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Omar Killed Me (2011)
"Omar m'a tuer" (original title)

 -  Crime | Drama  -  22 June 2011 (France)
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Ratings: 6.7/10 from 851 users  
Reviews: 5 user | 18 critic

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Cast overview, first billed only:
Omar Raddad
Denis Podalydès ...
Pierre-Emmanuel Vaugrenard
Maurice Bénichou ...
Jacques Vergès
Salomé Stévenin ...
Nozha Khouadra ...
Latifa Raddad
Afida Tahri ...
La mère de Latifa
Yanis Abdellaoui ...
Karim enfant
Ayoub El Mahlili ...
Karim jeune garçon
Martial Rivol ...
Président Djian
Lounès Tazairt ...
M. Sheriff (as Lounès Tazaïrt)
Liliane Nataf ...
Mme Marchal
Catherine Salviat ...
Hélène Carrère d'Encausse
Pascal Elso ...
André de Comminges
Didier Vinson ...
Juge Renard
Gabriel Le Doze ...
Maître Beaudoux


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Crime | Drama


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Release Date:

22 June 2011 (France)  »

Also Known As:

Omar m'a tuer  »

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


Morocco's official submission to the Best Foreign Language Film category of the 84th Academy Awards 2012. See more »

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User Reviews

Roschdy Zem has chosen a great subject for his film about the blindness of justice.
18 May 2013 | by (FIPRESCI/Cinema of the world) – See all my reviews

Omar M'a Tuer is about an ordinary person who has been put in prison for a crime which he believes not having committed. Director Roschdy Zem portrays that there are very few possibilities for an ordinary man to defend his honor in a criminal case where the real culprit is enjoying his life elsewhere. As a part legal drama as well as part social commentary, Omar M'a Tuer is a socially relevant film about the ineffectiveness of the criminal justice system in France. About his decision to choose direction it needs to be stated that actors making their foray in the field of cinema is a positive development as they can give much needed boost to films which are based on original content. It can be surmised that while watching "Omar M'a Tuer", those viewers who know much about French culture and history would not hesitate a bit in drawing parallels between the film's tale and Emile Zola's infamous Dreyfus case. In both cases, public opinions were more in favor of underdogs who did not have much political power to pursue their cases.

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