 2011 Critics Award-winner Benoit Jacquot, will have a special presentation at Col·Coa before opening the San Francisco International Film Festival. Other highlights include César multi-nominated and critically acclaimed film, The Minister (Isa:Doc & Film Interntional), written and directed by Pierre Schoeller; the 3D presentation in English of A Monster in Paris (Isa:EuropaCorp), an animated feature co-written and directed by Bibo Bergeron, starring Sean Lennon and Vanessa Paradis, and produced by Luc Besson; the anticipated thriller, 38 Witnesses (Isa:Films Distrubution), written and directed by Lucas Belvaux; as well as The Art of Love (Isa:Kinology), the new comedy from writer-director Emmanuel Mouret.
Several French high-profile titles will also be introduced in the U.S, such as Early One Morning, (Isa:Les Films Du Losange) written and directed by Jean-Marc Moutout; Cesar winner for Best Documentary Leadersheep (Isa:MK2 S.A.) by writer-director Christian Rouaud Silence of Joan, from writer-director Philippe Ramos; as well as the North American Premiere of Another Woman’s Life (Isa:Kinology), co-written and directed by Sylvie Testud and starring Juliette Binoche.
The program will feature several directorial debut films, including the North American Premieres of Love Lasts Three Years (Isa:Eurocorp), co-written and directed by novelist Frédéric Beigbeder; The Adopted (Isa:Studio Canal), co-written and directed by actress and freshman filmmaker Mélanie Laurent; Freeway (Isa:Sesame), co-written and directed by Christopher Sahr; the West Coast Premiere of Louise Wimmer (Isa:Films Distribution), written and directed by Cyril Mennegun; and Americano (Isa:Bac Films), starring Salma Hayek and co-starring writer-director Mathieu Demy, the son of Agnes Varda and Jacques Demy.
Five popular series will return in 2012, Col•Coa docs will include Michel Petrucciani (Isa:Wild Bunch) written and directed by Michael Radford. After 10 will highlight Best Adaptation César winner Guilty (Isa:Films Distribution), co-written and directed by Vincent Garenq. Col•Coa Classics will pay tribute to actor Yves Montand with a rare presentation of the restored Call me Savage from co-writer-director Jean-Paul Rappeneau. For this year’s Carte Blanche program, writer-director Alexander Payne selected Hotel du Nord directed by Marcel Carné, screenplay by Jean Aurenche and Henri Jeanson. The Film Noir series will include the West Coast Premiere of Paris by Night (Isa:TF1), co-written and directed by Philippe Lefebvre. The Focus on a Filmmaker, this year honoring actress writer-director Julie Delpy, will take place on Thursday, April 19th and will include her new film, Le SkyLab (Isa:Films Distribution).
Col•Coa Educational Program will offer four High School Screenings, one student screening and one Master Class in association with Elma (European Languages and Movies in America). The program will host 3,500 students from over 70 high schools, colleges and universities in California .
To celebrate the announcement and recipients of the 2012 Col•Coa Awards, the festival will close on Monday, April 23rd with the screening of two winning features and two winning shorts.
City of Lights, City of Angels is funded by the Facf, a unique partnership of the Directors Guild of America, the Motion Picture Association, France’s Society of Authors, Composers and Publishers of Music and the Writers Guild of America, West with the vital support of L’Arp (France’s Association of Authors, Directors and Producers), the Los Angeles Film and TV Office of the French Embassy, and Unifrance.
All screenings are in French with English subtitles or, in the case of the family-oriented animated films, dubbed in English. Tickets are available for advance purchase online at www.colcoa.org (cash or checks only). Please visit www.colcoa.org for box office hours. Ticket prices are $10 for adults; $7 tickets for seniors (62+), disabled, and members of American Cinematheque, Asc, Icg, Film Independent, Lacma, SAG or Women in Film; $3 for students and under 21. Tickets are complimentary for DGA and Wgaw guild members. The Happy Hour Talks are free on a first come, first served basis.
For film and press information, including hi-res photos, log onto www.colcoa.org. For public information, call (310) 289-5346.
City of Lights, City of Angels (Col•Coa) was created in 1996 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by l’Association des Auteurs-réalisateurs-Producteurs (Arp), the Film and TV Office of the French Embassy in Los Angeles and Unifrance.
Col•Coa is committed to promoting new French films in the U.S. and to showcasing the vitality and the diversity of French cinema in Hollywood: comedies and dramas, box office hits in France and specialty films, first features and films from established writer-directors, art house movies as well as mainstream films.
In 15 years, 231 new feature films and 140 new shorts have been selected. Col•Coa has constantly developed to become a showcase of at least 50 films, with a capacity of 20,000 in 2011 and an occupancy rate of 88%.
Its exclusive program has made of Col•Coa an anticipated date in the industry calendar and one of the largest French film festivals in the world. Scheduled a few weeks after the Academy Awards® and one month before the Cannes Film Festival, Col•Coa has become a prestigious event in Los Angeles.
Since 2004, the selection is exclusively composed of premieres. Several high-profile features are presented at Col•Coa for the first time in North America or in the U.S. Col•Coa is also known for presenting successful films a year before their commercial release in the U.S., raising the event’s profile among U.S. distributors who now use the event as a platform to launch and promote their film in Hollywood.
