Suffering from hysteria, Sabina Spielrein is hospitalized under the care of Dr. Carl Jung who has begun using Dr. Sigmund Freud's talking cure with some of his patients. Spielrain's psychological problems are deeply rooted in her childhood and violent father. She is highly intelligent however and hopes to be a doctor, eventually becoming a psychiatrist in her own right. The married Jung and Spielrein eventually become lovers. Jung and Freud develop an almost father-son relationship with Freud seeing the young Jung as his likely successor as the standard-bearer of his beliefs. A deep rift develops between them when Jung diverges from Freud's belief that while psychoanalysis can reveal the cause of psychological problems it cannot cure the patient. Written by
The apocalyptic dream, described by Jung may refer to the beginning of World War I (1914-1918). During World War I Jung was drafted as an army doctor and soon made commandant of an internment camp for British officers and soldiers. Swiss neutrality obliged the Swiss to intern personnel from either side of the conflict who crossed their frontier to evade capture. Jung worked to improve the conditions for these soldiers stranded in neutral territory; he encouraged them to attend university courses. See more »
The sailboat that Jung's wife gives him is clearly very modern with Dacron sails, nylon rigging and stainless steel cleats, none of which existed at the time. See more »
It seems to me the measure of the true perversity of the human race, that one of its very few reliably pleasurable activities should be the subject of so much hysteria and repression.
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Sincere Effort, But the Cake Was Left Out in the Rain
What was the source of conflict which caused a gulf to form between Sigmund Freud and Carl Jung? When we examine their personal and professional lives, what turning points shaped their theories? What were the storms which blew through the lives of Jung and Sabina Spielrein? These are some of the questions this film attempts to highlight, and in fact begins to touch upon.
Some of the most scintillating moments of "A Dangerous Method" are sexually bracing. But the audience is left feeling a bit orphaned. Do these carnal scenes truly address the significant thematic questions?
Here's my main beef with this film: I wanted to see more time spent on the rigorous conflict between Freud and Jung. I have a sincere interest in the life of Carl Jung, but in the end, I was not sufficiently satisfied. Having said that, the production design, scenery, and costuming were absolutely wonderful.
The somber, instinctual undercurrents of "A Dangerous Method" can be a bit hypnotic. But because the script suffers, I cannot fully come under its spell. As the rolling credits came up, I personally felt a bit deflated, as if a sweet was torn from my curious grasp. Although I think most films would do well with a tighter edit, this movie could have used an additional 30 minutes of character and plot development.
I appreciated the qualities which Fassbender brought to Carl Jung. Vincent Cassel was right on the mark as the impulsive Otto Gross. Jung's insecure wife Emma was tenderly portrayed by Sarah Gadon.
Although Keira Knightley tried her best to portray Sabina Spielrein, there were certain scenes where her delivery seemed pushed. I have long respected Viggo Mortensen, but I was not fully convinced by his affected portrayal of Freud.
So, who would I cast as Sabina? Emily Mortimer, Helena Bonham Carter, or Rachel Weisz come to mind. And how about the part of Freud? Ben Kingsley, Dustin Hoffman, or Geoffrey Rush could have added a riveting twist to this role.
Is there a doctor in the house? I will leave that for you to decide.
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