Col•Coa has substantial representation by leading industry professionals, including distributors, exhibitors, directors, writers, producers, Academy members, agents, press members or public filmgoers, as part and parcel to the festival is the cultural exchange involved, as well as the introduction of films that may not have been available to the industry. Col•Coa has developed partnerships with organizations like Ifta, The Cannes Film Market, Film Independent, Women in Film, The American Cinematheque, SAG, and since 2008, the Hollywood Foreign Press Association and the Los Angeles Film Critics Association. Col•Coa “A Week Of French Film Premieres In Hollywood”
Col•Coa is more than a film industry event. Many screenings are reserved early due to the festival’s reputation and increased visibility.In 2008, an educational program was also launched to promote foreign films among young American audiences in association with E.L.M.A (European Languages & Movies in America). Close to 7,500 high school students and 70 high schools in Los Angeles County have participated in the program since 2008. In 2010, a master class was introduced for colleges, film schools and universities.
More than 100 French writers, directors and producers have presented their film(s) at Col•Coa. Among them are Costa-Gavras, Alain Corneau, Claire Denis, Michel Hazanavicius, Claude Lelouch, Claude Miller, Bertrand Tavernier, Olivier Assayas, Laurent Cantet, Arnaud Desplechin, Anne Fontaine, Bertrand Blier and Mathieu Kassovitz.
Whereas Col•Coa is not a celebrity-driven event, many artists attend as it is a showcase for their work, a chance to mingle with other artists in a professional, yet relaxed and cordial environment, the true basis of cultural exchange. Among past Col•Coa guests are actors and actresses Rosanna Arquette, Nathalie Baye, Bérénice Bejo, Marion Cotillard, Julie Delpy, Jimmy Jean Louis, Helen Mirren, Gena Rowlands, Sharon Stone, Charlize Theron and Lambert Wilson, as well as prominent American writers and directors: Wes Craven, Taylor Hackford, John Landis, Michael Mann and Alexander Payne.
Col•Coa will open with the North American Premiere of My Way (CloClo) (Isa:lgm), a biopic about French pop star icon Claude François, directed by Florent-Emilio Siri, co-written by Siri and Julien Rappeneau and starring Jérémie Renier. Recently released in France , My Way is already a critical and commercial success.
Several U.S. distributors will present their films at Col•Coa before their U.S. release: Cinema Guild – Step up to the Plate (Isa:Jour2Fete); The Cohen Media Group – Farewell My Queen (Isa:Elle Driver): Kino Lorber –The Well Digger’s Daughter (Isa:Pathe); Mpi Media – Americano (Isa:Bac Films); Sundance Selects – Goodbye First Love! (Isa:Films Distribution) and Polisse (Isa:Wild Bunch); Strand Releasing - 17 Girls (Isa:Films Distribution); The Weinstein Company – The Intouchables (Isa:Gaumont), A Gang Story (Isa:Gaumont) and War of the Buttons (Isa:Wild Bunch); and Screen Media for A Happy Event (Isa:Gaumont) from co-writer-director Remi Bezançon, also in competition at Col·Coa for his animated feature Zarafa (Isa:Pathe).
Closing film on Sunday, April 22nd will be a special presentation, in association with The Weinstein Company, of the already third most successful French box office success: The Intouchables (Isa:Gaumont) Starring François Cluzet and César winner for Best Actor Omar Sy, this hit comedy marks the fourth film from writer-directors Olivier Nakache and Eric Toledano presented at Col•Coa Cannes Jury Special Prize winner and 13 César-nominated drama, Polisse (Isa:Wild Bunch) co-written and directed by Maïwenn, will be presented at Col•Coa, one day after its U.S. Premiere at Tribeca. Berlin International Film Festival opening film, Farewell My Queen (Isa:Elle Driver) co-written and directed by Col·Coa 2011 Critics Award-winner Benoit Jacquot, will have a special presentation at Col·Coa before opening the San Francisco International Film Festival. Other highlights include César multi-nominated and critically acclaimed film, The Minister (Isa:Doc & Film Interntional), written and directed by Pierre Schoeller; the 3D presentation in English of A Monster in Paris (Isa:EuropaCorp), an animated feature co-written and directed by Bibo Bergeron, starring Sean Lennon and Vanessa Paradis, and produced by Luc Besson; the anticipated thriller, 38 Witnesses (Isa:Films Distrubution), written and directed by Lucas Belvaux; as well as The Art of Love (Isa:Kinology), the new comedy from writer-director Emmanuel Mouret.
Several French high-profile titles will also be introduced in the U.S, such as Early One Morning, (Isa:Les Films Du Losange) written and directed by Jean-Marc Moutout; Cesar winner for Best Documentary Leadersheep (Isa:MK2 S.A.) by writer-director Christian Rouaud Silence of Joan, from writer-director Philippe Ramos; as well as the North American Premiere of Another Woman’s Life (Isa:Kinology), co-written and directed by Sylvie Testud and starring Juliette Binoche.
The program will feature several directorial debut films, including the North American Premieres of Love Lasts Three Years (Isa:Eurocorp), co-written and directed by novelist Frédéric Beigbeder; The Adopted (Isa:Studio Canal), co-written and directed by actress and freshman filmmaker Mélanie Laurent; Freeway (Isa:Sesame), co-written and directed by Christopher Sahr; the West Coast Premiere of Louise Wimmer (Isa:Films Distribution), written and directed by Cyril Mennegun; and Americano (Isa:Bac Films), starring Salma Hayek and co-starring writer-director Mathieu Demy, the son of Agnes Varda and Jacques Demy.
Five popular series will return in 2012, Col•Coa docs will include Michel Petrucciani (Isa:Wild Bunch) written and directed by Michael Radford. After 10 will highlight Best Adaptation César winner Guilty (Isa:Films Distribution), co-written and directed by Vincent Garenq. Col•Coa Classics will pay tribute to actor Yves Montand with a rare presentation of the restored Call me Savage from co-writer-director Jean-Paul Rappeneau. For this year’s Carte Blanche program, writer-director Alexander Payne selected Hotel du Nord directed by Marcel Carné, screenplay by Jean Aurenche and Henri Jeanson. The Film Noir series will include the West Coast Premiere of Paris by Night (Isa:TF1), co-written and directed by Philippe Lefebvre. The Focus on a Filmmaker, this year honoring actress writer-director Julie Delpy, will take place on Thursday, April 19th and will include her new film, Le SkyLab (Isa:Films Distribution).
Col•Coa Educational Program will offer four High School Screenings, one student screening and one Master Class in association with Elma (European Languages and Movies in America). The program will host 3,500 students from over 70 high schools, colleges and universities in California .
To celebrate the announcement and recipients of the 2012 Col•Coa Awards, the festival will close on Monday, April 23rd with the screening of two winning features and two winning shorts.
City of Lights, City of Angels is funded by the Facf, a unique partnership of the Directors Guild of America, the Motion Picture Association, France’s Society of Authors, Composers and Publishers of Music and the Writers Guild of America, West with the vital support of L’Arp (France’s Association of Authors, Directors and Producers), the Los Angeles Film and TV Office of the French Embassy, and Unifrance.
All screenings are in French with English subtitles or, in the case of the family-oriented animated films, dubbed in English. Tickets are available for advance purchase online at www.colcoa.org (cash or checks only). Please visit www.colcoa.org for box office hours. Ticket prices are $10 for adults; $7 tickets for seniors (62+), disabled, and members of American Cinematheque, Asc, Icg, Film Independent, Lacma, SAG or Women in Film; $3 for students and under 21. Tickets are complimentary for DGA and Wgaw guild members. The Happy Hour Talks are free on a first come, first served basis.
For film and press information, including hi-res photos, log onto www.colcoa.org. For public information, call (310) 289-5346.
City of Lights, City of Angels (Col•Coa) was created in 1996 by The Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guild of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by l’Association des Auteurs-réalisateurs-Producteurs (Arp), the Film and TV Office of the French Embassy in Los Angeles and Unifrance.
Col•Coa is committed to promoting new French films in the U.S. and to showcasing the vitality and the diversity of French cinema in Hollywood: comedies and dramas, box office hits in France and specialty films, first features and films from established writer-directors, art house movies as well as mainstream films.
In 15 years, 231 new feature films and 140 new shorts have been selected. Col•Coa has constantly developed to become a showcase of at least 50 films, with a capacity of 20,000 in 2011 and an occupancy rate of 88%.
Its exclusive program has made of Col•Coa an anticipated date in the industry calendar and one of the largest French film festivals in the world. Scheduled a few weeks after the Academy Awards® and one month before the Cannes Film Festival, Col•Coa has become a prestigious event in Los Angeles.
Since 2004, the selection is exclusively composed of premieres. Several high-profile features are presented at Col•Coa for the first time in North America or in the U.S. Col•Coa is also known for presenting successful films a year before their commercial release in the U.S., raising the event’s profile among U.S. distributors who now use the event as a platform to launch and promote their film in Hollywood.
Col•Coa has substantial representation by leading industry professionals, including distributors, exhibitors, directors, writers, producers, Academy members, agents, press members or public filmgoers, as part and parcel to the festival is the cultural exchange involved, as well as the introduction of films that may not have been available to the industry. Col•Coa has developed partnerships with organizations like Ifta, The Cannes Film Market, Film Independent, Women in Film, The American Cinematheque, SAG, and since 2008, the Hollywood Foreign Press Association and the Los Angeles Film Critics Association. Col•Coa “A Week Of French Film Premieres In Hollywood”
Col•Coa is more than a film industry event. Many screenings are reserved early due to the festival’s reputation and increased visibility.In 2008, an educational program was also launched to promote foreign films among young American audiences in association with E.L.M.A (European Languages & Movies in America). Close to 7,500 high school students and 70 high schools in Los Angeles County have participated in the program since 2008. In 2010, a master class was introduced for colleges, film schools and universities.
More than 100 French writers, directors and producers have presented their film(s) at Col•Coa. Among them are Costa-Gavras, Alain Corneau, Claire Denis, Michel Hazanavicius, Claude Lelouch, Claude Miller, Bertrand Tavernier, Olivier Assayas, Laurent Cantet, Arnaud Desplechin, Anne Fontaine, Bertrand Blier and Mathieu Kassovitz.
Whereas Col•Coa is not a celebrity-driven event, many artists attend as it is a showcase for their work, a chance to mingle with other artists in a professional, yet relaxed and cordial environment, the true basis of cultural exchange. Among past Col•Coa guests are actors and actresses Rosanna Arquette, Nathalie Baye, Bérénice Bejo, Marion Cotillard, Julie Delpy, Jimmy Jean Louis, Helen Mirren, Gena Rowlands, Sharon Stone, Charlize Theron and Lambert Wilson, as well as prominent American writers and directors: Wes Craven, Taylor Hackford, John Landis, Michael Mann and Alexander Payne.
- 4/6/2012
- by SydneyLevine
- Sydney's Buzz
Bérénice Bejo as Peppy Miller in Michel Hazanavicius' The Artist The Artist, Michel Hazanavicius, A Separation: César Winners Pt.1 Best Actor Sami Bouajila, Omar m'a tuer / Omar Killed Me François Cluzet, Intouchables / Untouchable Jean Dujardin, The Artist Olivier Gourmet, L'exercice de l'État / The Minister Denis Podalydes, La conquête / The Conquest * Omar Sy, Intouchables / Untouchable Philippe Torreton, Présumé coupable / Guilty Best Actress Ariane Asquaride, Les neiges du Kilimanjaro / The Snows of Kilimanjaro * Bérénice Bejo, The Artist Leila Bekhti, La Source des femmes / The Source Valérie Donzelli, La guerre est déclarée / Declaration of War Marina Foïs, Polisse Marie Gilain, Toutes nos envies / All Our Desires Karin Viard, Polisse Best Supporting Actor * Michel Blanc, L'exercice de l'État / The Minister Nicolas Duvauchelle, Polisse Joey Starr, Polisse Bernard Lecoq, La conquête / The Conquest Frédéric Pierrot, Polisse Best Supporting Actress Zabou Breitman, L'exercice de l'État / The Minister Anne Le Ny, Intouchables / Untouchable Noémie Lvovsky, L'Apollonide,...
- 2/25/2012
- by Andre Soares
- Alt Film Guide
Bérénice Bejo, Malcolm McDowell, The Artist The Artist, Polisse, Intouchables: César Nominations Pt.1 Best Actor Sami Bouajila, Omar m'a tuer / Omar Killed Me François Cluzet, Intouchables / Untouchable Jean Dujardin, The Artist Olivier Gourmet, L'exercice de l'État / The Minister Denis Podalydes, La conquête / The Conquest Omar Sy, Intouchables / Untouchable Philippe Torreton, Présumé coupable / Guilty Best Actress Ariane Asquaride, Les neiges du Kilimanjaro / The Snows of Kilimanjaro Bérénice Bejo, The Artist Leila Bekhti, La Source des femmes / The Source Valérie Donzelli, La guerre est déclarée / Declaration of War Marina Foïs, Polisse Marie Gilain, Toutes nos envies / All Our Desires Karin Viard, Polisse Best Supporting Actor Michel Blanc, L'exercice de l'État / The Minister Nicolas Duvauchelle, Polisse Joey Starr, Polisse Bernard Lecoq, La conquête / The Conquest Frédéric Pierrot, Polisse Best Supporting Actress Zabou Breitman, L'exercice de l'État / The Minister Anne Le Ny, Intouchables / Untouchable Noémie Lvovsky, L'Apollonide, souvenirs de la maison close / House of Tolerance Carmen Maura,...
- 2/21/2012
- by Steve Montgomery
- Alt Film Guide
At the end of each month, the Sound On Sight staff will band together to write an article about their favourite scenes in films released. Here are our favourite scenes from the month of January.
-
The Grey – In media res
Near the end of Joe Carnahan’s admirably ambling survival thriller, the energy begins to re-mount as it becomes clear that Ottway (Liam Neeson) is about to make what may be his final stand against the wilderness that has dogged him and his fellow survivors for the last, oh, 110 minutes or so. Then, a sight familiar to anyone who’s seen promotional materials: Neeson taping broken bottles between his knuckles, with a knife in the other hand. For the last time, visions of his wife return, once again intoning, “don’t be scared,” only this time revealed to have a very different meaning than we might previously have inferred.
-
The Grey – In media res
Near the end of Joe Carnahan’s admirably ambling survival thriller, the energy begins to re-mount as it becomes clear that Ottway (Liam Neeson) is about to make what may be his final stand against the wilderness that has dogged him and his fellow survivors for the last, oh, 110 minutes or so. Then, a sight familiar to anyone who’s seen promotional materials: Neeson taping broken bottles between his knuckles, with a knife in the other hand. For the last time, visions of his wife return, once again intoning, “don’t be scared,” only this time revealed to have a very different meaning than we might previously have inferred.
- 1/29/2012
- by Ricky
- SoundOnSight
Présumé Coupable (English title: Guilty)
Directed by Vincent Garenq
Screenplay by Vincent Garenq and Serge Frydman
France. 2011
There are few things which can grip a nation’s passions quite like a striking, controversial and prolonged court case. In some instances, the nature of the crime is what shocks, as in the Canadian case involving B.C. Pig farmer Robert Pickton, who for years preyed on hookers are drug users in Vancouver. Other examples stun for their conclusion, like with the infamous O.J. Simpson trial in the United States. Then come the trials for which both the nature of the crimes and conclusions are overshadowed by the actual process of conviction, a perfect example being the Outreau case in France, which director Vincent Garenq explores in its entirety in Présumé coupable.
It is the middle of the night when the Marécaux residence is abruptly disturbed from its slumber. An alarming number...
Directed by Vincent Garenq
Screenplay by Vincent Garenq and Serge Frydman
France. 2011
There are few things which can grip a nation’s passions quite like a striking, controversial and prolonged court case. In some instances, the nature of the crime is what shocks, as in the Canadian case involving B.C. Pig farmer Robert Pickton, who for years preyed on hookers are drug users in Vancouver. Other examples stun for their conclusion, like with the infamous O.J. Simpson trial in the United States. Then come the trials for which both the nature of the crimes and conclusions are overshadowed by the actual process of conviction, a perfect example being the Outreau case in France, which director Vincent Garenq explores in its entirety in Présumé coupable.
It is the middle of the night when the Marécaux residence is abruptly disturbed from its slumber. An alarming number...
- 1/23/2012
- by Edgar Chaput
- SoundOnSight
To round off our coverage of the 55th BFI London Film Festival were taking a look back at one of the most prominent strands of the festival – the French Revolutions programme.
One of the festival’s chief pledges is to bring the best of the world’s cinema to London and Jack Jones leads us through the varied line-up and recommends which films we need to look out for when a theatrical release rolls around.
For all our other coverage of the London Film Festival click here, and read on for Jack’s take on the festival,
The Best Yet? French Cinema Just Keeps on Going
For those who are deeply engrained in cinema, it is often hard to admit that sometimes there are years when we have few films which impress us. For film festivals there is much the same sentiment. It seems as though every year critics hail...
One of the festival’s chief pledges is to bring the best of the world’s cinema to London and Jack Jones leads us through the varied line-up and recommends which films we need to look out for when a theatrical release rolls around.
For all our other coverage of the London Film Festival click here, and read on for Jack’s take on the festival,
The Best Yet? French Cinema Just Keeps on Going
For those who are deeply engrained in cinema, it is often hard to admit that sometimes there are years when we have few films which impress us. For film festivals there is much the same sentiment. It seems as though every year critics hail...
- 11/8/2011
- by Guest
- HeyUGuys.co.uk
★★★★☆ Concerning the most horrific legal scandal in modern French history, director Vincent Garenq's Guilty (Présumé coupable, 2011) is a gripping drama based on the memoirs of Alain Marecaux (Philippe Torreton) who was wrongly accused of several accounts of child molestation and thrust into a terrifying web of false testimonies and heavy handed police investigations.
Early one morning, Alain Marecaux awoke to the sound of sirens at his rural home. The police instantly arrested him and his wife under suspicion of their involvement in an underground paedophilia ring. They ransacked his home looking for evidence and quickly separated him from his two sons and daughter.
From that moment on he was subjected to the wrath of prejudice police officers and the accusative nature of a power hungry young judge. He found himself imprisoned for a crime he never committed, with the injustice he suffered culminating in numerous suicide attempts, the breakup...
Early one morning, Alain Marecaux awoke to the sound of sirens at his rural home. The police instantly arrested him and his wife under suspicion of their involvement in an underground paedophilia ring. They ransacked his home looking for evidence and quickly separated him from his two sons and daughter.
From that moment on he was subjected to the wrath of prejudice police officers and the accusative nature of a power hungry young judge. He found himself imprisoned for a crime he never committed, with the injustice he suffered culminating in numerous suicide attempts, the breakup...
- 10/21/2011
- by Daniel Green
- CineVue
Aleksandr Sokurov's Faust has won the Golden Lion at this year's Venice Film Festival. Now's a good time to catch up with Daniel Kasman's review.
The Jury, headed by Darren Aronofsky, awarded the Silver Lion (Best Director) to Cai Shangjun for People Mountain People Sea.
The Special Jury Prize goes to Emanuele Crialese's Terraferma. A roundup was posted earlier today.
The Osella for Best Screenplay goes to Giorgos Lanthimos and Efthymis Filippou for Alps. (Roundup and Daniel Kasman's review.)
The Osella for Best Cinematography: Robbie Ryan for Wuthering Heights. (Roundup.)
Michael Fassbender wins the Volpi Cup (Best Actor) for his performance in Steve McQueens's Shame (roundup), while the Volpi Cup for Best Actress goes to Deanie Ip for her performance in Ann Hui's A Simple Life (roundup and Daniel Kasman's review).
The Marcello Mastroianni Award (Best Young Actor) goes to Shota Sometani and Fumi Nikaido for their work in Sion Sono's Himizu.
The Jury, headed by Darren Aronofsky, awarded the Silver Lion (Best Director) to Cai Shangjun for People Mountain People Sea.
The Special Jury Prize goes to Emanuele Crialese's Terraferma. A roundup was posted earlier today.
The Osella for Best Screenplay goes to Giorgos Lanthimos and Efthymis Filippou for Alps. (Roundup and Daniel Kasman's review.)
The Osella for Best Cinematography: Robbie Ryan for Wuthering Heights. (Roundup.)
Michael Fassbender wins the Volpi Cup (Best Actor) for his performance in Steve McQueens's Shame (roundup), while the Volpi Cup for Best Actress goes to Deanie Ip for her performance in Ann Hui's A Simple Life (roundup and Daniel Kasman's review).
The Marcello Mastroianni Award (Best Young Actor) goes to Shota Sometani and Fumi Nikaido for their work in Sion Sono's Himizu.
- 9/11/2011
- MUBI
By Sean O’Connell
Hollywoodnews.com: Brad Pitt, Keira Knightley, George Clooney, Carey Mulligan, Rachel Weisz, Gerard Butler and Ryan Gosling are heading to Toronto for the 36tht international film festival, which kicks off on Thursday, Sept. 8.
The fest today confirmed the hundreds of celebrities that will be attending the can’t-miss event, promoting films and making the rounds as the annual awards season starts to take shape.
Davis Guggenheim, Francis Ford Coppola, Alexander Payne, Luc Besson, Oren Moverman, Malgoska Szumowska, Bennett Miller, Sarah Polley, Jessica Yu, Michael Winterbottom and Werner Herzog are just a few of the filmmakers who have confirmed their attendance.
Celebrities making the trek include Catherine Deneuve, Charlotte Rampling, Clive Owen, Jon Hamm, Shahid Kapoor, Michael Fassbender, Michelle Yeoh, Freida Pinto, Glenn Close, Matthew Goode, Philip Seymour Hoffman, Salma Hayek, Viggo Mortensen and Woody Harrelson. Musicians U2, Pearl Jam and Neil Young also are expected to...
Hollywoodnews.com: Brad Pitt, Keira Knightley, George Clooney, Carey Mulligan, Rachel Weisz, Gerard Butler and Ryan Gosling are heading to Toronto for the 36tht international film festival, which kicks off on Thursday, Sept. 8.
The fest today confirmed the hundreds of celebrities that will be attending the can’t-miss event, promoting films and making the rounds as the annual awards season starts to take shape.
Davis Guggenheim, Francis Ford Coppola, Alexander Payne, Luc Besson, Oren Moverman, Malgoska Szumowska, Bennett Miller, Sarah Polley, Jessica Yu, Michael Winterbottom and Werner Herzog are just a few of the filmmakers who have confirmed their attendance.
Celebrities making the trek include Catherine Deneuve, Charlotte Rampling, Clive Owen, Jon Hamm, Shahid Kapoor, Michael Fassbender, Michelle Yeoh, Freida Pinto, Glenn Close, Matthew Goode, Philip Seymour Hoffman, Salma Hayek, Viggo Mortensen and Woody Harrelson. Musicians U2, Pearl Jam and Neil Young also are expected to...
- 8/23/2011
- by Sean O'Connell
- Hollywoodnews.com
Toronto - The 36th Toronto International Film Festival® welcomes hundreds of guests this year. Filmmakers expected to present their world premieres in Toronto include: Davis Guggenheim, Francis Ford Coppola, Alexander Payne, Agnieszka Holland, Guy Maddin, Luc Besson, Bill Duke, Oren Moverman, Malgoska Szumowska, Bennett Miller, Darrell Roodt, Sarah Polley, Jessica Yu, Michael Winterbottom and Werner Herzog.
Actors expected to attend include Catherine Deneuve, Charlotte Rampling, George Clooney, Brad Pitt, Clive Owen, Gerard Butler, Jeon Do-Yeon, Jon Hamm, Shahid Kapoor, Michael Fassbender, Michelle Yeoh, Freida Pinto, Glenn Close, Matthew Goode, Philip Seymour Hoffman, Rachel Weisz, Ryan Gosling, Salma Hayek, Viggo Mortensen and Woody Harrelson. Musicians include: U2, Pearl Jam and Neil Young.
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers are expected to attend the Toronto International Film Festival:
Adam Shaheen, Adam Wingard, Adolfo Borinaga Alix Jr., Agnieszka Holland, Akin Omotoso,...
Actors expected to attend include Catherine Deneuve, Charlotte Rampling, George Clooney, Brad Pitt, Clive Owen, Gerard Butler, Jeon Do-Yeon, Jon Hamm, Shahid Kapoor, Michael Fassbender, Michelle Yeoh, Freida Pinto, Glenn Close, Matthew Goode, Philip Seymour Hoffman, Rachel Weisz, Ryan Gosling, Salma Hayek, Viggo Mortensen and Woody Harrelson. Musicians include: U2, Pearl Jam and Neil Young.
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers are expected to attend the Toronto International Film Festival:
Adam Shaheen, Adam Wingard, Adolfo Borinaga Alix Jr., Agnieszka Holland, Akin Omotoso,...
- 8/23/2011
- by Michelle McCue
- WeAreMovieGeeks.com
As noted in previous lineup announcement entries, (Visions, Wavelengths, Future Projections, Galas and Special Presentations), the Toronto International Film Festival (September 9 through 18) has released some of its most anticipated lineups today. We're taking them one at a time, first posting them program by program with descriptions provided by the festival — and then returning over the coming hours and days to add links and further notes. Here's the lineup for the Contemporary World Cinema program.
Karim Aïnouz's The Silver Cliff. A phone message from her husband propels Violeta into the streets of Rio until sunrise. Telling their teenage son that a last minute trip has come up, she sets out to find her husband. Rio at night is her sole companion as she struggles to face his abrupt and sudden change of heart, but the beach also provides renewal, unexpected meetings and a window to a whole other world.
Ozcan Alper's Future Lasts Forever.
Karim Aïnouz's The Silver Cliff. A phone message from her husband propels Violeta into the streets of Rio until sunrise. Telling their teenage son that a last minute trip has come up, she sets out to find her husband. Rio at night is her sole companion as she struggles to face his abrupt and sudden change of heart, but the beach also provides renewal, unexpected meetings and a window to a whole other world.
Ozcan Alper's Future Lasts Forever.
- 8/16/2011
- MUBI
Tiff has just announced the final batch of films slated to hit the fest in September. The number of additions is overwhelming. We just posted the complete line-up for the Gala and Special Presentation programs. Now comes the massive wave of movies in the Contemporary World Cinema program. Here is the press release.
Toronto – The Contemporary World Cinema programme delivers 51 cinematic gems from around the globe at this year’s Toronto International Film Festival®. Offering a variety of filmmakers’ voices and perspectives from around the world, the lineup draws from Brazil, China, South Africa, France, Iran, Morocco, the Netherlands, Israel, Portugal, Russia, Canada and more. This snapshot of global trends in cinema also features the North American premieres of new films by directors such as Andrey Zvyagintsev, Gerardo Naranjo, Sion Sono, Asghar Farhadi, Karim Ainouz, Ole Christian Madsen and Cristián Jiménez
Always Brando Ridha Béhi, Tunisia
World Premiere
After meeting Anis Raache,...
Toronto – The Contemporary World Cinema programme delivers 51 cinematic gems from around the globe at this year’s Toronto International Film Festival®. Offering a variety of filmmakers’ voices and perspectives from around the world, the lineup draws from Brazil, China, South Africa, France, Iran, Morocco, the Netherlands, Israel, Portugal, Russia, Canada and more. This snapshot of global trends in cinema also features the North American premieres of new films by directors such as Andrey Zvyagintsev, Gerardo Naranjo, Sion Sono, Asghar Farhadi, Karim Ainouz, Ole Christian Madsen and Cristián Jiménez
Always Brando Ridha Béhi, Tunisia
World Premiere
After meeting Anis Raache,...
- 8/16/2011
- by Kyle Reese
- SoundOnSight
After three separate announcements (here, here and here), the Toronto International Film Festival has announced the final line-up for their Galas and Special Presentations, as well as a few other categories. Most notable is Andrea Arnold‘s Fish Tank follow-up Wuthering Heights, the next film from Timecrimes director Nacho Vigalondo, as well as Dogtooth director Yorgos Lanthimos’ Alps.
We also get Whit Stillman‘s Damsels in Distress starring Greta Gerwig and Geoffrey Fletcher’s Violet & Daisy starring Saoirse Ronan and James Gandolfini. In what should be a little fun we have Gary McKendry‘s Killer Elite starring Robert De Niro, Clive Owen and Jason Statham. We also get Owen’s horror flick Intruders and Joel Schumacher‘s Trespass starring Nicole Kidman and Nicolas Cage. Check out the full line-ups below.
Galas
Closing Night Film
Page Eight David Hare, United Kingdom
International Premiere
Johnny Worricker (Bill Nighy) is a long-serving M15 officer.
We also get Whit Stillman‘s Damsels in Distress starring Greta Gerwig and Geoffrey Fletcher’s Violet & Daisy starring Saoirse Ronan and James Gandolfini. In what should be a little fun we have Gary McKendry‘s Killer Elite starring Robert De Niro, Clive Owen and Jason Statham. We also get Owen’s horror flick Intruders and Joel Schumacher‘s Trespass starring Nicole Kidman and Nicolas Cage. Check out the full line-ups below.
Galas
Closing Night Film
Page Eight David Hare, United Kingdom
International Premiere
Johnny Worricker (Bill Nighy) is a long-serving M15 officer.
- 8/16/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Dueling festival lineups! It seems that for every announcement for the Toronto International Film Festival lineup comes a competing (and often overlapping) one from Venice. Here we're collecting the finalized Venice lineups so far. (Above image: Philippe Garrel's A Burning Hot Summer.)
Competition
The Ides of March (George Clooney, USA) (opening night) 4:44 Last Day on Earth (Abel Ferrara, USA) Alps (Yorgos Lanthimos, Greece) A Burning Hot Summer (Philippe Garrel, France) Carnage (Roman Polanski, France/Germany/Spain/Poland) Chicken With Plums (Marjane Satrapi and Vincent Paronnaud, France/Belgium/Germany) A Dangerous Method (David Cronenberg, Canada) Dark Horse (Todd Solondz, USA) The Exchange (Eran Kolirin, Israel/Germany) Faust (Alexander Sokurov, Russia) Himizu (Sion Sono, Japan) Killer Joe (William Friedkin, USA) Life without Principle (Johnnie To, Hk) Quando la notte (Cristina Comencini, Italy) Seediq Bale (Wei Desheng, Taiwan) Shame (Steve McQueen, UK) Terraferma (Emanuele Crialese, Italy) Texas Killing Fields (Ami Canaan Mann,...
Competition
The Ides of March (George Clooney, USA) (opening night) 4:44 Last Day on Earth (Abel Ferrara, USA) Alps (Yorgos Lanthimos, Greece) A Burning Hot Summer (Philippe Garrel, France) Carnage (Roman Polanski, France/Germany/Spain/Poland) Chicken With Plums (Marjane Satrapi and Vincent Paronnaud, France/Belgium/Germany) A Dangerous Method (David Cronenberg, Canada) Dark Horse (Todd Solondz, USA) The Exchange (Eran Kolirin, Israel/Germany) Faust (Alexander Sokurov, Russia) Himizu (Sion Sono, Japan) Killer Joe (William Friedkin, USA) Life without Principle (Johnnie To, Hk) Quando la notte (Cristina Comencini, Italy) Seediq Bale (Wei Desheng, Taiwan) Shame (Steve McQueen, UK) Terraferma (Emanuele Crialese, Italy) Texas Killing Fields (Ami Canaan Mann,...
- 8/9/2011
- MUBI
"Eden Is West," co-written and directed by Costa-Gavras, was awarded the top prize by the jury of the Los Angeles Film Critics Assn. at the 13th annual City of Lights, City of Angels, a Week of French Film Premieres in Hollywood, which concluded Sunday at the Directors Guild Theatre.
Lafca's special prize went to "The First Day of the Rest of Your Life," written and directed by Remi Bezancon. Actress Yolande Moreau was given a special mention for her work in "Seraphine," her Cesar Award-winning performance, as well as her turn in the comedy caper "Louise-Michel."
The closing film, Philippe Lioret's "Welcome," about a Kurdish youth's struggle to emigrate from Iraq to the U.K. via Calais, won the Colcoa audience award, while "Baby Love," written and directed by Vincent Garenq, garnered both the Colcoa first feature and audience special prize awards.
Audience special mention went to the gangster...
Lafca's special prize went to "The First Day of the Rest of Your Life," written and directed by Remi Bezancon. Actress Yolande Moreau was given a special mention for her work in "Seraphine," her Cesar Award-winning performance, as well as her turn in the comedy caper "Louise-Michel."
The closing film, Philippe Lioret's "Welcome," about a Kurdish youth's struggle to emigrate from Iraq to the U.K. via Calais, won the Colcoa audience award, while "Baby Love," written and directed by Vincent Garenq, garnered both the Colcoa first feature and audience special prize awards.
Audience special mention went to the gangster...
- 4/27/2009
- The Hollywood Reporter - Movie News
Universal's "Mamma Mia!" grabbed the No. 1 spot on the overseas circuit for the first time, grossing an estimated $15 million during the weekend from 3,493 screens in 39 markets to best Warner Bros.' "The Dark Knight" by about $3.2 million.
The surprise smash musical adaptation of the stage hit opened at No. 1 in Portugal with an estimated $804,000 from 65 sites for a per-screen average of $12,369. In Korea, it premiered at No. 2 (after the local-language "Divine Weapon") with an estimated $5.5 million from 370 screens. In both markets the film registered the biggest opening gross ever for a musical title.
With an international gross of $280.1 million, "Mamma Mia!" has eclipsed Disney's "The Chronicles of Narnia: Prince Caspian" -- which has accumulated $275.1 million overseas and $416.1 million worldwide -- to become 2008's fifth-biggest boxoffice hit overseas. It has 16 markets to play and opens this weekend in France, Belgium, Brazil, Mexico, Hong Kong and India.
Warners' latest Batman installment, which had been No.
The surprise smash musical adaptation of the stage hit opened at No. 1 in Portugal with an estimated $804,000 from 65 sites for a per-screen average of $12,369. In Korea, it premiered at No. 2 (after the local-language "Divine Weapon") with an estimated $5.5 million from 370 screens. In both markets the film registered the biggest opening gross ever for a musical title.
With an international gross of $280.1 million, "Mamma Mia!" has eclipsed Disney's "The Chronicles of Narnia: Prince Caspian" -- which has accumulated $275.1 million overseas and $416.1 million worldwide -- to become 2008's fifth-biggest boxoffice hit overseas. It has 16 markets to play and opens this weekend in France, Belgium, Brazil, Mexico, Hong Kong and India.
Warners' latest Batman installment, which had been No.
- 9/7/2008
- by By Frank Segers
- The Hollywood Reporter - Movie News
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